Canonical Classics ← 第三十三回
第三十三回
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The Heterodox Way Deludes the True Nature · The Primal Spirit Aids the Fundamental Mind

耳熱心疑
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

耳熱心疑 A Burning Ear, a Doubting Heart

quèshuōsānzàngzuòzàiqiáněryǎntiàoshēnānjiàoshēng:「kōngzěnmenéngzhèfānxúnshānzhījiǔérlái?」xíngzhědào:「shīháixiǎodedexīnli。」sānzàngdào:「yǒushénxīn?」xíngzhědào:「shīashānruòshìyǒuguàibànnánxíngdìngzhāngshēngshìpǎojiānghuíláibàoxiǎngshìguàipíngjìngzhíle。」quèshuōsānzàngzuòzàiqiáněryǎntiàoshēnānjiàoshēng:「kōngzěnmenéngzhèfānxúnshānzhījiǔérlái?」xíngzhědào:「shīháixiǎodedexīnli。」sānzàngdào:「yǒushénxīn?」xíngzhědào:「shīashānruòshìyǒuguàibànnánxíngdìngzhāngshēngshìpǎojiānghuíláibàoxiǎngshìguàipíngjìngzhíle。」


逐句解 Line by line

quèshuōsānzàngzuòzàiqiáněryǎntiàoshēnānjiàoshēng:「kōngzěnmenéngzhèfānxúnshānzhījiǔérlái?」 quèshuōsānzàngzuòzàiqiáněryǎntiàoshēnānjiàoshēng:「kōngzěnmenéngzhèfānxúnshānzhījiǔérlái?」

Now Tripitaka, seated at the foot of the slope, felt his ears burn and his eyes twitch, his whole body ill at ease, and called out: “Wukong — how is it that Wuneng, gone this round to scout the mountain, has been away so long and not come back?”

耳熱眼跳 (ěr rè yǎn tiào), “burning ears and a twitching eye,” are folk omens of trouble on the way — the body sensing what the mind does not yet know. 這番 (zhè fān), “this time, this round”; 悟能 is Bajie's religious name, as 悟空 is Pilgrim's.

xíngzhědào:「shīháixiǎodedexīnli。」 xíngzhědào:「shīháixiǎodedexīnli。」

Pilgrim said: “Master, you still don't know that one's heart.”

還 (hái) is “still, yet”; 曉得 (xiǎo de), “to know, to be aware,” carries the toneless structural 得 (de). The final 哩 (li) is a vernacular sentence-particle akin to 呢.

sānzàngdào:「yǒushénxīn?」 sānzàngdào:「yǒushénxīn?」

Tripitaka said: “What heart has he?”

甚 (shén) here is the interrogative “what” (= 甚麼), not the adverbial shèn, “exceedingly”; the graph carries both readings, and only sense divides them.

xíngzhědào:「shīashānruòshìyǒuguàibànnánxíngdìngzhāngshēngshìpǎojiānghuíláibào xíngzhědào:「shīashānruòshìyǒuguàibànnánxíngdìngzhāngshēngshìpǎojiānghuíláibào

Pilgrim said: “Master, if this mountain held a monster, he'd not go half a step further — he'd make a great show of alarm and come running back to report to me.

虛張聲勢 (xū zhāng shēng shì), “to make an empty show of force,” bluster to cover retreat. 跑將回來 uses 將 (jiāng) as a particle of motion between verb and direction-complement, “came running back.”

xiǎngshìguàipíngjìngzhíle。」 xiǎngshìguàipíngjìngzhíle。」

“I fancy there's no monster — the road being quiet, he's simply gone straight on.”

想是 (xiǎng shì), “presumably, I suppose”; 一直去了, “went straight along.” Pilgrim's inference is sound as to Bajie's sloth but blind to the peril in fact closing on them.


總評 Commentary

The scene cuts from cave to road, bridged by omen: burning ears, a twitching eye, a body “ill at ease.” The novel repeatedly grants Tripitaka this uneasy somatic foreknowledge — his flesh registers danger while his understanding lags — and here it prepares the shudders to come. His worry, however, fastens on the wrong thing: not the demon but the missing Bajie.

Pilgrim's reply is characterization in miniature. Where the Master frets, the disciple reasons, diagnosing Bajie's absence as ordinary laziness with a shrewdness that is, ironically, right on the small point and wrong on the large. The exchange sets the chapter's governing irony in place — the party's most perceptive member reads the calm road as safety at the very moment the Silver-Horned demon is laying his snare.