Canonical Classics ← 第八回
第八回
zàojīngchuán
guānyīnfèngzhǐshàngchángān

The Buddha Creates the Sutra, Preaching the Ultimate Bliss · Guanyin Receives the Edict and Proceeds to Chang'an

盂蘭盆會
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拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

盂蘭盆會 The Ullambana Feast

língshānléiyīnbǎochàzhījiānhuànzhūāluójiējīngāngqiūsēngděngzhòngyuē:「guāiyuánāntiānzhīhòuchùzhīniányuèliàofánjiānyǒubànqiānniánjīnzhímèngqiūwàngyǒubǎopénpénzhōngshèbǎiyànghuāqiānbānguǒděngděngxiǎnglánpénhuì?」gàizhòngzhǎngsānlǐnghuìláiquèjiāngbǎopénzhōnghuāguǒpǐnzhuóānuópěngdìngzhuójiāshèsànlíngshānléiyīnbǎochàzhījiānhuànzhūāluójiējīngāngqiūsēngděngzhòngyuē:「guāiyuánāntiānzhīhòuchùzhīniányuèliàofánjiānyǒubànqiānniánjīnzhímèngqiūwàngyǒubǎopénpénzhōngshèbǎiyànghuāqiānbānguǒděngděngxiǎnglánpénhuì?」gàizhòngzhǎngsānlǐnghuìláiquèjiāngbǎopénzhōnghuāguǒpǐnzhuóānuópěngdìngzhuójiāshèsàn


逐句解 Line by line

língshānléiyīnbǎochàzhījiān língshānléiyīnbǎochàzhījiān

The Buddha-Patriarch dwelt within the Great Thunderclap Treasure Monastery of the Spirit Mountain.

寶剎, the treasure-precinct. is chà, consecrated ground, not shā.

huànzhūāluójiējīngāngqiūsēngděngzhòngyuē huànzhūāluójiējīngāngqiūsēngděngzhòngyuē

One day he called together the buddhas, arhats, guardian-spirits, bodhisattvas, vajra-warriors, monks and nuns, and all the rest, and said:

揭諦 (jiē dì) are guardian spirits who take their name from the syllable gate in the mantra that closes the Heart Sūtra — the escort named after the password. In 一日 the takes before the falling tone of .

guāiyuánāntiānzhīhòuchùzhīniányuèliàofánjiānyǒubànqiānnián guāiyuánāntiānzhīhòuchùzhīniányuèliàofánjiānyǒubànqiānnián

"Since the unruly ape was subdued and Heaven secured, here we have lost all count of months and years; I reckon a full half-thousand years have passed in the world of men.

Heaven keeps no calendar, so nobody up here has been counting; below, five hundred years have gone by. That figure is exactly the sentence the monkey is serving under the mountain.

jīnzhímèngqiūwàngyǒubǎopénpénzhōngshèbǎiyànghuāqiānbānguǒděngděngxiǎnglánpénhuì?」 jīnzhímèngqiūwàngyǒubǎopénpénzhōngshèbǎiyànghuāqiānbānguǒděngděngxiǎnglánpénhuì?」

"Now, on the full-moon day of early autumn, I have a precious basin set with a hundred kinds of rare flowers and a thousand sorts of strange fruits and the like — shall we share this Ullambana Feast together?"

The Buddha proposes a party, and the party has a theme. 盂蘭盆會 (yú lán pén) is Ullambana, held at the full moon of the seventh month to get suffering beings out of where they are stuck — the Ghost Festival, when families still burn offerings for the dead. In 一寶盆 the takes before the dipping tone of . He calls a feast about rescue on the eve of deciding to rescue the world.

gàizhòngzhǎngsānlǐnghuì gàizhòngzhǎngsānlǐnghuì

The whole assembly, every one, pressed their palms together and, circling the Buddha thrice in homage, grasped his intent.

三匝 is walking round him three times, the standard way of showing respect to a holy person or thing. In 一個個 the takes before the falling tone of .

láiquèjiāngbǎopénzhōnghuāguǒpǐnzhuóānuópěngdìngzhuójiāshèsàn láiquèjiāngbǎopénzhōnghuāguǒpǐnzhuóānuópěngdìngzhuójiāshèsàn

The Tathāgata then had Ānanda hold up the flowers and fruits of the basin, and Kāśyapa scatter them abroad.

here is the dispatching one, zhuó — to have somebody do a thing. 阿儺 is Ānanda, the character read nuó; 迦葉 is Mahākāśyapa, where takes its special reading shè rather than the everyday .


總評 Commentary

The register drops to something quieter. The Buddha reckons up five hundred mortal years and proposes an Ullambana feast, a festival whose traditional business is getting suffering beings released. Nobody says so, but the theme of the party is the theme of the decision he is about to make.

Pairing 阿儺 (Ānanda) and 迦葉 (Kāśyapa) as the attendants is a deliberate touch. These two will turn up again in the novel's last chapters and demand a present before they hand the scriptures over. Serving flowers and fruit here, they plant a thread the hundred-chapter design pays off thousands of li and many years later.

The half-thousand-year measure also syncs the novel's two clocks: the monkey's sentence under the mountain and the slow ripening of the world's need for a pilgrimage. Yu notes how such markers knit the episodes into one providential scheme. The feast is its calm hinge.