Canonical Classics ← 第八回
第八回
zàojīngchuán
guānyīnfèngzhǐshàngchángān

The Buddha Creates the Sutra, Preaching the Ultimate Bliss · Guanyin Receives the Edict and Proceeds to Chang'an

悟能識菩薩
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

悟能識菩薩 The Boar Knows the Bodhisattva

liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàngguàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」zhādào:「ròuyǎnfántāideshìnánhǎidezhèshìshīpāoláideliánhuārènli!」guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」zhādào:「shìshìshuí?」guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」zhāyǎngmiànzhǐdào:「shì?」guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàngguàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」zhādào:「ròuyǎnfántāideshìnánhǎidezhèshìshīpāoláideliánhuārènli!」guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」zhādào:「shìshìshuí?」guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」zhāyǎngmiànzhǐdào:「shì?」guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」


逐句解 Line by line

liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàng liǎngzhèngshādàohǎochùguānshìyīnzàibànkōngzhōngpāoxiàliánhuākāizhàng

Just as the two of them were at the height of their fight, Guanyin, from mid-air, cast down a lotus flower that parted rake and rod.

好處 is the thick of it, the point where a fight is going well. Dropping a lotus between two weapons is Guanyin's standing way of intervening: she does not strike anyone, she simply gets between them.

guàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」 guàijiànlexīnjīng便biànwèn:「shìshànggǎnnòngshènmeyǎnqiánhuāérhǒng?」

The monster, startled at the sight, asked: "What sort of monk are you, that you dare conjure flowers before my eyes to fool me?"

那裡 is a question here, read .

zhādào:「ròuyǎnfántāideshìnánhǎide zhādào:「ròuyǎnfántāideshìnánhǎide

Moksa said: "You fleshly-eyed, mortal-bodied wretch! I am the disciple of the Bodhisattva of the Southern Sea.

肉眼凡胎 — meat eyes and a common womb. It means someone who cannot recognise a god when one is standing in front of him, which is exactly the boar's problem this minute.

zhèshìshīpāoláideliánhuārènli!」 zhèshìshīpāoláideliánhuārènli!」

This is the lotus my mistress cast down, and you do not even know it!"

In 不認得 the takes before the falling tone of , and is the light de.

guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」 guàidào:「nánhǎishìsǎosānzāijiùnàndeguānshìyīnme?」

The monster said: "The Bodhisattva of the Southern Sea — is that the Guanyin who sweeps away the Three Calamities and saves from the Eight Disasters?"

三災 and 八難 are the Three Calamities and the Eight Disasters of Buddhist cosmology; is read nàn. He knows her by her advertised services before he knows her by sight.

zhādào:「shìshìshuí?」 zhādào:「shìshìshuí?」

Moksa said: "Who else but she?"

In 不是 the takes before .

guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」 guàipiēledīngtóuxiàdào:「lǎoxiōngzàilèifányǐnjiànyǐnjiàn。」

The monster flung down his rake, bowed his head in salute, and said: "Elder brother, where is the Bodhisattva? Trouble yourself to present me, I beg."

那裡 is again the question word, read ; in 一引見 the takes before the dipping tone of . He has gone from swinging a rake to asking for an introduction inside one line.

zhāyǎngmiànzhǐdào:「shì?」 zhāyǎngmiànzhǐdào:「shì?」

Moksa, looking up, pointed and said: "Is that not she?"

Here is the pointing one, that, read ; 不是 takes . Moksa answers by pointing upward, and does not bother to get off the sarcasm.

guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」 guàicháoshàngtóushēnggāojiàodào:「shùzuìshùzuì。」

The monster kowtowed upward and cried aloud: "Bodhisattva, forgive my sin, forgive my sin!"

朝上 is facing upward, read cháo.


總評 Commentary

As at the river, the fight is broken off by a flower and turns into a recognition scene. The boar's question — is this the Guanyin who sweeps away the Three Calamities and saves from the Eight Disasters? — quotes her advertised titles back at her, and his instant collapse into reverence completes a pattern the reader now knows by heart.

The comedy is already unmistakably Bajie's: the bluster, the flat about-face, the eager request for an introduction from the man he was trying to brain a moment ago. Underneath it runs the same theology as the river-crossing. The demon recognises in Guanyin not an enemy but the one power that rescues, and asking her forgiveness is the first movement of his conversion. As Anthony C. Yu observes, the repetition across both monster-encounters is deliberate: the chapter assembles its band by a single repeatable rite of beating, recognising and submitting.