Canonical Classics ← 第三十三回
第三十三回
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The Heterodox Way Deludes the True Nature · The Primal Spirit Aids the Fundamental Mind

好殺一場
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

好殺一場 A Fine Fray

zhèchánghǎoshāzhèchánghǎoshā

xīngjiànxiángyāobàngwànyìngjīnguāngshǎnliàngxīngjiànxiángyāobàngwànyìngjīnguāngshǎnliàng
zhèyuányǎnxiōnghēishāshéntiěliǎnzhēnshìjuǎnliánjiàngzhèyuányǎnxiōnghēishāshéntiěliǎnzhēnshìjuǎnliánjiàng
guàishānqiánxiǎnnéngxīnyàozhuōtángsānzàngguàishānqiánxiǎnnéngxīnyàozhuōtángsānzàng
zhèbǎozhēnsēngxīnnìngkěnfàngzhèbǎozhēnsēngxīnnìngkěnfàng
liǎngpēnyúnǎizhàotiāngōngyángchénzhēdǒuxiàngliǎngpēnyúnǎizhàotiāngōngyángchénzhēdǒuxiàng
shādelúnhóngdànguāngqiánkūnhūndàngdàngshādelúnhóngdànguāngqiánkūnhūndàngdàng
láiwǎngxiāngchíjiǔhuízhànbàishāshàngláiwǎngxiāngchíjiǔhuízhànbàishāshàng

逐句解 Line by line

zhèchánghǎoshā zhèchánghǎoshā

This was a fine fray:

好殺 (hǎo shā), "a fine bit of killing" -- the storyteller's tag for a battle set-piece, and the cue that the prose is about to give way to verse.

xīngjiànxiángyāobàngwànyìngjīnguāngshǎnliàng xīngjiànxiángyāobàngwànyìngjīnguāngshǎnliàng

A Seven-Star sword, a demon-quelling staff — / ten thousand glints of golden light, flashing bright.

The verse opens by simply naming the two weapons and letting them flash. 降妖棒 again takes as xiáng, "to subdue."

zhèyuányǎnxiōnghēishāshéntiěliǎnzhēnshìjuǎnliánjiàng zhèyuányǎnxiōnghēishāshéntiěliǎnzhēnshìjuǎnliánjiàng

This one, round-eyed, fierce as the Dark God of Slaughter; / that one, iron-faced, the very Curtain-Rolling General.

圜眼 (yuán yǎn), "round eyes," read yuán. 捲簾將 (juǎn lián jiàng) is the Curtain-Rolling General, the post Sha Monk held in Heaven before he broke a dish and was thrown out -- here is jiàng, "general," not the jiāng that has been serving as a small particle all chapter. In this couplet "this one" is the fiend and "that one" is Sha Monk.

guàishānqiánxiǎnnéngxīnyàozhuōtángsānzàng guàishānqiánxiǎnnéngxīnyàozhuōtángsānzàng

The fiend before the mountain shows his full power, / bent with a single heart on seizing Tang Tripitaka.

大顯能 (dà xiǎn néng), "shows what he can do." And the deixis has quietly swapped: the demon, who was "this one" in the couplet above, is now "that fiend." Verse of this kind uses 這個 and 那個 to alternate the camera, not to label the fighters permanently.

zhèbǎozhēnsēngxīnnìngkěnfàng zhèbǎozhēnsēngxīnnìngkěnfàng

This one strains to shield the true monk, / of a single heart to die sooner than give way.

寧死 (nìng sǐ), "would sooner die," read nìng. 真僧 (zhēn sēng), "the true monk." Sha Monk gets one of the plainest statements of loyalty in the book, and he gets it in the middle of losing.

liǎngpēnyúnǎizhàotiāngōngyángchénzhēdǒuxiàng liǎngpēnyúnǎizhàotiāngōngyángchénzhēdǒuxiàng

The two of them spew cloud and belch mist to light the Palace of Heaven, / fling up dust and scatter earth to veil the Dipper and the stars.

噴雲噯霧 (pēn yún ǎi wù), "spitting cloud and belching fog," read ǎi. 斗象 (dǒu xiàng) is the Dipper and the figures of the sky -- the constellation again, and the last of its four appearances in this chapter.

shādelúnhóngdànguāngqiánkūnhūndàngdàng shādelúnhóngdànguāngqiánkūnhūndàngdàng

They fight till the single red disc of the sun fades to no light, / and the whole earth, all heaven-and-earth, hangs dim and reeling.

殺得 (shā de), "fought to the point that," the of degree. And here is 乾坤 (qián kūn), heaven-and-earth, where takes qián -- the reading held back when the same character appeared as plain "dry" in the demons' pickling instructions at the top of the chapter.

láiwǎngxiāngchíjiǔhuízhànbàishāshàng láiwǎngxiāngchíjiǔhuízhànbàishāshàng

Back and forth they grapple, eight rounds or nine — / till, past all expectation, Sha Monk is beaten.

相持 (xiāng chí), "to be locked together, evenly matched," read xiāng. 不期 (bù qī), "against all expectation." The verse spends six lines darkening the sun and then loses the fight in its last four words.


總評 Commentary

The battle-verse sets the two fighters in strict parallel and lets each half-line answer its partner: the round-eyed fiend fierce as the Dark God of Slaughter against the iron-faced Sha Monk, who was once the Curtain-Rolling General in Heaven. One shows his full power in order to seize the master; the other strains to shield him and would rather die than give ground. The couplet form turns a fight into a contest of matched wills.

The cosmic hyperbole is standard for the genre and pointed in its effect -- spat cloud lighting the halls of Heaven, flung dust hiding the Dipper, the sun itself going pale. And then the verse turns on its final line: against all expectation, Sha Monk is beaten. With Pilgrim buried under three peaks, the last defender falls, and the storyteller's "fine fray" ends not in triumph but in the capture that follows.