盂蘭盆會 The Ullambana Feast
佛祖居於靈山大雷音寶剎之間。一日,喚聚諸佛、阿羅、揭諦、菩薩、金剛、比丘僧尼等眾曰:「自伏乖猿安天之後,我處不知年月,料凡間有半千年矣。今值孟秋望日,我有一寶盆,盆中具設百樣奇花、千般異果等物,與汝等享此盂蘭盆會,如何?」概眾一個個合掌,禮佛三匝領會。如來卻將寶盆中花果品物,著阿儺捧定,著迦葉佈散。佛祖居于灵山大雷音宝刹之间。一日,唤聚诸佛、阿罗、揭谛、菩萨、金刚、比丘僧尼等众曰:「自伏乖猿安天之后,我处不知年月,料凡间有半千年矣。今值孟秋望日,我有一宝盆,盆中具设百样奇花、千般异果等物,与汝等享此盂兰盆会,如何?」概众一个个合掌,礼佛三匝领会。如来却将宝盆中花果品物,着阿傩捧定,着迦叶布散。
逐句解 Line by line
The Buddha-Patriarch dwelt within the Great Thunderclap Treasure Monastery of the Spirit Mountain.
寶剎, the treasure-precinct. 剎 is chà, consecrated ground, not shā.
One day he called together the buddhas, arhats, guardian-spirits, bodhisattvas, vajra-warriors, monks and nuns, and all the rest, and said:
揭諦 (jiē dì) are guardian spirits who take their name from the syllable gate in the mantra that closes the Heart Sūtra — the escort named after the password. In 一日 the 一 takes yí before the falling tone of 日.
"Since the unruly ape was subdued and Heaven secured, here we have lost all count of months and years; I reckon a full half-thousand years have passed in the world of men.
Heaven keeps no calendar, so nobody up here has been counting; below, five hundred years have gone by. That figure is exactly the sentence the monkey is serving under the mountain.
"Now, on the full-moon day of early autumn, I have a precious basin set with a hundred kinds of rare flowers and a thousand sorts of strange fruits and the like — shall we share this Ullambana Feast together?"
The Buddha proposes a party, and the party has a theme. 盂蘭盆會 (yú lán pén) is Ullambana, held at the full moon of the seventh month to get suffering beings out of where they are stuck — the Ghost Festival, when families still burn offerings for the dead. In 一寶盆 the 一 takes yì before the dipping tone of 寶. He calls a feast about rescue on the eve of deciding to rescue the world.
The whole assembly, every one, pressed their palms together and, circling the Buddha thrice in homage, grasped his intent.
三匝 is walking round him three times, the standard way of showing respect to a holy person or thing. In 一個個 the 一 takes yí before the falling tone of 個.
The Tathāgata then had Ānanda hold up the flowers and fruits of the basin, and Kāśyapa scatter them abroad.
著 here is the dispatching one, zhuó — to have somebody do a thing. 阿儺 is Ānanda, the character 儺 read nuó; 迦葉 is Mahākāśyapa, where 葉 takes its special reading shè rather than the everyday yè.
The register drops to something quieter. The Buddha reckons up five hundred mortal years and proposes an Ullambana feast, a festival whose traditional business is getting suffering beings released. Nobody says so, but the theme of the party is the theme of the decision he is about to make.
Pairing 阿儺 (Ānanda) and 迦葉 (Kāśyapa) as the attendants is a deliberate touch. These two will turn up again in the novel's last chapters and demand a present before they hand the scriptures over. Serving flowers and fruit here, they plant a thread the hundred-chapter design pays off thousands of li and many years later.
The half-thousand-year measure also syncs the novel's two clocks: the monkey's sentence under the mountain and the slow ripening of the world's need for a pilgrimage. Yu notes how such markers knit the episodes into one providential scheme. The feast is its calm hinge.