Canonical Classics ← 第三回
第三回
hǎiqiānshānjiēgǒng
jiǔyōushílèijìnchúmíng

The four seas and a thousand mountains all submit in homage · The nine dark regions and ten categories are struck from the rolls

群猴授兵
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

群猴授兵 Arming the Monkeys

quèshuōhuāguǒshānxiǎohóuerzhèngzàidòngménwàiwánshuǎtīngfēngshēngxiǎngchùjiànbànkōngzhōngchāchābiānàndehóujīngxiàdedōuluànpǎoluànduǒshǎoshíměihóuwángànluòyúntóushōuleyúnjiāngshēndǒushōuleháomáojiāngbīngdōuluànduīzàishānqiánjiàodào:「xiǎodemendōuláilǐngbīng。」zhònghóukànshízhǐjiànkōngzàipíngyángzhīpǎoláikòutóuwènkōngjiāngqián使shǐkuángfēngbānbīngyìngshìshuōlebiànzhònghóuchēngxièdōuqiǎngdāoduójiànzhuāzhēngqiāngchěgōngbānyāoyāoshuǎlequèshuōhuāguǒshānxiǎohóuerzhèngzàidòngménwàiwánshuǎtīngfēngshēngxiǎngchùjiànbànkōngzhōngchāchābiānàndehóujīngxiàdedōuluànpǎoluànduǒshǎoshíměihóuwángànluòyúntóushōuleyúnjiāngshēndǒushōuleháomáojiāngbīngdōuluànduīzàishānqiánjiàodào:「xiǎodemendōuláilǐngbīng。」zhònghóukànshízhǐjiànkōngzàipíngyángzhīpǎoláikòutóuwènkōngjiāngqián使shǐkuángfēngbānbīngyìngshìshuōlebiànzhònghóuchēngxièdōuqiǎngdāoduójiànzhuāzhēngqiāngchěgōngbānyāoyāoshuǎle


逐句解 Line by line

quèshuōhuāguǒshānxiǎohóuerzhèngzàidòngménwàiwánshuǎtīngfēngshēngxiǎngchùjiànbànkōngzhōngchāchābiānàndehóujīngxiàdedōuluànpǎoluànduǒ quèshuōhuāguǒshānxiǎohóuerzhèngzàidòngménwàiwánshuǎtīngfēngshēngxiǎngchùjiànbànkōngzhōngchāchābiānàndehóujīngxiàdedōuluànpǎoluànduǒ

Now the monkeys of the Mountain of Flowers and Fruit, big and small, were playing outside their cave-mouth when suddenly they heard the wind come roaring, and saw, filling the mid-air in forking, branching shapes, a boundless, shoreless host of monkey-sprites — and they took fright and bolted, scattering and hiding every which way.

The troop that will shortly be an army takes one look at the sky and runs for cover. 丫丫叉叉 is a picture-word — forking, branching, every-which-way — for the shapes swarming overhead. 猴兒 carries the light ending (er, unstressed). 聽得 uses (de) to mark what the hearing achieved: they managed to hear it. 響處 takes as chù, "where it sounded." is a vernacular way of writing , "to frighten," read xià, so 諕得 is "so frightened that…" — a character worth learning here, because it recurs right through the chapter.

shǎoshíměihóuwángànluòyúntóushōuleyúnjiāngshēndǒushōuleháomáojiāngbīngdōuluànduīzàishānqiánjiàodào:「xiǎodemendōuláilǐngbīng。」 shǎoshíměihóuwángànluòyúntóushōuleyúnjiāngshēndǒushōuleháomáojiāngbīngdōuluànduīzàishānqiánjiàodào:「xiǎodemendōuláilǐngbīng。」

Presently the Handsome Monkey King brought his cloud down, gathered in the mist, gave his body a shake, took back his hairs, and piled all the weapons in a heap before the mountain, calling out: 'Little ones, come and draw your arms!'

He lands, shakes the clones back into his coat of hair, and calls the troop to the quartermaster's heap. 少時 is "presently, after a short while," read shǎo, not shào. 按落 is "pressed down," as luò. here is the preposition jiāng that shoves the object in front of the verb, the same job as : 將身一抖, 將兵器. 一抖 takes before the dipping tone of . 小的們, "you little ones," is affectionate address, with as de and the plural as men.

zhònghóukànshízhǐjiànkōngzàipíngyángzhīpǎoláikòutóuwèn zhònghóukànshízhǐjiànkōngzàipíngyángzhīpǎoláikòutóuwèn

When the monkeys looked, they saw only Wukong standing alone on the open ground, and they all came running to kowtow and ask what had happened.

The crowd resolves back into one figure, which quietly gives the game away: the looting host was Wukong all along. 平陽之地 is "level, open, sunlit ground"; 叩頭 (kòu tóu) is to kowtow; 問故 is "asked the reason."

kōngjiāngqián使shǐkuángfēngbānbīngyìngshìshuōlebiàn kōngjiāngqián使shǐkuángfēngbānbīngyìngshìshuōlebiàn

Wukong told them the whole business — how he had raised the gale and carried off the weapons — from start to finish.

將前使狂風 uses again as the preposition jiāng, here "as for, taking the matter of." 一應事 is "the whole business," 一應 (yí yìng) being a set phrase for "the entire lot," with as yìng and as before it. 一遍 likewise takes before the falling tone of .

zhònghóuchēngxièdōuqiǎngdāoduójiànzhuāzhēngqiāngchěgōngbānyāoyāoshuǎle zhònghóuchēngxièdōuqiǎngdāoduójiànzhuāzhēngqiāngchěgōngbānyāoyāoshuǎle

The monkeys finished their thanks and then fell to snatching sabers and seizing swords, grabbing axes and fighting over spears, pulling bows and drawing crossbows, hollering and whooping, and sported the whole day long.

Christmas morning, with weapons. The verbs come in vigorous matched pairs — 搶刀奪劍, 撾斧爭槍, 扯弓扳弩 — where is zhuā, "to snatch, to strike," and is bān, "to pull, to draw." 稱謝 is "to voice thanks," read chēng. 吆喝 (yāo he) is "to holler," and in the doubled 吆吆喝喝 the keeps its full . 一日 takes .


總評 Commentary

A short, vivid domestic interlude: the troop that will shortly be an army is, for the moment, a crowd of monkeys bolting at the sound of their own king coming home. The narrative's delight in lists and motion — the forking shapes overhead, the heaped plunder, the scramble of snatching and hollering — is characteristic of these early chapters' high spirits. Andrew Plaks notes how the novel sustains this register of play () right up to the edge of real consequence. The day-long romp with the new weapons (耍了一日) is a holiday, not yet a war.

The image of Wukong "standing alone on the open ground" (獨立在平陽之地) once the cloud and the clones are gathered back in quietly discloses what the spectacle had hidden: the looting multitude was all himself. The hair-clone host that stripped Aolai dissolves into a single body, and the borrowed grandeur goes with it — a small rhyme with the chapter's larger pattern, in which every accession of power (weapons, armor, rank, even deathlessness) is something Wukong takes rather than receives. Handing out the arms to his "little ones" makes him, for the first time, not merely a king of revels but the captain of a force.