Canonical Classics ← 第八回
第八回
zàojīngchuán
guānyīnfèngzhǐshàngchángān

The Buddha Creates the Sutra, Preaching the Ultimate Bliss · Guanyin Receives the Edict and Proceeds to Chang'an

高山遇怪
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

高山遇怪 The Demon of the High Mountain

biéletóngzhājìngbēndōngxíngleduōshíyòujiànzuògāoshānshānshàngyǒuèzhēmànnéngshàngzhèngjiàyúnguòshānjuékuángfēngchùyòushǎnshàngyāoshēngdeyòushènxiōngxiǎndànjiànbiéletóngzhājìngbēndōngxíngleduōshíyòujiànzuògāoshānshānshàngyǒuèzhēmànnéngshàngzhèngjiàyúnguòshānjuékuángfēngchùyòushǎnshàngyāoshēngdeyòushènxiōngxiǎndànjiàn

juǎnzàngliánpéngdiàozuǐjuǎnzàngliánpéngdiàozuǐ
ěrshànxiǎnjīnjīngěrshànxiǎnjīnjīng
liáofēnggāngcuòliáofēnggāngcuò
chángzuǐzhāngkāihuǒpénchángzuǐzhāngkāihuǒpén
jīnkuījǐnsāibiāndàijīnkuījǐnsāibiāndài
lēijiǎtāomǎng退tuìlínlēijiǎtāomǎng退tuìlín
shǒuzhídīnglóngtànzhǎoshǒuzhídīnglóngtànzhǎo
yāokuàwāngōngyuèbànlúnyāokuàwāngōngyuèbànlún
jiūjiūwēifēngtàisuìjiūjiūwēifēngtàisuì
ángángzhìtiānshénángángzhìtiānshén

逐句解 Line by line

biéletóngzhājìngbēndōngxíngleduōshíyòujiànzuògāoshānshānshàngyǒuèzhēmànnéngshàngzhèngjiàyúnguòshānjuékuángfēngchùyòushǎnshàngyāoshēngdeyòushènxiōngxiǎndànjiàn biéletóngzhājìngbēndōngxíngleduōshíyòujiànzuògāoshānshānshàngyǒuèzhēmànnéngshàngzhèngjiàyúnguòshānjuékuángfēngchùyòushǎnshàngyāoshēngdeyòushènxiōngxiǎndànjiàn

The Bodhisattva took leave of him and, with Moksa, made straight for the Eastern Land. After traveling a good while, they came upon a high mountain wreathed in baleful vapor, which they could not climb. Just as they meant to ride the cloud across it, of a sudden a wild wind arose, and up sprang another demon, fearsome and savage of form. They saw him thus:

不覺 — “unawares”; is jué. 生得 — the descriptive is de. Each (一座, 一個) takes before a fourth-tone graph. 但見他 introduces the portrait.

juǎnzàngliánpéngdiàozuǐ juǎnzàngliánpéngdiàozuǐ

Rolled-up tripe like a lotus-pod for a dangling snout,

The portrait of the future Zhu Bajie. 捲臟 — his pursed, tripe-like muzzle; is zàng.

ěrshànxiǎnjīnjīng ěrshànxiǎnjīnjīng

ears like rush-fans, and flashing golden eyes.

liáofēnggāngcuò liáofēnggāngcuò

His tusks keen-edged as steel files,

chángzuǐzhāngkāihuǒpén chángzuǐzhāngkāihuǒpén

his long maw, gaping, like a brazier.

長嘴 — long snout; is cháng. is .

jīnkuījǐnsāibiāndài jīnkuījǐnsāibiāndài

A golden helm strapped tight beneath his jaw,

lēijiǎtāomǎng退tuìlín lēijiǎtāomǎng退tuìlín

his laced armor and silk cords like a python's sloughed scales.

shǒuzhídīnglóngtànzhǎo shǒuzhídīnglóngtànzhǎo

In his hand a spiked rake like a dragon stretching its claws,

釘鈀 — the nine-toothed rake, Bajie's signature weapon.

yāokuàwāngōngyuèbànlún yāokuàwāngōngyuèbànlún

at his waist a curved bow like a half-wheel moon.

jiūjiūwēifēngtàisuì jiūjiūwēifēngtàisuì

Stalwart, his menace overawes the Year-Star,

太歲 — Jupiter as the dread Year-Star deity.

ángángzhìtiānshén ángángzhìtiānshén

high-spirited, his temper bears down the very gods of Heaven.


總評 Commentary

The journey continues to a second obstacle — a baleful high mountain — where a third future disciple erupts: the boar-demon who will become Zhu Bajie. As with Sha Wujing, his appearance is announced by a portrait-poem, here a regulated ten-line verse cataloguing his grotesque, martial form.

Unlike the irregular parallel prose of the river-monster's , this portrait is strictly regulated seven-syllable verse (排律), and so takes the plain reader's-edition treatment with couplet markers on its closing lines rather than the rhapsody chip. The formal distinction is deliberate in the novel's prosody: the same descriptive office may be carried by either a or a regulated , and the encoding follows the form on the page.

Following Anthony C. Yu, the portrait's blend of the bestial (tusks, golden eyes, tripe-like snout) and the martial (helm, armor, rake, bow) fixes Bajie's double nature from the outset — a creature of appetite armed like a heavenly marshal, which is exactly what his backstory will reveal him to be.