Canonical Classics ← 第八回
第八回
zàojīngchuán
guānyīnfèngzhǐshàngchángān

The Buddha Creates the Sutra, Preaching the Ultimate Bliss · Guanyin Receives the Edict and Proceeds to Chang'an

如來說法
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原文 Original text 繁體 Traditional Reader's edition

如來說法 The Tathāgata Expounds the Dharma

zhòngxiànyīnqǐngláimíngshìgēnběnzhǐjiěyuánliúláiwēikāishànkǒuyǎnxuānyángzhèngguǒjiǎngdeshìsānshèngmiàodiǎnyùnléngyándànjiàntiānlóngwéiràohuābīnfēnzhèngshìzhòngxiànyīnqǐngláimíngshìgēnběnzhǐjiěyuánliúláiwēikāishànkǒuyǎnxuānyángzhèngguǒjiǎngdeshìsānshèngmiàodiǎnyùnléngyándànjiàntiānlóngwéiràohuābīnfēnzhèngshì

chánxīnlǎngzhàoqiānjiāngyuèchánxīnlǎngzhàoqiānjiāngyuè
zhēnxìngqīnghánwàntiānzhēnxìngqīnghánwàntiān

逐句解 Line by line

zhòngxiànyīnqǐngláimíngshìgēnběnzhǐjiěyuánliú zhòngxiànyīnqǐngláimíngshìgēnběnzhǐjiěyuánliú

The bodhisattvas, their offerings done, then begged the Tathāgata to reveal the fundamental and expound the source.

明示根本,指解源流 — to make plain the root and resolve the origin, i.e. to teach the deepest doctrine.

láiwēikāishànkǒuyǎnxuānyángzhèngguǒjiǎngdeshìsānshèngmiàodiǎnyùnléngyán láiwēikāishànkǒuyǎnxuānyángzhèngguǒjiǎngdeshìsānshèngmiàodiǎnyùnléngyán

The Tathāgata, gently opening his benign lips, set forth the Great Dharma and proclaimed the true fruit, expounding the wondrous canon of the Three Vehicles and the Five Aggregates of the Śūraṅgama.

三乘 (sān shèng) the three vehicles; 五蘊 the five aggregates (skandha); 楞嚴 the Śūraṅgama.

dànjiàntiānlóngwéiràohuābīnfēnzhèngshì dànjiàntiānlóngwéiràohuābīnfēnzhèngshì

One saw only the heavenly dragons wheeling round and a riot of flower-rain. Truly:

花雨 — the rain of blossoms that, in the sūtras, falls to mark a sublime preaching.

chánxīnlǎngzhàoqiānjiāngyuè chánxīnlǎngzhàoqiānjiāngyuè

The Chan-mind shines clear — a moon upon a thousand rivers;

千江月 — the single moon reflected in a thousand streams, a Chan figure for the one nature manifest in all things.

zhēnxìngqīnghánwàntiān zhēnxìngqīnghánwàntiān

the true nature, limpid, holds the sky of ten thousand li.


總評 Commentary

This brief passage stages the Buddha's preaching as spectacle before it becomes doctrine: the dragons circle, the flower-rain falls, and a closing couplet distils the whole into a single contemplative image. The narrative is gathering itself for the chapter's central act — the decision to send the scriptures east.

The couplet 禪心朗照千江月,真性清涵萬里天 is among the chapter's finest. The “moon on a thousand rivers” is a standard Chan emblem of the one buddha-nature refracted through countless minds; paired with the clear sky “holding” ten thousand li, it images enlightenment as both reflection and capacity. Yu notes how such couplets serve as lyric punctuation, freezing the action into a meditative still.