Canonical Classics ← 第八回
第八回
zàojīngchuán
guānyīnfèngzhǐshàngchángān

The Buddha Creates the Sutra, Preaching the Ultimate Bliss · Guanyin Receives the Edict and Proceeds to Chang'an

悟能識菩薩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

悟能識菩薩 The Boar Knows the Bodhisattva

liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàngguàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」zhādào:「ròuyǎnfántāideshìnánhǎidezhèshìshīpāoláideliánhuārènde!」guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」zhādào:「shìshìshuí?」guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」zhāyǎngmiànzhǐdào:「shì?」guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàngguàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」zhādào:「ròuyǎnfántāideshìnánhǎidezhèshìshīpāoláideliánhuārènde!」guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」zhādào:「shìshìshuí?」guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」zhāyǎngmiànzhǐdào:「shì?」guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」


逐句解 Line by line

liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàng liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàng

Just as the two of them were at the height of their fight, Guanyin, from mid-air, cast down a lotus flower that parted rake and rod.

好處 — the very thick of the fray; the lotus that separates the weapons is the bodhisattva's customary intervention.

guàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」 guàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」

The monster, startled at the sight, asked: “What sort of monk are you, that you dare conjure flowers before my eyes to fool me?”

那裡 here is interrogative, read .

zhādào:「ròuyǎnfántāideshìnánhǎide zhādào:「ròuyǎnfántāideshìnánhǎide

Moksa said: “You fleshly-eyed, mortal-bodied wretch! I am the disciple of the Bodhisattva of the Southern Sea.

肉眼凡胎 — “flesh eyes and mortal womb,” unable to recognize the divine.

zhèshìshīpāoláideliánhuārènde!」 zhèshìshīpāoláideliánhuārènde!」

This is the lotus my mistress cast down, and you do not even know it!”

不認得 takes before fourth-tone ; is neutral-tone de.

guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」 guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」

The monster said: “The Bodhisattva of the Southern Sea — is that the Guanyin who sweeps away the Three Calamities and saves from the Eight Disasters?”

三災, 八難 — the Three Calamities and Eight Disasters of Buddhist cosmology; is read nàn.

zhādào:「shìshìshuí?」 zhādào:「shìshìshuí?」

Moksa said: “Who else but she?”

不是 takes before .

guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」 guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」

The monster flung down his rake, bowed his head in salute, and said: “Elder brother, where is the Bodhisattva? Trouble yourself to present me, I beg.”

那裡 is again interrogative (“where”); 一引見 takes before third-tone .

zhāyǎngmiànzhǐdào:「shì?」 zhāyǎngmiànzhǐdào:「shì?」

Moksa, looking up, pointed and said: “Is that not she?”

Here is the demonstrative “that,” read ; 不是 takes .

guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」 guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」

The monster kowtowed upward and cried aloud: “Bodhisattva, forgive my sin, forgive my sin!”

朝上 — “facing upward”; is read cháo.


總評 Commentary

As with Sha Wujing, the combat is broken off by Guanyin's lotus and turns to recognition. The boar-demon's question — is this the Guanyin “who sweeps away the Three Calamities and saves from the Eight Disasters?” — quotes the bodhisattva's salvific titles, and his instant collapse into reverence completes the now-familiar pattern.

The scene's comedy is already Bajie's signature: the bluster, the abrupt about-face, the eager 'trouble yourself to present me.' Yet beneath it lies the same theology as the river-crossing — the demon recognizes in Guanyin not a foe but the very power of rescue, and his plea for forgiveness is the first motion of his conversion. Following Anthony C. Yu, the repeated structure across both monster-encounters is deliberate: the chapter is assembling its band of disciples by a single, repeatable rite of subdual, recognition, and submission.