Canonical Classics ← 第八回
第八回
zàojīngchuán
guānyīnfèngzhǐshàngchángān

The Buddha Creates the Sutra, Preaching the Ultimate Bliss · Guanyin Receives the Edict and Proceeds to Chang'an

流沙河鬥
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

流沙河鬥 The Battle at the River

guàishǒuzhígēnbǎozhàngzǒushàngànjiùzhuōquèbèihuìànchèhúntiěbàngdǎngzhùshēng:「xiūzǒu!」guàijiùchíbǎozhàngláiyíngliǎngzàiliúshābiānzhèchángèshāzhēnjīngrénguàishǒuzhígēnbǎozhàngzǒushàngànjiùzhuōquèbèihuìànchèhúntiěbàngdǎngzhùshēng:「xiūzǒu!」guàijiùchíbǎozhàngláiyíngliǎngzàiliúshābiānzhèchángèshāzhēnjīngrén

zhāhúntiěbàngxiǎnshéntōngguàixiángyāozhàngchěngyīngxióngzhāhúntiěbàngxiǎnshéntōngguàixiángyāozhàngchěngyīngxióng
shuāngtiáoyínmǎngbiānduìshénsēngànshàngchōngshuāngtiáoyínmǎngbiānduìshénsēngànshàngchōng
wēizhènliúshāshīběnshìzhèbǎoguānyīnjiàngōngwēizhènliúshāshīběnshìzhèbǎoguānyīnjiàngōng
fānyuèlàngzhèpēnfēngfānyuèlàngzhèpēnfēng
fānyuèlàngqiánkūnànpēnfēngyuèhūnfānyuèlàngqiánkūnànpēnfēngyuèhūn
xiángyāozhànghǎo便biànchūshāndebáizhèhúntiěbàngquèjiùdàodehuánglóngxiángyāozhànghǎo便biànchūshāndebáizhèhúntiěbàngquèjiùdàodehuánglóng
使shǐjiāngláixúnshécǎozhèdiūkāiyàofēnsōng使shǐjiāngláixúnshécǎozhèdiūkāiyàofēnsōng
zhǐshādehūnxīngchéncànlànténgténgtiānménglóngzhǐshādehūnxīngchéncànlànténgténgtiānménglóng
jiǔzhùruòshuǐwéihěnzhèchūchūlíngshāngōngjiǔzhùruòshuǐwéihěnzhèchūchūlíngshāngōng

逐句解 Line by line

guàishǒuzhígēnbǎozhàngzǒushàngànjiùzhuōquèbèihuìànchèhúntiěbàngdǎngzhùshēng:「xiūzǒu!」guàijiùchíbǎozhàngláiyíng guàishǒuzhígēnbǎozhàngzǒushàngànjiùzhuōquèbèihuìànchèhúntiěbàngdǎngzhùshēng:「xiūzǒu!」guàijiùchíbǎozhàngláiyíng

The monster, gripping a treasure-staff, came up the bank to seize the Bodhisattva, but Huian whipped out his solid-iron rod and blocked him, shouting, "Hold!" The monster then raised his staff to meet him.

In 一根 the takes before the level tone of . 寶杖 is the demon's weapon, which later chapters and every illustrator since have made a crescent-moon monk's spade.

liǎngzàiliúshābiānzhèchángèshāzhēnjīngrén liǎngzàiliúshābiānzhèchángèshāzhēnjīngrén

The two of them, on the bank of the Flowing-Sands River, fought a fearsome battle, truly a sight to dismay:

In 一場 the takes before the rising tone of . 真個驚人, truly enough to frighten you, is the cue for the fight set-piece.

zhāhúntiěbàngxiǎnshéntōngguàixiángyāozhàngchěngyīngxióng zhāhúntiěbàngxiǎnshéntōngguàixiángyāozhàngchěngyīngxióng

Moksa's solid-iron rod shows forth a guardian's spirit-power; the monster's demon-quelling staff strains to play the hero.

降妖 is subduing demons, read xiáng.

shuāngtiáoyínmǎngbiānduìshénsēngànshàngchōng shuāngtiáoyínmǎngbiānduìshénsēngànshàngchōng

A pair of silver pythons dance at the river's edge; a brace of divine monks clash upon the bank.

In 一對 the takes before the falling tone of .

wēizhènliúshāshīběnshìzhèbǎoguānyīnjiàngōng wēizhènliúshāshīběnshìzhèbǎoguānyīnjiàngōng

That one, lord of the Flowing Sands, plies his arts; this one, guarding Guanyin, achieves great merit.

Each 一個 takes before the falling tone of .

fānyuèlàngzhèpēnfēng fānyuèlàngzhèpēnfēng

That one churns the waves and leaps the billows; this one belches fog and spews wind.

is . The verse runs on 那一個 against 這一個 — that one, this one — the pattern the novel keeps for fighters too evenly matched to separate. Neither is named.

fānyuèlàngqiánkūnànpēnfēngyuèhūn fānyuèlàngqiánkūnànpēnfēngyuèhūn

Churning waves and leaping billows, heaven and earth go dark; belching fog and spewing wind, the sun and moon grow dim.

is qián in 乾坤. Each half of the line repeats its own opening phrase and then states the damage, so between the two of them they darken heaven and earth.

xiángyāozhànghǎo便biànchūshāndebáizhèhúntiěbàngquèjiùdàodehuánglóng xiángyāozhànghǎo便biànchūshāndebáizhèhúntiěbàngquèjiùdàodehuánglóng

That demon-quelling staff is just like a white tiger come down from the hills; this solid-iron rod is like a yellow dragon couched across the road.

降妖 again, read xiáng; 好便似 is just like, with as .

使shǐjiāngláixúnshécǎozhèdiūkāiyàofēnsōng 使shǐjiāngláixúnshécǎozhèdiūkāiyàofēnsōng

That one wields his weapon forth, parting the grass to seek the snake; this one sweeps his clear, splitting the pine to strike the hawk.

尋蛇撥草 and 撲鷂分松 are stock phrases for the wide sweeping arcs a staff makes in a fight — beating the grass for the snake, splitting the pine at the hawk.

zhǐshādehūnxīngchéncànlànténgténgtiānménglóng zhǐshādehūnxīngchéncànlànténgténgtiānménglóng

They battle till all turns dim and dark, the stars ablaze; the fog rolls thick, and heaven and earth grow hazy.

is the light de joining the verb to what follows, and is làn. 昏漠漠 and 霧騰騰 carry the whole result: nothing has been settled, only obscured.

jiǔzhùruòshuǐwéihěnzhèchūchūlíngshāngōng jiǔzhùruòshuǐwéihěnzhèchūchūlíngshāngōng

That one, long dwelling in the Weak Water, is the fiercer; this one, newly come from the Spirit Mountain, wins the first great merit.

第一功 is the first merit. The counting stays plain here, since a rank does not shift its tone.


總評 Commentary

The demon attacks and Moksa meets him: the chapter's first proper fight, written as a battle of matched pairs. The verse runs almost entirely on 那一個 against 這一個, that one and this one, the two of them balanced clause against clause.

The pictures climb from animals — silver pythons, a white tiger, a yellow dragon — into weather and then into cosmology, until the churning and belching have darkened heaven and earth and dimmed the sun and moon. This is the standard shape of the novel's fight-verse: a scrap between two weapons swelling until the elements themselves come apart.

Yu draws attention to the closing pair. The demon is the fiercer, by long residence in the weak water; Moksa, newly down from the Spirit Mountain, takes the first great merit. The verse frames the fight not as a contest of strength but as the opening move in a conversion, which Guanyin completes in the passages that follow.