天河神珍 The Treasure of Heaven's River
正說處,後面閃過龍婆、龍女道:「大王,觀看此聖,決非小可。我們這海藏中,那一塊天河定底的神珍鐵,這幾日霞光艷艷,瑞氣騰騰,敢莫是該出現,遇此聖也?」龍王道:「那是大禹治水之時,定江海淺深的一個定子,是一塊神鐵,能中何用?」龍婆道:「莫管他用不用,且送與他,憑他怎麼改造,送出宮門便了。」老龍王依言,盡向悟空說了。悟空道:「拿出來我看。」龍王搖手道:「扛不動,擡不動,須上仙親去看看。」悟空道:「在何處?你引我去。」龍王果引導至海藏中間,忽見金光萬道。龍王指定道:「那放光的便是。」悟空撩衣上前,摸了一把,乃是一根鐵柱子,約有斗來粗,二丈有餘長。他儘力兩手撾過道:「忒粗忒長些,再短細些方可用。」說畢,那寶貝就短了幾尺,細了一圍。悟空又顛一顛道:「再細些更好。」那寶貝真個又細了幾分。悟空十分歡喜,拿出海藏看時,原來兩頭是兩個金箍,中間乃一段烏鐵。緊挨箍有鐫成的一行字,喚做:「如意金箍棒,重一萬三千五百斤。」心中暗喜道:「想必這寶貝如人意。」一邊走,一邊心思口念,手顛著道:「再短細些更妙。」拿出外面,只有二丈長短,碗口粗細。正说处,后面闪过龙婆、龙女道:「大王,观看此圣,决非小可。我们这海藏中,那一块天河定底的神珍铁,这几日霞光艳艳,瑞气腾腾,敢莫是该出现,遇此圣也?」龙王道:「那是大禹治水之时,定江海浅深的一个定子,是一块神铁,能中何用?」龙婆道:「莫管他用不用,且送与他,凭他怎么改造,送出宫门便了。」老龙王依言,尽向悟空说了。悟空道:「拿出来我看。」龙王摇手道:「扛不动,擡不动,须上仙亲去看看。」悟空道:「在何处?你引我去。」龙王果引导至海藏中间,忽见金光万道。龙王指定道:「那放光的便是。」悟空撩衣上前,摸了一把,乃是一根铁柱子,约有斗来粗,二丈有余长。他尽力两手挝过道:「忒粗忒长些,再短细些方可用。」说毕,那宝贝就短了几尺,细了一围。悟空又颠一颠道:「再细些更好。」那宝贝真个又细了几分。悟空十分欢喜,拿出海藏看时,原来两头是两个金箍,中间乃一段乌铁。紧挨箍有镌成的一行字,唤做:「如意金箍棒,重一万三千五百斤。」心中暗喜道:「想必这宝贝如人意。」一边走,一边心思口念,手颠著道:「再短细些更妙。」拿出外面,只有二丈长短,碗口粗细。
逐句解 Line by line
Just as they were speaking, the Dragon Mother and the Dragon Daughter slipped out from behind and said: 'Your Majesty, looking at this sage, he is no ordinary being.
正說處 — "just as they were speaking," 處 chù. 龍婆 / 龍女 — the Dragon Mother (the queen) and Dragon Daughter (the princess); 女 here nǚ ("daughter"). 決非小可 — "by no means an ordinary one" (小可 = "trifling, common"). The women's intervention, against the king's reluctance, is what releases the rod.
In our sea-treasury there is that piece of divine iron that fixes the bed of the River of Heaven, and these past few days its rosy radiance has blazed and its auspicious vapors have surged — might it not be that its hour to appear has come, now that this sage is here?'
海藏 — the "sea-treasury / hoard," 藏 read zàng (fourth tone, "storehouse, treasury"), not cáng ("to hide"). 一塊 takes yí. 天河定底 — "fixes the bottom of the River of Heaven" (天河 = the Milky Way; here the cosmic river whose floods Yu controlled). 霞光艷艷 / 瑞氣騰騰 — "rosy radiance gleaming, auspicious vapors surging," the conventional signs of a numinous object about to manifest. 敢莫是 — a vernacular "could it be that…"
The Dragon King said, 'That is the very gauge with which Yu the Great, in the days of taming the floods, fixed the depths of the rivers and seas — a piece of spirit-iron. What use could it be?'
大禹 (Dà Yǔ) — Yu the Great, the flood-queller and founder of the Xia. 定子 — "a fixing-gauge," the depth-measure with which he set the rivers and seas; 子 the neutral suffix zi. 一個 / 一塊 take yí. 能中何用 — "what use could it serve?"; 中 here reads zhòng (fourth tone, as in 中用 "to be of use"), not zhōng. The rod's origin as Yu's measuring-rod is one of the novel's signature mythic etymologies.
The Dragon Mother said, 'Never mind whether it is of use or not — just give it to him, and let him remake it however he likes; only see him out the palace gate, and there's an end of it.'
用不用 — "whether of use or not," the medial 不 taking bú (before fourth-tone 用). 憑他怎麼改造 — "let him remake it however he pleases"; 憑 = "leave it to, allow." 便了 — "and that's that," a vernacular sentence-closer; 便 biàn, 了 le.
The old Dragon King did as she said and told Wukong everything. Wukong said, 'Bring it out and let me see.'
依言 — "in accordance with her words." 盡向悟空說了 — "told the whole of it to Wukong"; 盡 jìn ("entirely"). 拿出來 = "bring it out."
The Dragon King waved his hands: 'It cannot be lifted, it cannot be carried — the Honored Immortal must go and look at it himself.' Wukong said, 'Where is it? Lead me there.'
扛不動 / 擡不動 — "cannot be lifted / carried"; 扛 reads káng ("to carry on the shoulder"), and the medial 不 takes bú (before fourth-tone 動). 親去看看 — "go in person and have a look." 何處 — "where," 處 chù.
The Dragon King duly guided him into the middle of the sea-treasury, where suddenly ten thousand rays of golden light appeared. The Dragon King pointed: 'The thing giving off that light — that is it.'
引導 — "to guide, lead"; 導 dǎo. 海藏 again zàng. 金光萬道 — "ten thousand rays of golden light," 道 here the classifier for streaks of light. 指定 — "pointed out, indicated."
Wukong tucked up his robe, stepped forward, and felt it with his hand: it was an iron pillar, about as thick as a peck-measure and more than two zhàng long.
撩衣 — "to lift / tuck up the robe"; 撩 liāo ("to raise"). 一把 / 一根 take yì. 柱子 — "pillar," 子 the neutral zi. 斗來粗 — "about as thick as a 斗 (a peck-measure / dipper)," using a vessel for girth. 二丈有餘 — "more than two zhàng"; 丈 (zhàng, ten chǐ, roughly 3.3 m) is left untranslated. 長 cháng.
Putting out all his strength, he gripped it with both hands: 'A bit too thick and too long — if it were a little shorter and thinner it would do.'
儘力 — "with all one's strength"; 儘 (= 盡) jǐn. 撾過 — "gripped, grasped across," 撾 zhuā. 忒粗忒長 — "too thick, too long"; 忒 reads tè ("excessively, too"). 些 here is the comparative-softener "a bit."
No sooner had he spoken than the treasure grew several chǐ shorter and one span thinner. Wukong hefted it again: 'Thinner still would be better.'
短了幾尺 — "grew several chǐ shorter"; 尺 (chǐ, the Chinese foot, roughly 33 cm) untranslated. 細了一圍 — "thinner by one 圍 (a span / girth)"; 一 takes yì (before second-tone 圍). 顛一顛 — "gave it a heft"; the second 一 takes yì (before first-tone 顛). The rod's instant obedience to spoken wish is the marvel the inscription will explain.
And truly the treasure grew several fēn thinner again. Wukong was overjoyed, and carrying it out of the sea-treasury to look, he found that its two ends were two bands of gold, and the middle a length of black iron.
真個 — "truly, indeed." 細了幾分 — "thinner by several fēn" (分, a tenth of a 寸, a fine increment); 十分歡喜 then uses 分 in 十分 ("utterly"). 海藏 zàng. 兩頭 — "the two ends." 金箍 — "gold band / hoop," 箍 gū. 一段烏鐵 — "a length of black iron," 一 taking yí (before fourth-tone 段).
Hard against one band was a line of engraved characters, which read: 'As-You-Will Gold-Banded Rod — weight thirteen thousand five hundred jīn.'
緊挨箍 — "hard against the band"; 挨 reads āi ("close beside, next to"), not ái ("to suffer"). 鐫成 — "engraved," 鐫 juān. 一行字 — "a line of characters"; 行 reads háng ("row, line"), not xíng, and 一 takes yì before it. 如意金箍棒 — the "As-You-Will Gold-Banded Rod," the cudgel's proper name. 重一萬三千五百斤 — "weighing 13,500 jīn"; 重 zhòng, 一 taking yí (before fourth-tone 萬).
In secret delight he thought: 'This treasure must answer to one's wishes.'
想必 — "surely, it must be that." 如人意 — "answers to one's wishes," glossing the name 如意 ("as-you-will").
As he walked, pondering in his mind and muttering aloud, he kept hefting it: 'Shorter and thinner still would be finer yet.' By the time he brought it outside, it was only some two zhàng long and as thick as a bowl's mouth.
一邊走,一邊… — "as he walked, … at the same time"; both 一 take yì (before first-tone 邊). 心思口念 — "pondering in mind and reciting aloud." 顛著 — "hefting," 著 the durative zhe. 二丈長短 — "about two zhàng in length" (長短 here = "length"). 碗口粗細 — "thick as a bowl's mouth" (粗細 = "thickness").
This is the chapter's mythic centerpiece: the cudgel that will be Wukong's inseparable weapon for the rest of the journey is revealed to be no ordinary arm but 大禹's own depth-gauge — the iron rod with which Yu the Great, taming the primordial floods, measured and fixed the beds of the rivers and seas. The novel thus grafts its hero's weapon onto one of the foundational myths of Chinese civilization, Yu's ordering of the waters, giving the 如意金箍棒 a cosmogonic pedigree: an instrument once used to set cosmic order, now repurposed as an instrument of cosmic disorder. Anthony C. Yu observes how such mythic etymologies lend the comic narrative a genuine undertow of myth.
The rod's defining property — that it shrinks and grows at its wielder's spoken wish — is dramatized before it is named: Wukong asks for it shorter and thinner, and it obeys, again and again, until the engraved inscription supplies the word, 如意 ("as you will"). The detail that it answers to thought and word together (心思口念) makes the weapon an extension of the will itself, which is precisely how the inner-alchemical commentators read it: for the Quanzhen tradition of Liu Yiming, the rod is the disciplined mind-force — the unyielding 金 of the true nature — that contracts and expands to meet any situation. The surface comedy carries the allegory lightly, but it is unmistakable.
A quieter point worth marking: it is the Dragon Mother and Dragon Daughter, not the king, who recognize the sage and counsel surrendering the iron — and their reasoning is pure exasperated pragmatism (never mind its use; give it to him and get him out the gate, 送出宮門便了). That a treasure of cosmogonic dignity is handed over chiefly to be rid of an importunate guest is entirely of a piece with this chapter's persistent deflation of the celestial and oceanic powers before the monkey's cheerful, irresistible force.