Canonical Classics ← 第三十三回
第三十三回
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The Heterodox Way Deludes the True Nature · The Primal Spirit Aids the Fundamental Mind

講開馱法
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

講開馱法 Setting Terms for the Carrying

xíngzhěwényándào:「zhèzàohuàlishīshìbēihǎoshànzhīrényòuyǒuxiēwàihǎochádàituójiùguàituó便biàntuóyàojiǎngkāiruòshìxiǎo便biànxiānshuōruòzàiliángshànglínxiàláisāokānqiěledeméirén漿jiāng。」guàidào:「zhèbānziniánzhīdehuàshuō?」xíngzhěcáijiāngláibēizàishēnshàngtóngzhǎnglǎoshāsēngbēn西xíngshānshànggāopíngzhīchùxíngzhěliúxīnmànzǒuràngtángsēngqiánxíngzhěwényándào:「zhèzàohuàlishīshìbēihǎoshànzhīrényòuyǒuxiēwàihǎochádàituójiùguàituó便biàntuóyàojiǎngkāiruòshìxiǎo便biànxiānshuōruòzàiliángshànglínxiàláisāokānqiěledeméirénjiāng。」guàidào:「zhèbānziniánzhīdehuàshuō?」xíngzhěcáijiāngláibēizàishēnshàngtóngzhǎnglǎoshāsēngbēn西xíngshānshànggāopíngzhīchùxíngzhěliúxīnmànzǒuràngtángsēngqián


逐句解 Line by line

xíngzhěwényándào:「zhèzàohuàlishīshìbēihǎoshànzhīrényòuyǒuxiēwàihǎochá xíngzhěwényándào:「zhèzàohuàlishīshìbēihǎoshànzhīrényòuyǒuxiēwàihǎochá

Pilgrim, hearing this, said: “This creature's in luck! That master of mine is a merciful, good-hearted man — though smooth without, he's a bit gnarled and prickly within.

造化 (zào huà), here “good fortune, luck.” 外好裡枒槎 (wài hǎo lǐ yá chá), “smooth outside but knotty within” — 枒槎 is the snags and forks of rough timber, a figure for a prickly temper beneath a kind exterior.

dàituójiùguài dàituójiùguài

“If I were minded not to carry you, he'd only blame me for it.”

待 (dài) here means “to be about to, to intend to.” 怪 (guài), “to blame, to fault.” Pilgrim resigns himself to the task to spare himself the master's reproach.

tuó便biàntuóyàojiǎngkāiruòshìxiǎo便biànxiānshuōruòzàiliángshànglínxiàláisāokānqiěledeméirén漿jiāng。」 tuó便biàntuóyàojiǎngkāiruòshìxiǎo便biànxiānshuōruòzàiliángshànglínxiàláisāokānqiěledeméirénjiāng。」

“Carry you I will — but let's have it clear between us: if you need to relieve yourself, tell me first; should it run down my spine, the stink would be past bearing, and it'd foul my clothes with no one to wash them.”

講開 (jiǎng kāi), “to talk out, to settle plainly.” 大小便 (dà xiǎo biàn), “to void, to relieve oneself.” 臊氣不堪 (sāo qì bù kān), “an unbearable stench.” Pilgrim's coarse, comic conditions deflate the whole solemn charade.

guàidào:「zhèbānziniánzhīdehuàshuō?」 guàidào:「zhèbānziniánzhīdehuàshuō?」

The fiend said: “A man of my years — do you think I don't know how to behave?”

一把子年紀 (yì bǎ zi nián jì), “quite an age, well on in years”; here is the measure , and accordingly . 豈不知 (qǐ bù zhī), “how could I not know.”

xíngzhěcáijiāngláibēizàishēnshàngtóngzhǎnglǎoshāsēngbēn西xíng xíngzhěcáijiāngláibēizàishēnshàngtóngzhǎnglǎoshāsēngbēn西xíng

Only then did Pilgrim haul him up, hoist him onto his back, and with the Elder and Sha Monk make west along the high road.

拉將起來 (lā jiāng qǐ lái), “hauled up” — a particle of motion. 背在身上 (bēi zài shēn shàng), “carried on his back” — read bēi, the verb “to bear on the back.”

shānshànggāopíngzhīchùxíngzhěliúxīnmànzǒuràngtángsēngqián shānshànggāopíngzhīchùxíngzhěliúxīnmànzǒuràngtángsēngqián

On the mountain's rough and uneven stretches, Pilgrim walked slowly and watchfully, letting Tripitaka go on ahead.

高低不平 (gāo dī bù píng), “high and low, rough going.” 留心慢走 (liú xīn màn zǒu), “to go slowly and with care.” Pilgrim hangs back deliberately — the prelude to the demon's next move.


總評 Commentary

Resigned to the carrying, Pilgrim deflates the whole solemn charade with a run of coarse comedy: he warns the “old Daoist” to give notice before relieving himself, lest the filth run down his spine and foul his unwashed robes. The joke is characteristic — Pilgrim meets the demon's counterfeit dignity with earthy mockery, and his shrewd aside on the master (“smooth without, gnarled within”) is one of the novel's sharpest thumbnail portraits of Tripitaka's kindly but exacting temper.

The passage closes the disguise sequence and sets the next in motion. Pilgrim shoulders the fiend and, on the rough ground, deliberately falls behind, letting the master ride ahead — the very separation Sha Monk foresaw and the opening the demon has schemed for. The comedy of the carrying-terms gives way, in the final image of Pilgrim walking watchfully at the rear, to the quiet tension of a trap about to spring.