菩薩下山 The Bodhisattva Descends
那菩薩聞言,踴躍作禮而退。即喚惠岸行者隨行。那惠岸使一條渾鐵棍,重有千斤,只在菩薩左右作一個降魔的大力士。菩薩遂將錦襴袈裟,作一個包裹,令他背了。菩薩將金箍藏了,執了錫杖,徑下靈山。這一去,有分教:那菩萨闻言,踊跃作礼而退。即唤惠岸行者随行。那惠岸使一条浑铁棍,重有千斤,只在菩萨左右作一个降魔的大力士。菩萨遂将锦襕袈裟,作一个包裹,令他背了。菩萨将金箍藏了,执了锡杖,径下灵山。这一去,有分教:
逐句解 Line by line
The Bodhisattva, hearing this, leapt up in joy, made her bow, and withdrew.
At once she summoned the disciple Huian to attend her.
惠岸 (Huian) is the religious name of Moksa (木吒), second son of the Heavenly King Li Jing, and Guanyin's acolyte.
This Huian wielded a rod of solid iron weighing a thousand catties, and served at the Bodhisattva's side as a mighty demon-quelling strongman.
重 here is zhòng (to weigh); 降魔 — to subdue demons, with 降 read xiáng. 一條 takes yì before second-tone 條, 一個 takes yí before fourth-tone 個.
The Bodhisattva then made the brocade cassock into a bundle and bade him bear it on his back.
將 is the disposal jiāng; 背 here is the verb “to carry on the back,” read bēi.
She put the gold fillets away, took up the staff, and went straight down from the Spirit Mountain. This departure was fated to bring about:
藏 here is the verb “to hide,” read cáng (not the zàng of 三藏). 有分教 — the storyteller's formula “it was destined that.”
The Buddha's son shall come once more to fulfill his first vow,
佛子 (the Buddha's son) and the 金蟬長老 of the next line both designate the future Tang Monk, Tripiṭaka, in his prior incarnation. 還 here is the adverb hái, “once more.”
the Golden Cicada elder shall be wrapped in sandalwood.
金蟬 — the “Golden Cicada,” the Tang Monk's identity as a fallen disciple of the Buddha; 長老 (elder) reads zhǎng lǎo. 栴檀 — sandalwood (Skt. candana).
Equipped and instructed, Guanyin sets out, taking the demon-quelling Moksa as her companion and the cassock, staff and fillets as her freight. The brief passage is pure transition, but it closes on a couplet that vaults far ahead of the action.
That couplet — 佛子還來歸本願,金蟬長老裹栴檀 — names the Tang Monk before he has appeared, under his celestial identity as the “Golden Cicada,” a disciple of the Buddha banished to the mortal round. Andrew Plaks notes the novel's fondness for such proleptic verse, which lets the reader glimpse the providential design even as the characters move blindly within it: the whole eastward journey is here promised in a single distich, long before its pilgrim is born.