Canonical Classics ← 第三回
第三回
hǎiqiānshānjiēgǒng
jiǔyōushílèijìnchúmíng

The four seas and a thousand mountains all submit in homage · The nine dark regions and ten categories are struck from the rolls

天河神珍
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

天河神珍 The Treasure of Heaven's River

zhèngshuōchùhòumiànshǎnguòlónglóngdào:「wángguānkànshèngjuéfēixiǎomenzhèhǎizàngzhōngkuàitiāndìngdeshénzhēntiězhèxiáguāngyànyànruìténgténggǎnshìgāichūxiànshèng?」lóngwángdào:「shìzhìshuǐzhīshídìngjiānghǎiqiǎnshēndedìngzishìkuàishéntiěnéngzhòngyòng?」lóngdào:「guǎnyòngyòngqiěsòngpíngzěnmegǎizàosòngchūgōngmén便biànle。」lǎolóngwángyánjìnxiàngkōngshuōlekōngdào:「chūláikàn。」lóngwángyáoshǒudào:「kángdòngtáidòngshàngxiānqīnkànkàn。」kōngdào:「zàichùyǐn。」lóngwángguǒyǐndǎozhìhǎizàngzhōngjiānjiànjīnguāngwàndàolóngwángzhǐdìngdào:「fàngguāngde便biànshì。」kōngliāoshàngqiánlenǎishìgēntiězhùziyuēyǒudǒuláièrzhàngyǒuchángjǐnliǎngshǒuzhuāguòdào:「chángxiēzàiduǎnxiēfāngyòng。」shuōbǎobèijiùduǎnlechǐlewéikōngyòudiāndiāndào:「zàixiēgènghǎo。」bǎobèizhēnyòulefēnkōngshífēnhuānchūhǎizàngkànshíyuánláiliǎngtóushìliǎngjīnzhōngjiānnǎiduàntiějǐnāiyǒujuānchéngdehánghuànzuò:「jīnbàngzhòngwànsānqiānbǎijīn。」xīnzhōngàndào:「xiǎngzhèbǎobèirén。」biānzǒubiānxīnkǒuniànshǒudiānzhedào:「zàiduǎnxiēgèngmiào。」chūwàimiànzhǐyǒuèrzhàngchángduǎnwǎnkǒuzhèngshuōchùhòumiànshǎnguòlónglóngdào:「wángguānkànshèngjuéfēixiǎomenzhèhǎizàngzhōngkuàitiāndìngdeshénzhēntiězhèxiáguāngyànyànruìténgténggǎnshìgāichūxiànshèng?」lóngwángdào:「shìzhìshuǐzhīshídìngjiānghǎiqiǎnshēndedìngzishìkuàishéntiěnéngzhòngyòng?」lóngdào:「guǎnyòngyòngqiěsòngpíngzěnmegǎizàosòngchūgōngmén便biànle。」lǎolóngwángyánjìnxiàngkōngshuōlekōngdào:「chūláikàn。」lóngwángyáoshǒudào:「kángdòngtáidòngshàngxiānqīnkànkàn。」kōngdào:「zàichùyǐn。」lóngwángguǒyǐndǎozhìhǎizàngzhōngjiānjiànjīnguāngwàndàolóngwángzhǐdìngdào:「fàngguāngde便biànshì。」kōngliāoshàngqiánlenǎishìgēntiězhùziyuēyǒudǒuláièrzhàngyǒuchángjǐnliǎngshǒuzhuāguòdào:「chángxiēzàiduǎnxiēfāngyòng。」shuōbǎobèijiùduǎnlechǐlewéikōngyòudiāndiāndào:「zàixiēgènghǎo。」bǎobèizhēnyòulefēnkōngshífēnhuānchūhǎizàngkànshíyuánláiliǎngtóushìliǎngjīnzhōngjiānnǎiduàntiějǐnāiyǒujuānchéngdehánghuànzuò:「jīnbàngzhòngwànsānqiānbǎijīn。」xīnzhōngàndào:「xiǎngzhèbǎobèirén。」biānzǒubiānxīnkǒuniànshǒudiānzhedào:「zàiduǎnxiēgèngmiào。」chūwàimiànzhǐyǒuèrzhàngchángduǎnwǎnkǒu


逐句解 Line by line

zhèngshuōchùhòumiànshǎnguòlónglóngdào:「wángguānkànshèngjuéfēixiǎo zhèngshuōchùhòumiànshǎnguòlónglóngdào:「wángguānkànshèngjuéfēixiǎo

Just as they were speaking, the Dragon Mother and the Dragon Daughter slipped out from behind and said: 'Your Majesty, looking at this sage, he is no ordinary being.

The women see what the king has missed, and their intervention against his reluctance is what releases the rod. 正說處 is "just as they were speaking," read chù. 龍婆 and 龍女 are the Dragon Mother, the queen, and the Dragon Daughter, the princess, with here as , "daughter." 決非小可 is "by no means an ordinary one," 小可 meaning "trifling, common."

menzhèhǎizàngzhōngkuàitiāndìngdeshénzhēntiězhèxiáguāngyànyànruìténgténggǎnshìgāichūxiànshèng?」 menzhèhǎizàngzhōngkuàitiāndìngdeshénzhēntiězhèxiáguāngyànyànruìténgténggǎnshìgāichūxiànshèng?」

In our sea-treasury there is that piece of divine iron that fixes the bed of the River of Heaven, and these past few days its rosy radiance has blazed and its auspicious vapors have surged — might it not be that its hour to appear has come, now that this sage is here?'

A treasure gives off light when its hour has come — the standard sign in this kind of tale that an object is waiting for its owner. 海藏 is the sea-hoard or treasury, with read zàng, "storehouse," not cáng, "to hide." 一塊 takes . 天河定底 is "fixes the bottom of the River of Heaven" — 天河 is the Milky Way, and here the cosmic river whose floods Yu controlled. 霞光艷艷 and 瑞氣騰騰, "rosy radiance gleaming, lucky vapors surging," are the conventional signs of a numinous object about to show itself; 敢莫是 is a vernacular "could it be that…"

lóngwángdào:「shìzhìshuǐzhīshídìngjiānghǎiqiǎnshēndedìngzishìkuàishéntiěnéngzhòngyòng?」 lóngwángdào:「shìzhìshuǐzhīshídìngjiānghǎiqiǎnshēndedìngzishìkuàishéntiěnéngzhòngyòng?」

The Dragon King said, 'That is the very gauge with which Yu the Great, in the days of taming the floods, fixed the depths of the rivers and seas — a piece of spirit-iron. What use could it be?'

Here is the novel's finest piece of mythic provenance: the cudgel is Yu the Great's surveying rod. 大禹 (Dà Yǔ), Yu the Great, quelled the primordial floods and founded the Xia; 定子 is the fixing-gauge, the depth-measure with which he set the rivers and seas, its the unstressed zi. 一個 and 一塊 both take . 能中何用 is "what use could it serve?" — here is zhòng, as in 中用, "to be of use," not zhōng. The Dragon King has no idea what he is holding.

lóngdào:「guǎnyòngyòngqiěsòngpíngzěnmegǎizàosòngchūgōngmén便biànle。」 lóngdào:「guǎnyòngyòngqiěsòngpíngzěnmegǎizàosòngchūgōngmén便biànle。」

The Dragon Mother said, 'Never mind whether it is of use or not — just give it to him, and let him remake it however he likes; only see him out the palace gate, and there's an end of it.'

The queen's reasoning is exasperated common sense: never mind what it is, give it to him and get him out of the house. 用不用 is "whether of use or not," the middle taking before the falling tone of . 憑他怎麼改造 is "let him remake it however he pleases," meaning "leave it to, allow." 便了 is a vernacular "and that's that," 便 read biàn and le.

lǎolóngwángyánjìnxiàngkōngshuōlekōngdào:「chūláikàn。」 lǎolóngwángyánjìnxiàngkōngshuōlekōngdào:「chūláikàn。」

The old Dragon King did as she said and told Wukong everything. Wukong said, 'Bring it out and let me see.'

依言 is "in accordance with her words"; 盡向悟空說了 is "told the whole of it to Wukong," with as jìn, "entirely"; 拿出來 is "bring it out."

lóngwángyáoshǒudào:「kángdòngtáidòngshàngxiānqīnkànkàn。」kōngdào:「zàichùyǐn。」 lóngwángyáoshǒudào:「kángdòngtáidòngshàngxiānqīnkànkàn。」kōngdào:「zàichùyǐn。」

The Dragon King waved his hands: 'It cannot be lifted, it cannot be carried — the Honored Immortal must go and look at it himself.' Wukong said, 'Where is it? Lead me there.'

Nobody in the palace can lift it, which is the first hint of what the thing weighs. 扛不動 and 擡不動 are "cannot be lifted, cannot be carried," with read káng, "to carry on the shoulder," and the middle taking before the falling tone of . 親去看看 is "go in person and have a look"; 何處 is "where," as chù.

lóngwángguǒyǐndǎozhìhǎizàngzhōngjiānjiànjīnguāngwàndàolóngwángzhǐdìngdào:「fàngguāngde便biànshì。」 lóngwángguǒyǐndǎozhìhǎizàngzhōngjiānjiànjīnguāngwàndàolóngwángzhǐdìngdào:「fàngguāngde便biànshì。」

The Dragon King duly guided him into the middle of the sea-treasury, where suddenly ten thousand rays of golden light appeared. The Dragon King pointed: 'The thing giving off that light — that is it.'

引導 is "to guide, to lead," read dǎo; 海藏 is again zàng. 金光萬道 is "ten thousand rays of golden light," where is the counter used for streaks of light; 指定 is "pointed out."

kōngliāoshàngqiánlenǎishìgēntiězhùziyuēyǒudǒuláièrzhàngyǒucháng kōngliāoshàngqiánlenǎishìgēntiězhùziyuēyǒudǒuláièrzhàngyǒucháng

Wukong tucked up his robe, stepped forward, and felt it with his hand: it was an iron pillar, about as thick as a peck-measure and more than two zhàng long.

An iron pillar as thick as a grain-measure and over two zhàng long — the novel gives its dimensions before it gives its name. 撩衣 is "to lift or tuck up the robe," read liāo. 一把 and 一根 both take . 柱子 is "pillar," its the unstressed zi. 斗來粗 is "about as thick as a ," a peck-measure or dipper, using a vessel to give girth. 二丈有餘 is "more than two zhàng," and (zhàng, ten chǐ, roughly 3.3 m) is left untranslated; is cháng.

jǐnliǎngshǒuzhuāguòdào:「chángxiēzàiduǎnxiēfāngyòng。」 jǐnliǎngshǒuzhuāguòdào:「chángxiēzàiduǎnxiēfāngyòng。」

Putting out all his strength, he gripped it with both hands: 'A bit too thick and too long — if it were a little shorter and thinner it would do.'

He complains about the fit, as one might to a tailor. 儘力 is "with all one's strength," (the same as ) read jǐn; 撾過 is "gripped, grasped across," as zhuā. 忒粗忒長 is "too thick, too long," with read , "excessively"; here softens a comparison, "a bit."

shuōbǎobèijiùduǎnlechǐlewéikōngyòudiāndiāndào:「zàixiēgènghǎo。」 shuōbǎobèijiùduǎnlechǐlewéikōngyòudiāndiāndào:「zàixiēgènghǎo。」

No sooner had he spoken than the treasure grew several chǐ shorter and one span thinner. Wukong hefted it again: 'Thinner still would be better.'

And the pillar obeys — which is the marvel the inscription will shortly explain. 短了幾尺 is "grew several chǐ shorter," (chǐ, the Chinese foot, roughly 33 cm) left untranslated. 細了一圍 is "thinner by one ," a span or girth, with as before the rising tone of . 顛一顛 is "gave it a heft," the second taking before the level tone of .

bǎobèizhēnyòulefēnkōngshífēnhuānchūhǎizàngkànshíyuánláiliǎngtóushìliǎngjīnzhōngjiānnǎiduàntiě bǎobèizhēnyòulefēnkōngshífēnhuānchūhǎizàngkànshíyuánláiliǎngtóushìliǎngjīnzhōngjiānnǎiduàntiě

And truly the treasure grew several fēn thinner again. Wukong was overjoyed, and carrying it out of the sea-treasury to look, he found that its two ends were two bands of gold, and the middle a length of black iron.

Gold at both ends, black iron between: the object is finally seen whole. 真個 is "truly, indeed." 細了幾分 is "thinner by several fēn," the being a tenth of a , a fine increment — and then 十分歡喜 uses the same character in 十分, "utterly." 海藏 is zàng; 兩頭 is "the two ends"; 金箍 is a gold band or hoop, read ; and 一段烏鐵, "a length of black iron," takes before the falling tone of .

jǐnāiyǒujuānchéngdehánghuànzuò:「jīnbàngzhòngwànsānqiānbǎijīn。」 jǐnāiyǒujuānchéngdehánghuànzuò:「jīnbàngzhòngwànsānqiānbǎijīn。」

Hard against one band was a line of engraved characters, which read: 'As-You-Will Gold-Banded Rod — weight thirteen thousand five hundred jīn.'

The weapon names itself, in an engraved line beside the band: 如意金箍棒, the As-You-Will Gold-Banded Rod, 13,500 jīn. 緊挨箍 is "hard against the band," read āi, "close beside," not ái, "to suffer"; 鐫成 is "engraved," as juān. In 一行字, "a line of characters," is háng, "row, line," not xíng, and takes before it. In 重一萬三千五百斤, is zhòng and takes before the falling tone of .

xīnzhōngàndào:「xiǎngzhèbǎobèirén。」 xīnzhōngàndào:「xiǎngzhèbǎobèirén。」

In secret delight he thought: 'This treasure must answer to one's wishes.'

想必 is "surely, it must be that"; 如人意, "answers to one's wishes," is Wukong working out for himself what the name 如意, "as you will," has been telling him.

biānzǒubiānxīnkǒuniànshǒudiānzhedào:「zàiduǎnxiēgèngmiào。」chūwàimiànzhǐyǒuèrzhàngchángduǎnwǎnkǒu biānzǒubiānxīnkǒuniànshǒudiānzhedào:「zàiduǎnxiēgèngmiào。」chūwàimiànzhǐyǒuèrzhàngchángduǎnwǎnkǒu

As he walked, pondering in his mind and muttering aloud, he kept hefting it: 'Shorter and thinner still would be finer yet.' By the time he brought it outside, it was only some two zhàng long and as thick as a bowl's mouth.

He walks and mutters and the rod keeps shrinking to order. 一邊走一邊… is "as he walked, at the same time…," both taking before the level tone of . 心思口念 is "pondering in mind and reciting aloud" — thought and word together, which matters for what the weapon is. 顛著 is "hefting," the state-marking zhe. 二丈長短 is "about two zhàng in length" (長短 here simply means "length"), and 碗口粗細 is "thick as a bowl's mouth" (粗細, "thickness").


總評 Commentary

This is the chapter's mythic centerpiece. The cudgel that will be Wukong's inseparable weapon for the rest of the journey turns out to be no ordinary arm but 大禹's own depth-gauge — the iron rod with which Yu the Great, taming the primordial floods, measured and fixed the beds of the rivers and seas. The novel thus grafts its hero's weapon onto one of the foundational myths of Chinese civilization, and gives the 如意金箍棒 a world-founding pedigree: an instrument once used to set the world in order, now repurposed to throw it out of order. Anthony C. Yu observes how such mythic pedigrees lend the comic narrative a real undertow of myth.

The rod's defining property — that it shrinks and grows at its wielder's spoken wish — shows itself before it is named: Wukong asks for it shorter and thinner, and it obeys, again and again, until the engraved line supplies the word, 如意, "as you will." That it answers to thought and word together (心思口念) makes the weapon an extension of the will itself, which is precisely how the inner-alchemical commentators read it: for the Quanzhen tradition of Liu Yiming, the rod is the disciplined mind-force — the unyielding of the true nature — contracting and expanding to meet any situation. The surface comedy carries the allegory lightly, but it is unmistakable.

A quieter point worth marking: it is the Dragon Mother and Dragon Daughter, not the king, who recognize the sage and advise handing over the iron — and their reasoning is pure exasperated pragmatism. Never mind whether it is any use; give it to him and see him out the gate (送出宮門便了). That a treasure of world-founding dignity changes hands chiefly to be rid of a tiresome guest is entirely of a piece with this chapter's steady deflation of the celestial and oceanic powers before one monkey's cheerful, irresistible force.