Canonical Classics ← 第三回
第三回
hǎiqiānshānjiēgǒng
jiǔyōushílèijìnchúmíng

The four seas and a thousand mountains all submit in homage · The nine dark regions and ten categories are struck from the rolls

思得神兵
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

思得神兵 A Weapon Worthy of a King

měihóuwángzhèngjiānduìzhòngshuōdào:「děnggōngshúānbīngjīngtōngnàizhèkǒudāozhuóshílángkāngsuìnài?」lǎohóushàngqiánzòudào:「wángnǎishìxiānshèngfánbīngshìkānyòngdànzhīwángshuǐnéngde?」kōngdào:「wéndàozhīhòuyǒushíèrbānshàbiànhuàzhīgōngjīndǒuyúnyǒudeshéntōngshànnéngyǐnshēndùnshēnshèshàngtiānyǒuyǒuményuèyǐngjīnshíàishuǐnénghuǒnéngfénxiēerde?」hóudào:「wángyǒushéntōngmenzhètiěbǎnqiáoxiàshuǐtōngdōnghǎilónggōngwángruòkěnxiàxúnzháolǎolóngwángwènyàojiànshènmebīngquèchènxīn?」kōngwényánshèndào:「děnglái。」měihóuwángzhèngjiānduìzhòngshuōdào:「děnggōngshúānbīngjīngtōngnàizhèkǒudāozhuóshílángkāngsuìnài?」lǎohóushàngqiánzòudào:「wángnǎishìxiānshèngfánbīngshìkānyòngdànzhīwángshuǐnéngde?」kōngdào:「wéndàozhīhòuyǒushíèrbānshàbiànhuàzhīgōngjīndǒuyúnyǒudeshéntōngshànnéngyǐnshēndùnshēnshèshàngtiānyǒuyǒuményuèyǐngjīnshíàishuǐnénghuǒnéngfénxiēerde?」hóudào:「wángyǒushéntōngmenzhètiěbǎnqiáoxiàshuǐtōngdōnghǎilónggōngwángruòkěnxiàxúnzháolǎolóngwángwènyàojiànshènmebīngquèchènxīn?」kōngwényánshèndào:「děnglái。」


逐句解 Line by line

měihóuwángzhèngjiānduìzhòngshuōdào:「děnggōngshúānbīngjīngtōngnàizhèkǒudāozhuóshílángkāngsuìnài?」 měihóuwángzhèngjiānduìzhòngshuōdào:「děnggōngshúānbīngjīngtōngnàizhèkǒudāozhuóshílángkāngsuìnài?」

The Handsome Monkey King was in the midst of his pleasure when suddenly he said to the throng: 'You are all well drilled with bow and crossbow and skilled in arms — but this saber of mine is downright clumsy and unwieldy, and does not suit me. What is to be done?'

熟諳 — "thoroughly versed in"; 熟 reads shú. 著實 — "really, downright"; 著 reads zhuó here (cf. its other values zhe / zháo / zhāo). 榔槺 (láng-kāng) is a rare binome, "clumsy, cumbersome, unwieldy," said of the saber's ungainly bulk. 不遂 takes (sandhi before fourth-tone 遂); 遂我意 = "suit my wish."

lǎohóushàngqiánzòudào:「wángnǎishìxiānshèngfánbīngshìkānyòngdànzhīwángshuǐnéngde?」 lǎohóushàngqiánzòudào:「wángnǎishìxiānshèngfánbīngshìkānyòngdànzhīwángshuǐnéngde?」

The four old monkeys stepped forward and submitted: 'Your Majesty is an immortal sage, and common weapons will not serve. But we wonder — is Your Majesty able to go beneath the water?'

啟奏 = "to submit, memorialize (to a sovereign)" — courtly diction for monkeys addressing their king. 凡兵 = "common weapons." 不堪用 takes (堪 first tone). 去得 — "able to go"; 得 here is the potential complement, neutral de ("can go").

kōngdào:「wéndàozhīhòuyǒushíèrbānshàbiànhuàzhīgōngjīndǒuyúnyǒudeshéntōng kōngdào:「wéndàozhīhòuyǒushíèrbānshàbiànhuàzhīgōngjīndǒuyúnyǒudeshéntōng

Wukong said, 'Since I heard the Way, I have the power of the seventy-two transformations of the Earthly Fiends, and my somersault cloud has boundless magic;

聞道 — "heard / attained the Way," recalling Wukong's instruction under Subodhi in ch.2. 地煞 — the Seventy-two "Earthly Fiends" (dì shà), the lower set of stellar spirits (paired with the thirty-six 天罡 "Heavenly Stems"); 煞 reads shà. His Seventy-two Transformations are named for them. 觔斗雲 — the somersault cloud (觔 = 筋). 莫大 = "boundless, supreme."

shànnéngyǐnshēndùnshēnshèshàngtiānyǒuyǒuményuèyǐngjīnshíàishuǐnénghuǒnéngfénxiēerde?」 shànnéngyǐnshēndùnshēnshèshàngtiānyǒuyǒuményuèyǐngjīnshíàishuǐnénghuǒnéngfénxiēerde?」

I am adept at hiding my form and vanishing my body, at raising spells and fetching-spells. To the heavens there is a road; into the earth there is a gate. I pass the sun and moon and cast no shadow; I enter metal and stone and meet no barrier; water cannot drown me, fire cannot burn me. What place could I not reach?'

遯身 — "to hide the body, vanish"; 遯 is a variant of 遁 (dùn), the same graph that names the 遯 ䷠ hexagram ("Retreat"). 起法攝法 — "raising spells and fetching-spells." 無礙 = "without obstruction." 那些兒去不得 — a rhetorical question: 那 here is the interrogative (= 哪, "which/where"; the demonstrative "those" is also possible), with 些兒 carrying the er-suffix — "what place could I not go?" 去不得 negates the potential complement (得 neutral de).

hóudào:「wángyǒushéntōngmenzhètiěbǎnqiáoxiàshuǐtōngdōnghǎilónggōng hóudào:「wángyǒushéntōngmenzhètiěbǎnqiáoxiàshuǐtōngdōnghǎilónggōng

The four monkeys said, 'Since Your Majesty has such powers — beneath this iron-plank bridge of ours, the water runs through to the Dragon Palace of the Eastern Sea.

鐵板橋 — the "iron-plank bridge" behind the waterfall of 水簾洞, established in ch.1; the monkeys now reveal that the stream beneath it communicates with the dragon-realm. 龍宮 = "Dragon Palace."

wángruòkěnxiàxúnzháolǎolóngwángwènyàojiànshènmebīngquèchènxīn?」 wángruòkěnxiàxúnzháolǎolóngwángwènyàojiànshènmebīngquèchènxīn?」

If Your Majesty is willing to go down, seek out the old Dragon King and ask him for some weapon — would that not be just to your liking?'

尋著 — "to find, locate"; 著 here is the resultative zháo ("manage to"). 甚麼 (= 什麼) "what," 麼 neutral me. 卻不趁心 — "would that not be to your liking?"; 不 takes (before fourth-tone 趁), and 趁心 = "to suit, satisfy."

kōngwényánshèndào:「děnglái。」 kōngwényánshèndào:「děnglái。」

Hearing this, Wukong was delighted: 'Wait while I go and return.'

聞言 = "hearing these words." 去來 again the vernacular "off I go" (cf. 其一). The scene pivots to the undersea adventure.


總評 Commentary

The episode that will furnish Wukong's defining weapon begins, characteristically, in dissatisfaction: the looted saber is "clumsy and unwieldy" (榔槺), beneath an immortal. The four elders' courtly idiom — they "submit a memorial" (啟奏) to their monkey-king — keeps up the chapter's running joke of state ceremony among beasts, while their question about going beneath the water turns the plot toward the sea. The detail that the iron-plank bridge of 水簾洞 opens onto the Dragon Palace stitches the new adventure onto the geography established in ch.1: the cave Wukong won by his first leap through the waterfall now proves a threshold to the undersea world.

Wukong's catalogue of powers is a set-piece of self-assertion — the Seventy-two Transformations of the Earthly Fiends (地煞), the somersault cloud, invisibility, passage through earth, metal, and stone, immunity to water and fire. Anthony C. Yu and others note how the novel keeps tallying and re-tallying Wukong's acquired abilities at each threshold, building the sense of a power that has outgrown its proper sphere — exactly the over-reaching the celestial bureaucracy will soon be convened to check. The rhetorical "what place could I not reach?" (那些兒去不得) is the boast that the rest of the chapter — and indeed the rest of his career before the Mountain of Five Phases — will put to the test.