Canonical Classics ← 第三回
第三回
hǎiqiānshānjiēgǒng
jiǔyōushílèijìnchúmíng

The four seas and a thousand mountains all submit in homage · The nine dark regions and ten categories are struck from the rolls

木刀之憂
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

木刀之憂 The Problem of Wooden Weapons

quèshuōměihóuwángróngguījiǎolehùnshìwángduólekǒudāozhúcāoyǎnjiàoxiǎohóukǎnzhúwéibiāoxiāowéidāozhìfānshàozijìn退tuìānyíngxiàzhàiwánshuǎduōshíránjìngzuòchùxiǎngdào:「děngzàikǒngzuòshuǎchéngzhēnhuòjīngdòngrénwánghuòyǒuqínwángshòuwángrènfàntóushuōmencāobīngzàofǎnxīngshīláixiāngshāděngdōushìzhú竿gāndāoduìfēngjiànfāngjīnnài?」zhònghóuwénshuōjīngkǒngdào:「wángsuǒjiànshènchángzhǐshìchù。」zhèngshuōjiānzhuǎnshànglǎohóuliǎngshìchìkāohóuliǎngshìtōngbèiyuánhóuzǒuzàimiànqiándào:「wángruòyàozhìfēngxièshènshìróng。」kōngdào:「zěnjiànróng?」hóudào:「menzhèshānxiàngdōngyǒuèrbǎishuǐmiànxiāngnǎiàoláiguójièguójièzhōngyǒuwángwèi滿mǎnchéngzhōngjūnmínshùyǒujīnyíntóngtiěděngjiàngzuòwángruòhuòmǎihuòzàoxiēbīngjiàoyǎnděngshǒushānchǎngchéngsuǒwèibǎotàichángjiǔzhī。」kōngwénshuō滿mǎnxīnhuāndào:「děngzàiwánshuǎdàilái。」quèshuōměihóuwángróngguījiǎolehùnshìwángduólekǒudāozhúcāoyǎnjiàoxiǎohóukǎnzhúwéibiāoxiāowéidāozhìfānshàozijìn退tuìānyíngxiàzhàiwánshuǎduōshíránjìngzuòchùxiǎngdào:「děngzàikǒngzuòshuǎchéngzhēnhuòjīngdòngrénwánghuòyǒuqínwángshòuwángrènfàntóushuōmencāobīngzàofǎnxīngshīláixiāngshāděngdōushìzhú竿gāndāoduìfēngjiànfāngjīnnài?」zhònghóuwénshuōjīngkǒngdào:「wángsuǒjiànshènchángzhǐshìchù。」zhèngshuōjiānzhuǎnshànglǎohóuliǎngshìchìkāohóuliǎngshìtōngbèiyuánhóuzǒuzàimiànqiándào:「wángruòyàozhìfēngxièshènshìróng。」kōngdào:「zěnjiànróng?」hóudào:「menzhèshānxiàngdōngyǒuèrbǎishuǐmiànxiāngnǎiàoláiguójièguójièzhōngyǒuwángwèimǎnchéngzhōngjūnmínshùyǒujīnyíntóngtiěděngjiàngzuòwángruòhuòmǎihuòzàoxiēbīngjiàoyǎnděngshǒushānchǎngchéngsuǒwèibǎotàichángjiǔzhī。」kōngwénshuōmǎnxīnhuāndào:「děngzàiwánshuǎdàilái。」


逐句解 Line by line

quèshuōměihóuwángróngguījiǎolehùnshìwángduólekǒudāo quèshuōměihóuwángróngguījiǎolehùnshìwángduólekǒudāo

Now the story tells how the Handsome Monkey King returned home in glory. Having wiped out the Monster of Havoc and carried off a great saber,

卻說 is the storyteller's resumptive formula ("now the tale goes on to tell"), a hallmark of 章回 vernacular narration. 美猴王, the Handsome Monkey King, has held the title since ch.1. The 混世魔王 (Monster of Havoc) was slain at the close of 第二回, and his saber is the only real weapon the monkeys own — which sets this chapter's quest in motion. 了 reads le (perfective particle) in 剿了 / 奪了; 一口 takes by tone sandhi before third-tone 口, the classifier for bladed arms.

zhúcāoyǎnjiàoxiǎohóukǎnzhúwéibiāoxiāowéidāozhìfānshàozijìn退tuìānyíngxiàzhàiwánshuǎduōshí zhúcāoyǎnjiàoxiǎohóukǎnzhúwéibiāoxiāowéidāozhìfānshàozijìn退tuìānyíngxiàzhàiwánshuǎduōshí

day after day he drilled in the martial arts, setting the little monkeys to chop bamboo into pike-staves and whittle wood into swords, to make banners and pennants and blow signal-whistles, to advance and fall back, to pitch camp and raise the stockade — and so they sported for a good long while.

教 here is causative — jiào ("to set/have someone do"), not jiāo ("to teach"); cf. 教演 below. 為 reads wéi ("to make into") in 砍竹為標 / 削木為刀, and 削 reads xiāo (colloquial "whittle, pare"), not literary xuē. 標 is a pike or javelin-staff; 哨子 a whistle, with 子 the neutral suffix zi. 一進一退 takes twice (sandhi before fourth-tone 進 and 退). The whole line is a catalogue of military drill, comically applied to monkeys.

ránjìngzuòchùxiǎngdào ránjìngzuòchùxiǎngdào

Then one day, sitting still in quiet thought, he reflected:

處 reads chù ("place; the point at which") in 靜坐處. The turn from play to anxious foresight marks the first stirring of the strategic, "kingly" cares that drive the chapter.

děngzàikǒngzuòshuǎchéngzhēnhuòjīngdòngrénwánghuòyǒuqínwángshòuwángrènfàntóushuōmencāobīngzàofǎnxīngshīláixiāngshāděngdōushìzhú竿gāndāoduì děngzàikǒngzuòshuǎchéngzhēnhuòjīngdòngrénwánghuòyǒuqínwángshòuwángrènfàntóushuōmencāobīngzàofǎnxīngshīláixiāngshāděngdōushìzhú竿gāndāoduì

'Here we all are at our games — but I fear our play may turn to earnest. We might alarm some king of men, or some King of Birds or King of Beasts might take it for a provocation and charge that we are drilling soldiers in revolt, and raise an army to come and destroy us. With your bamboo poles and wooden swords, how could you face such a foe?

作耍成真 ("play turning real") is a colloquial idiom; 犯頭 means a pretext or provocation ("grounds for offence"). 都是 takes dōu ("all"). 相殺 = "to fall upon and kill," with 相 the directional/transitive xiāng marking action toward an object. Wukong's own fear of being branded a rebel (操兵造反) plants the very language Heaven will later use against him.

fēngjiànfāngjīnnài?」 fēngjiànfāngjīnnài?」

We must have keen swords and halberds for that. What is to be done now?'

須得 = "must obtain/have": 得 is the full verb ("to get"), taking 鋒利劍戟 as its object — distinct from the modal děi or the particle de. 奈何 = "what is to be done?"

zhònghóuwénshuōjīngkǒngdào:「wángsuǒjiànshènchángzhǐshìchù。」 zhònghóuwénshuōjīngkǒngdào:「wángsuǒjiànshènchángzhǐshìchù。」

Hearing this, the monkeys were each and all dismayed: 'Your Majesty's foresight reaches far — but there is simply nowhere to get such things.'

所見甚長 = "his view reaches very far": 長 reads cháng ("long, far-reaching"), not zhǎng. 無處 takes chù ("nowhere"). 個個 = "each and every one."

zhèngshuōjiānzhuǎnshànglǎohóuliǎngshìchìkāohóuliǎngshìtōngbèiyuánhóuzǒuzàimiànqiándào:「wángruòyàozhìfēngxièshènshìróng。」 zhèngshuōjiānzhuǎnshànglǎohóuliǎngshìchìkāohóuliǎngshìtōngbèiyuánhóuzǒuzàimiànqiándào:「wángruòyàozhìfēngxièshènshìróng。」

As they spoke, four old monkeys stepped forth — two were bare-rumped horse-apes, two were long-armed gibbons — and came before him, saying: 'Your Majesty, if it is keen weapons you wish to procure, nothing is easier.'

赤尻馬猴 ("red-rumped horse-ape," 尻 kāo = rump) and 通背猿猴 ("through-backed / long-armed gibbon") are the four sage elders who recur as Wukong's councillors through these early chapters; they will be ennobled as 健將 by chapter's end. 轉上 = "came turning forward," 轉 reading zhuǎn.

kōngdào:「zěnjiànróng?」 kōngdào:「zěnjiànróng?」

Wukong said, 'How is it easy?'

A terse exchange propelling the dialogue; 怎見 = "how do you reckon (it so)?"

hóudào:「menzhèshānxiàngdōngyǒuèrbǎishuǐmiànxiāngnǎiàoláiguójiè hóudào:「menzhèshānxiàngdōngyǒuèrbǎishuǐmiànxiāngnǎiàoláiguójiè

The four monkeys said, 'Eastward from this mountain of ours, two hundred li across the water, lies the realm of Aolai.

二百里: 里 (), the Chinese mile (roughly half a kilometre), is left untranslated. 那廂 = "over there, that quarter," 那 reading . 傲來國 (the kingdom of Aolai) lies just across the water from 花果山; its name is first given in ch.1's account of the mountain's setting.

guójièzhōngyǒuwángwèi滿mǎnchéngzhōngjūnmínshùyǒujīnyíntóngtiěděngjiàngzuò guójièzhōngyǒuwángwèimǎnchéngzhōngjūnmínshùyǒujīnyíntóngtiěděngjiàngzuò

Within that realm there is a throne, and the city teems with soldiers and subjects beyond number; there are bound to be smiths who work gold and silver, copper and iron.

一王位 takes (sandhi before second-tone 王). 無數 reads shù ("countless"); the verb "to count" would be shǔ. 匠作 = "artisans, craft-work," 匠 jiàng. The roll of metals (金銀銅鐵) anticipates the weapons to come.

wángruòhuòmǎihuòzàoxiēbīngjiàoyǎnděngshǒushānchǎngchéngsuǒwèibǎotàichángjiǔzhī。」 wángruòhuòmǎihuòzàoxiēbīngjiàoyǎnděngshǒushānchǎngchéngsuǒwèibǎotàichángjiǔzhī。」

If Your Majesty goes there and either buys or has forged a stock of weapons, and then trains us in them to guard our mountain domain — that is truly what they call the plan for securing lasting peace.'

教演 = "to drill, train," 教 reading jiào. 保泰長久之機 alludes to the 泰 ䷊ hexagram of the Yijing (Heaven below, Earth above — the configuration of "Peace/Prosperity"); 保泰, "preserving the flourishing state," is an ideal of classical statecraft, put here with deadpan irony into a monkey's calculus. 長 reads cháng ("lasting").

kōngwénshuō滿mǎnxīnhuāndào:「děngzàiwánshuǎdàilái。」 kōngwénshuōmǎnxīnhuāndào:「děngzàiwánshuǎdàilái。」

Hearing this, Wukong was filled with delight: 'You amuse yourselves here; wait while I go and return.'

去來 is a vernacular idiom, "go (and come back)" — i.e. "off I go"; 來 is a light directional complement, not a literal "return." The line closes the scene and launches the raid on Aolai.


總評 Commentary

The chapter's couplet-title — 四海千山皆拱伏/九幽十類盡除名 ("The Four Seas and the Thousand Mountains all bow in submission; the Nine Shades and the Ten Categories are wholly struck from the rolls") — announces its two grand movements: first Wukong's conquest of the terrestrial and oceanic world (the armory of Aolai, the seventy-two caves of beasts, and above all the dragon-kings of the four seas), then his descent into the underworld to cancel his own name and his subjects' from the registers of death. Andrew Plaks reads this stretch of the novel as the comic-heroic apex of the "mind-monkey" (心猿) before its long subjugation: the very grandeur of the deeds is shadowed by the bureaucratic machinery — dragon-kings and kings of hell alike — that will file the memorials bringing Heaven down upon him.

Where 第二回 ended in spiritual attainment — the Seventy-two Transformations and the cloud-somersault won from Subodhi, then the slaying of the Monster of Havoc — 第三回 opens on the wholly worldly problem of matériel. The drilling monkeys with their bamboo and wooden arms are at once charming and faintly ominous: Wukong's anxiety that "play may turn to earnest" (作耍成真) and that he may be charged with "drilling soldiers in revolt" (操兵造反) places, in his own mouth, the very language Heaven will later use against him. The four elders' counsel that arming and training the troops is "the plan for securing lasting peace" (保泰長久之機) borrows, deadpan, the idiom of Confucian statecraft and the 泰 hexagram for a band of monkeys.

For the Quanzhen-inflected commentators in the lineage of Liu Yiming (悟元子), the "weapons" the mind-monkey now craves read against the grain of the surface adventure: raw power sought outside the self, before the discipline that alone could wield it. The recurring quartet of "red-rumped horse-apes and long-armed gibbons" functions as the practical, advising faculties of a still-untamed nature — resourceful, loyal, and wholly without restraint. Their breezy "nothing is easier" sets the acquisitive tone that will carry Wukong straight to the dragon-king's gate.