Canonical Classics ← 第三十三回
第三十三回
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The Heterodox Way Deludes the True Nature · The Primal Spirit Aids the Fundamental Mind

三指三噤
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

三指三噤 Three Points and Three Shudders

zhòngguàidōukànjiànèryòngshǒuzhǐdào:「shì?」sānzàngjiùzàishànglehánjìnyòuzhǐyòuhánjìnliánzhǐlesānzhǐjiùliánlesānhánjìnxīnshénníngdào:「azěnmehánjìnme?」shāsēngdào:「hánjìnxiǎngshìshāngshíbìngle。」xíngzhědào:「shuōshīshìzǒuzhezhèshēnshānjùnlǐngránxiǎoxīnjīngděnglǎosūnbàngjīng。」zhòngguàidōukànjiànèryòngshǒuzhǐdào:「shì?」sānzàngjiùzàishànglehánjìnyòuzhǐyòuhánjìnliánzhǐlesānzhǐjiùliánlesānhánjìnxīnshénníngdào:「azěnmehánjìnme?」shāsēngdào:「hánjìnxiǎngshìshāngshíbìngle。」xíngzhědào:「shuōshīshìzǒuzhezhèshēnshānjùnlǐngránxiǎoxīnjīngděnglǎosūnbàngjīng。」


逐句解 Line by line

zhòngguàidōukànjiàn zhòngguàidōukànjiàn

Not one of the fiends could see it.

都不 (dōu bù), "not one of them" -- is the totalizing dōu, "all." Only the captain has the eye for an aura. His troops are looking straight at it and seeing sky.

èryòngshǒuzhǐdào:「shì?」 èryòngshǒuzhǐdào:「shì?」

The second fiend pointed with his hand and said: "Is that not he?"

Now is the pointing , "that one there" -- set it against the question-word a few lines above and the pair is complete. 用手指, "pointed with his finger."

sānzàngjiùzàishànglehánjìnyòuzhǐyòuhánjìn sānzàngjiùzàishànglehánjìnyòuzhǐyòuhánjìn

At that, Tripitaka, up on his horse, gave a cold shudder; another point, another shudder.

寒噤 (hán jìn) is a cold shiver, the kind that runs through you without warning. What makes the moment eerie is the mechanics: the demon's finger works on the master's body directly, so his flesh answers the aim before his mind knows he is a target.

liánzhǐlesānzhǐjiùliánlesānhánjìn liánzhǐlesānzhǐjiùliánlesānhánjìn

Three points in a row, and three shudders in a row he gave.

一連 (yì lián), "one after another, without a break." Three points, three shudders. The tripling has the insistence of folk omen, and it is the shape the whole chapter keeps returning to -- three mountains are coming.

xīnshénníngdào:「azěnmehánjìnme?」 xīnshénníngdào:「azěnmehánjìnme?」

Uneasy in mind and spirit, he said: "Disciples — why is it I keep shuddering with cold?"

心神不寧 (xīn shén bù níng), "heart and spirit unquiet," is still the ordinary phrase for being unable to settle. Tripitaka feels the omen and cannot name it; the (me) at the end marks the puzzled question.

shāsēngdào:「hánjìnxiǎngshìshāngshíbìngle。」 shāsēngdào:「hánjìnxiǎngshìshāngshíbìngle。」

Sha Monk said: "The shivering is likely an attack of indigestion coming on."

傷食 (shāng shí) is "food-injury," indigestion; 病發 (bìng fā), "the complaint breaking out." Sha Monk supplies the flat, sensible misreading: you have eaten something.

xíngzhědào:「shuōshīshìzǒuzhezhèshēnshānjùnlǐngránxiǎoxīnjīng xíngzhědào:「shuōshīshìzǒuzhezhèshēnshānjùnlǐngránxiǎoxīnjīng

Pilgrim said: "Nonsense — Master, walking these deep hills and steep ridges, is bound to take fright at shadows out of caution.

胡說 (hú shuō), "nonsense, rot." 走著 (zǒu zhe) takes the of an action still running -- in the course of walking. 虛驚 (xū jīng) is a fright at nothing, a false alarm.

děnglǎosūnbàngjīng。」 děnglǎosūnbàngjīng。」

"No fear, no fear — let old Monkey ply his cudgel the whole way along and beat the fright out of you."

壓驚 (yā jīng) is to settle someone's nerves after a shock -- literally to press the fright down. Doubling it into 壓壓驚 makes it casual and playful, "give your nerves a good settling." 與你 (yǔ nǐ), "for you." The proposed medicine is a cudgel display, which tells you everything about the physician.


總評 Commentary

The chapter's central omen arrives in threes: three jabs of the demon's finger, three cold shudders in the master's body. It is dramatic irony at full stretch, since Tripitaka's flesh knows it has been marked while his mind gropes about for a cause -- and the three answers stage the three temperaments neatly. Sha Monk offers indigestion. The master can only ask why. Pilgrim alone senses that the trouble is nerves rather than stomach, though he puts it down to the scenery.

Pilgrim's remedy is entirely his own: not prayer, not vigilance, but a display of the iron cudgel the whole way along, to beat the fright out. It reassures the master and it cues the routine that opens the next scene, where the flourish will very nearly unman the demon watching from the peak.