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Straight Back to the Eastern Land · The Five Saints Attain the True

在智猶迷
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

在智猶迷 Even the Wise Are Lost

然rán天tiān地dì包bāo乎hū陰yīn陽yáng而ér易yì識shí者zhě,以yǐ其qí有yǒu象xiàng也yě;然rán天tiān地dì包bāo乎hū阴yīn阳yáng而ér易yì识shí者zhě,以yǐ其qí有yǒu象xiàng也yě;
陰yīn陽yáng處chǔ乎hū天tiān地dì而ér難nán窮qióng者zhě,以yǐ其qí無wú形xíng也yě。阴yīn阳yáng处chǔ乎hū天tiān地dì而ér难nán穷qióng者zhě,以yǐ其qí无wú形xíng也yě。
故gù知zhī象xiàng顯xiǎn可kě證zhèng,雖suī愚yú不bú惑huò;故gù知zhī象xiàng显xiǎn可kě证zhèng,虽suī愚yú不bú惑huò;
形xíng潛qián莫mò睹dǔ,在zài智zhì猶yóu迷mí。形xíng潜qián莫mò睹dǔ,在zài智zhì犹yóu迷mí。

逐句解 Line by line

然rán天tiān地dì包bāo乎hū陰yīn陽yáng而ér易yì識shí者zhě,以yǐ其qí有yǒu象xiàng也yě; 然rán天tiān地dì包bāo乎hū阴yīn阳yáng而ér易yì识shí者zhě,以yǐ其qí有yǒu象xiàng也yě;

Yet heaven and earth enclose the dark and the bright and are easily known — and this is because they have images;

The document now explains itself, which is the mark of a good bureaucrat. Having stated the contrast, it gives the reason for it. 包乎 — enclose, contain. Heaven and earth are the container; yin and yang are what is inside. 以其有象也 — because they have images, that is, because you can see them.

陰yīn陽yáng處chǔ乎hū天tiān地dì而ér難nán窮qióng者zhě,以yǐ其qí無wú形xíng也yě。 阴yīn阳yáng处chǔ乎hū天tiān地dì而ér难nán穷qióng者zhě,以yǐ其qí无wú形xíng也yě。

the dark and the bright dwell within heaven and earth and are hard to fathom — and this is because they have no shape.

處乎 — to dwell within, to be situated in. Its first character is read chǔ here, the verb of residing. Read chù it is a noun, a place, which is how the bare chain takes it and how most readers meet it first. The pair is now complete and airtight: the container is visible, the contents are not, and that is the whole of why one is easy and the other impossible. Eight lines in, and the emperor has not mentioned religion once.

故gù知zhī象xiàng顯xiǎn可kě證zhèng,雖suī愚yú不bú惑huò; 故gù知zhī象xiàng显xiǎn可kě证zhèng,虽suī愚yú不bú惑huò;

So we know that where the image is manifest and can be verified, even the foolish are not confused;

可證 — can be proved, can be verified. It is an evidentiary word, and it is doing evidentiary work: what you can check, you can be sure of. The argument is being built like a case, one clause at a time, each half answering the last.

形xíng潛qián莫mò睹dǔ,在zài智zhì猶yóu迷mí。 形xíng潜qián莫mò睹dǔ,在zài智zhì犹yóu迷mí。

where the shape is hidden and cannot be looked at, even in the wise there is bewilderment still.

在智猶迷 — even in the wise, still lost. Four characters, and they close the opening movement. The emperor has spent eight lines establishing one thing, and he has done it entirely with sky, seasons and logic: the visible can be known, and the invisible cannot, no matter who you are. That is the ground he needs. The next line is where the Buddha comes in.


總評 Commentary

The emperor stops asserting and starts arguing. Heaven and earth are easy to know because they have images; yin and yang are hard to fathom because they have no shape. The container is visible and the contents are not.

It is built like a legal case — each clause answering the last, each conclusion drawn from a stated reason, and the key word one that means can be verified. What you can check, you can be sure of. What you cannot, you cannot.

And the last four characters close the argument on its hardest edge: where the shape is hidden, even in the wise there is bewilderment still. Eight lines, no religion, no miracles. Having proved that the invisible defeats the cleverest man alive, the emperor is now ready to talk about the Buddha.