強索披掛 Demanding the Armor
你看他弄神通,丟開解數,打轉水晶宮裡。諕得老龍王膽戰心驚,小龍子魂飛魄散,龜鱉黿鼉皆縮頸,魚蝦鰲蟹盡藏頭。悟空將寶貝執在手中,坐在水晶宮殿上,對龍王笑道:「多謝賢鄰厚意。」龍王道:「不敢,不敢。」悟空道:「這塊鐵雖然好用,還有一說。」龍王道:「上仙還有甚說?」悟空道:「當時若無此鐵,倒也罷了;如今手中既拿著他,身上更無衣服相趁,奈何?你這裡若有披掛,索性送我一副,一總奉謝。」龍王道:「這個卻是沒有。」悟空道:「一客不犯二主。若沒有,我也定不出此門。」龍王道:「煩上仙再轉一海,或者有之。」悟空又道:「走三家不如坐一家。千萬告求一副。」龍王道:「委的沒有,如有即當奉承。」悟空道:「真個沒有?就和你試試此鐵!」龍王慌了道:「上仙,切莫動手,切莫動手,待我看舍弟處可有,當送一副。」悟空道:「令弟何在?」龍王道:「舍弟乃南海龍王敖欽、北海龍王敖順、西海龍王敖閏是也。」悟空道:「我老孫不去,不去。俗語謂『賒三不敵見二』,只望你隨高就低的送一副便了。」老龍道:「不須上仙去。我這裡有一面鐵鼓、一口金鐘,凡有緊急事,擂得鼓響,撞得鐘鳴,舍弟們就頃刻而至。」悟空道:「既是如此,快些去擂鼓撞鐘。」真個那鼉將便去撞鐘,鱉帥即來擂鼓。你看他弄神通,丢开解数,打转水晶宫里。諕得老龙王胆战心惊,小龙子魂飞魄散,龟鳖鼋鼍皆缩颈,鱼虾鳌蟹尽藏头。悟空将宝贝执在手中,坐在水晶宫殿上,对龙王笑道:「多谢贤邻厚意。」龙王道:「不敢,不敢。」悟空道:「这块铁虽然好用,还有一说。」龙王道:「上仙还有甚说?」悟空道:「当时若无此铁,倒也罢了;如今手中既拿着他,身上更无衣服相趁,奈何?你这里若有披挂,索性送我一副,一总奉谢。」龙王道:「这个却是没有。」悟空道:「一客不犯二主。若没有,我也定不出此门。」龙王道:「烦上仙再转一海,或者有之。」悟空又道:「走三家不如坐一家。千万告求一副。」龙王道:「委的没有,如有即当奉承。」悟空道:「真个没有?就和你试试此铁!」龙王慌了道:「上仙,切莫动手,切莫动手,待我看舍弟处可有,当送一副。」悟空道:「令弟何在?」龙王道:「舍弟乃南海龙王敖钦、北海龙王敖顺、西海龙王敖闰是也。」悟空道:「我老孙不去,不去。俗语谓『赊三不敌见二』,只望你随高就低的送一副便了。」老龙道:「不须上仙去。我这里有一面铁鼓、一口金钟,凡有紧急事,擂得鼓响,撞得钟鸣,舍弟们就顷刻而至。」悟空道:「既是如此,快些去擂鼓撞钟。」真个那鼍将便去撞钟,鳖帅即来擂鼓。
逐句解 Line by line
Watch him work his magic now — flourishing his passes, he came spinning back through the Crystal Palace.
He tries out the new toy in his host's front room, which is not lost on anyone present. 打轉 is "spun, circled round," with 轉 here as zhuàn, "to revolve"; 丟開解數 is "flourishing his martial passes," 解數 read jiě shù.
He frightened the old Dragon King out of his wits and scattered the souls of the little dragon-princes; the turtles, soft-shells, great tortoises, and river-lizards all drew in their necks, and the fish, shrimp, sea-turtles, and crabs all hid their heads.
Two four-character phrases here are still in daily use: 膽戰心驚, scared out of one's wits, and 魂飛魄散, literally "souls fly and spirits scatter," which is roughly "frightened half to death." 諕得 is "frightened so that…" (諕 = 嚇, xià); 小龍子 is "the little dragon-princes," 子 read zǐ, "son"; 散 is sàn. 龜鱉黿鼉 (turtle, soft-shell, great tortoise, river-lizard) and 魚蝦鰲蟹 (fish, shrimp, sea-turtle, crab) form a comic zoological parallel. In 盡藏頭, "all hid their heads," 藏 is cáng, the verb "to hide" — the same character that was zàng, "treasury," in 海藏 a moment ago.
Wukong held the treasure in his hand and sat down in the Crystal Palace hall, saying to the Dragon King with a smile: 'Many thanks, worthy neighbor, for your kindness.' The Dragon King said, 'Don't mention it, don't mention it.'
Thanks are offered and waved away, and both parties know exactly what has happened. 將 is the object-marking preposition jiāng, the same job as 把: 將寶貝執在手中. 厚意 is "kind regard." The doubled 不敢 is the self-deprecating "you flatter me, don't mention it," with 不 as bù before the dipping tone of 敢.
Wukong said, 'This piece of iron is fine to use — but there is one more thing.' The Dragon King said, 'What else does the Honored Immortal have to say?'
The turn from gift to demand happens right here, in one polite clause. 這塊鐵 uses 塊 (kuài), the counter for lumps. 還有一說 is "there is one more point," with 還 as hái and 一 taking yì before the level tone of 說.
Wukong said, 'Had there been no such iron just now, it would have been all right; but now that I have it in hand, I have no clothing to match it on my body. What is to be done?
The logic is a shoplifter's: now that he has the rod, he needs an outfit to go with it. 當時 is "at that time," 當 read dāng. 倒也罷了 is "it would have been all right after all," with 倒 as the adverb dào (as in 倒好 earlier) and 罷了 the dismissive pair, 罷 bà and 了 le. 拿著他 takes 著 as the state-marking zhe; 相趁 is "to match, to suit," 趁 read chèn.
If you have any armor here, just give me a suit, and I'll thank you for the whole lot.' The Dragon King said, 'That I really do not have.'
披掛 (pī guà) is armor, a full set of accoutrements; 索性 (suǒ xìng) is "simply, outright" — the word of a man who has decided to stop being delicate. 一副 takes yí before the falling tone of 副, and 一總 takes yì before the dipping tone of 總. 卻是沒有 is "really do not have."
Wukong said, 'One guest does not trouble two hosts. If you have none, I simply will not leave by this gate.'
Proverbs as leverage. 一客不犯二主 — one guest does not impose on two hosts — sounds like good manners and means "you are giving me everything, I am not going elsewhere." 一 takes yí before the falling tone of 客, and 不 takes bú before 犯. Then the courtesy drops away: 定不出此門, "will definitely not leave by this gate," where 不 is bù before the level tone of 出.
The Dragon King said, 'May I trouble the Honored Immortal to go round to another sea — perhaps there is some there.' Wukong said again, 'Going to three houses is not as good as sitting at one. I beg you, by all means, for a suit.'
The Dragon King suggests he try the neighbors; Wukong answers with another proverb. 走三家不如坐一家 — going round to three houses is worse than sitting still in one — is the folk-wisdom of a man who has found a comfortable chair and intends to keep it. 不如 takes bù before the rising tone of 如, and 坐一家 takes yì before the level tone of 家. 煩 is "may I trouble you to…"; 再轉一海, "go round to one more sea," has 轉 as zhuǎn and 一 as yì before the dipping tone of 海; 告求一副 takes yí before 副.
The Dragon King said, 'Truly I have none; if I had, I would present it at once.' Wukong said, 'Truly none? Then I'll just try this iron out on you!'
And there is the threat, plainly. 委的 is "truly," as earlier; 即當奉承 is "would at once present it," with 當 as dāng, "shall, ought," and 奉承 in its older sense of "to offer up," not "to flatter." 就和你試試此鐵 is "then I'll try this iron out on you," 和 read hé, the preposition "with, on."
Panicking, the Dragon King said, 'Honored Immortal, do not raise your hand, do not raise your hand! Let me see whether my brothers have any; I'll have a suit sent.'
The king folds instantly and starts volunteering his brothers' property. 切莫動手 is "by all means do not raise your hand," 切 read qiè, "be sure to." 舍弟 is "my younger brothers," with 舍 as shè, the humble "my," not shě, "to give up." 處 is chù; 當送一副 has 當 as dāng and 一 as yí.
Wukong said, 'Where are these brothers of yours?' The Dragon King said, 'My younger brothers are Ao Qin, Dragon King of the Southern Sea; Ao Shun, Dragon King of the Northern Sea; and Ao Run, Dragon King of the Western Sea.'
Politeness runs in pairs here: 令弟, "your honorable younger brothers," with 令 as the polite lìng, "your," set against the humble 舍 of 舍弟 in the reply. The three brothers — 敖欽 (Ao Qin, South), 敖順 (Ao Shun, North) and 敖閏 (Ao Run, West; 閏 rùn) — complete the four Dragon Kings of the seas.
Wukong said, 'Old Sun will not go, will not go. As the saying goes, "three on credit are no match for two in hand." I only ask that you make do, high or low, and send me a suit, and there's an end of it.'
Another proverb, another squeeze: 賒三不敵見二, "three on credit are no match for two in hand" — the bird-in-hand saying, used to refuse a trip to the other seas. 賒 is shē, "to buy on credit"; 不敵 takes bù before the rising tone of 敵; 見 is jiàn, "seen, in sight." 不去, twice, takes bú before the falling tone of 去. 隨高就低 is "make do, high or low; take whatever there is," and 一副 takes yí; 便了 closes the speech.
The old Dragon said, 'There is no need for the Honored Immortal to go. I have here an iron drum and a golden bell; whenever there is an urgent matter, we beat the drum till it sounds and strike the bell till it rings, and my brothers arrive in an instant.'
The Dragon King reaches for the emergency bell — a decision he will regret, since it delivers all three brothers into the same room. 不須 is "there is no need," 不 taking bù before the level tone of 須. 一面鐵鼓 takes yí before the falling tone of 面, while 一口金鐘 takes yì before the dipping tone of 口. 擂得鼓響 and 撞得鐘鳴 — "beat the drum till it sounds, strike the bell till it rings" — use 擂 (léi, to beat a drum) and, in both, 得 (de) to hang the result on the verb. 頃刻而至 is "arrive in an instant."
Wukong said, 'If that's so, go quickly and beat the drum and strike the bell.' Sure enough, the River-Lizard General went to strike the bell, and the Soft-shell Marshal came to beat the drum.
既是如此 is "since it is so"; 快些 is "quickly." 鼉將 and 鱉帥 are the River-Lizard General and the Soft-shell Marshal, 將 read jiàng and 帥 shuài — two more comic ranks of the dragon-court, to set beside the fish-officials of the earlier audience.
Having secured the rod, Wukong at once presses for more, and the comedy of the scene turns on the gap between his easy menace and the dragon-court's collapse: the king is frightened out of his wits, the dragon-princes' souls scatter, and the whole bestiary of the sea — turtles, fish, crabs — pulls its heads in. The escalation from weapon to armor is pure imposition dressed in the etiquette of a guest's request ("one guest does not trouble two hosts," 一客不犯二主), and the courtesy wears thinner with every refusal until it becomes an open offer to try the iron out on his host.
The passage is studded with vernacular proverbs — going to three houses is worse than sitting at one; three on credit are no match for two in hand — which Wukong deploys not as wisdom but as leverage, the folk-rhetoric of a shakedown. Plaks and others note how the early chapters give him a distinctly market-town voice, full of saws and haggling, which sits comically against the cosmic dignity of the beings he browbeats. The Dragon King's expedient — summoning his three brothers by drum and bell rather than sending Wukong off to find them — buys time and, fatally for the dragons, gathers all four sea-kings (敖廣, 敖欽, 敖順, 敖閏) into one place to be fleeced together.