Canonical Classics ← 第三十四回
第三十四回
wángqiǎosuànkùnxīnyuán
shèngténgnuópiànbǎobèi

The Demon King, by artful reckoning, confounds the Mind-Monkey; the Great Sage, by shifting sleight, filches away the treasures.

變身赴洞
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

變身赴洞 Assuming Both Their Forms

便biànxiàgēnháomáochuīkǒuxiānjiào:「biàn!」biànzuòshānshēnquèbiànzuòhǎilóngjiǎzhuāngzuòliǎngxiǎoyāojìngwǎnglóngdòngqǐnglǎonǎinǎizhèjiàozuòshíèrbiànshéntōngzhǐténgnuóshǒuduàngāo便biànxiàgēnháomáochuīkǒuxiānjiào:「biàn!」biànzuòshānshēnquèbiànzuòhǎilóngjiǎzhuāngzuòliǎngxiǎoyāojìngwǎnglóngdòngqǐnglǎonǎinǎizhèjiàozuòshíèrbiànshéntōngzhǐténgnuóshǒuduàngāo


逐句解 Line by line

便biànxiàgēnháomáochuīkǒuxiānjiào:「biàn!」biànzuòshānshēnquèbiànzuòhǎilóngjiǎzhuāngzuòliǎngxiǎoyāojìngwǎnglóngdòngqǐnglǎonǎinǎi 便biànxiàgēnháomáochuīkǒuxiānjiào:「biàn!」biànzuòshānshēnquèbiànzuòhǎilóngjiǎzhuāngzuòliǎngxiǎoyāojìngwǎnglóngdòngqǐnglǎonǎinǎi

At once he plucked out a hair, blew on it a breath of immortal air, and cried “Change!” — turning it into Mountain-Straddling Tiger, while he made his own body into Sea-Reclining Dragon. Counterfeiting the two little imps, he went straight to Dragon-Crushing Cave to invite Old Grandma.

吹口仙氣 (chuī kǒu xiān qì), "blew a breath of immortal air," the standard means of animating a plucked hair. 那壓龍洞 (nà yā lóng dòng), "that Dragon-Crushing Cave," deictic ; 假妝 (jiǎ zhuāng), "counterfeiting, disguised as.”

zhèjiàozuòshíèrbiànshéntōngzhǐténgnuóshǒuduàngāo zhèjiàozuòshíèrbiànshéntōngzhǐténgnuóshǒuduàngāo

This is what is called: great is the power of the seventy-two transformations; high the craft of pointing at things and shifting them about.

A paired storyteller's tag closing the episode. 騰那 (téng nuó), "to shift and maneuver" — the same compound as the chapter title's 騰挪/騰那; here is read nuó, a graphic variant of , "to move." 指物 (zhǐ wù), "to point at a thing" and so transform it.


總評 Commentary

Wukong's double transformation solves the problem the couriers posed: to arrive at Dragon-Crushing Cave he must be both messengers at once, and so he splits his presence between a conjured hair and his own body. The economy is characteristic — the corpses hidden, their shapes borrowed, the errand continued without a beat lost. The disguise is not concealment but impersonation, walking into the enemy's house wearing the enemy's face.

The couplet that closes the episode is the storyteller's applause, and its second line names the chapter itself: 騰那 (騰挪), the art of shifting and maneuvering, is precisely the title's 大聖騰挪騙寶貝. The compound's sense — to move, transpose, sleight-of-hand — gathers the whole chapter's method into two characters, and its reading here, nuó, settles the graph as a variant of 挪, “to move,” rather than the demonstrative 那.