如來述伏猴 The Tathāgata Recounts the Monkey
那三千諸佛、五百羅漢、八金剛、四菩薩,合掌近前禮畢,問曰:「鬧天宮攪亂蟠桃者,何也?」如來道:「那廝乃花果山產的一妖猴,罪惡滔天,不可名狀。概天神將,俱莫能降伏;雖二郎捉獲,老君用火鍛煉,亦莫能傷損。我去時,正在雷將中間揚威耀武,賣弄精神。被我止住兵戈,問他來歷。他言有神通,會變化,又駕觔斗雲,一去十萬八千里。我與他打了個賭賽,他出不得我手,卻將他一把抓住,指化五行山,封壓他在那裡。玉帝大開金闕瑤宮,請我坐了首席,立安天大會謝我,卻方辭駕而回。」大眾聽言喜悅,極口稱揚。那三千诸佛、五百罗汉、八金刚、四菩萨,合掌近前礼毕,问曰:「闹天宫搅乱蟠桃者,何也?」如来道:「那厮乃花果山产的一妖猴,罪恶滔天,不可名状。概天神将,俱莫能降伏;虽二郎捉获,老君用火锻炼,亦莫能伤损。我去时,正在雷将中间扬威耀武,卖弄精神。被我止住兵戈,问他来历。他言有神通,会变化,又驾觔斗云,一去十万八千里。我与他打了个赌赛,他出不得我手,却将他一把抓住,指化五行山,封压他在那里。玉帝大开金阙瑶宫,请我坐了首席,立安天大会谢我,却方辞驾而回。」大众听言喜悦,极口称扬。
逐句解 Line by line
The three thousand buddhas, five hundred arhats, eight vajra-warriors and four bodhisattvas pressed their palms together, drew near, completed their obeisance, and asked:
Somebody finally asks the question the reader has been waiting seven chapters to hear asked. The assembly is counted off in its canonical orders: three thousand buddhas, five hundred arhats, eight vajra-guardians, four bodhisattvas. 那 is the pointing nà, that.
"Who was it that made havoc in the Palace of Heaven and threw the Peach Festival into confusion?"
蟠桃 are the immortal peaches whose banquet the monkey ruined a few chapters back.
The Tathāgata said:
Three characters, and the floor is his. What follows is the Buddha telling, in his own voice, a story the reader watched happen five chapters ago.
"That fellow is a demon-monkey bred on the Mountain of Flowers and Fruit, whose crimes overflow Heaven and beggar all description.
那廝 is dismissive — that fellow, that character; 廝 is read sī. 花果山, the Mountain of Flowers and Fruit, is Sun Wukong's home.
All the gods and generals of Heaven were alike unable to subdue him;
降伏 is to put down or quell, and 降 is xiáng for that sense — subjugate — not jiàng, to descend.
and though Erlang took him captive and Lord Lao refined him in fire, none could do him harm.
二郎 is Erlang Shen, the god who finally caught him; 老君 is Laozi, Taishang Laojun, whose furnace he was smelted in and walked out of.
When I arrived, he was in the very midst of the thunder-generals, flaunting his power and parading his spirit.
雷將 are the thunder-generals, and 將 is jiàng — the officer, not the verb.
I stayed their weapons and asked him his history.
止住兵戈, stopping the fighting, is offered as the whole of what he did. The wager and the mountain go unmentioned for another two lines. The Buddha's version of events is a great deal shorter than the events.
He claimed to possess spirit-powers and the art of transformation, and to ride a cloud-somersault that bore him a hundred and eight thousand li at a single bound.
觔斗雲 is the somersault-cloud. In 一去 the 一 shifts to yí before the falling tone of 去. A hundred and eight thousand li in one leap is Wukong's party trick, and he is quoted here boasting about it.
I made a wager with him; he could not get free of my palm, so I seized him in one grip, pointed and turned it into the Mountain of Five Phases, and sealed him fast beneath it.
The whole rebellion, settled in one sentence. 將他 uses the disposal 將, jiāng, which sets up the object for what is about to be done to it; in 一把 the 一 takes yì before the dipping tone of 把. 五行山 is the Mountain of Five Phases (wǔ xíng), the five elements of which the world is built.
The Jade Emperor flung wide the golden gates of his jasper palace, seated me at the head, and held the Grand Assembly for the Securing of Heaven to thank me; only then did I take my leave and return."
安天大會, the Grand Assembly for Securing Heaven, is the banquet that closed the previous chapter — so the Buddha ends his account with the party thrown in his honour.
Hearing his words, the assembly rejoiced and praised him without stint.
極口稱揚 is praise pushed as far as the mouth will go.
The assembly's question is a piece of stagecraft: it lets the Buddha retell the monkey's defeat in his own voice, and so carries seven chapters of story into the new movement without a summary. What is striking is how calm his version is. Where the earlier telling wallowed in the chaos, he reduces the whole thing to a bet already won — 他出不得我手, he never got out of my hand.
Within the xīnyuán allegory, the mind-monkey, the retelling matters because it settles what the imprisonment means. The unruly mind has not been destroyed; it has been sealed, 封壓, under the Five Phases — under the very elements the world is made of. Plaks notes that the novel keeps staging these bindings as preparation for cultivation rather than as endings. The seal is a discipline, not a grave.
The passage also settles, without arguing about it, who outranks whom. Erlang and Laozi both failed where the Buddha succeeded, and the Jade Emperor had to throw a banquet to say thank you. That pecking order is the ground for the claim about to be made: that it is Buddhist scripture, carried east, that can finally mend the mortal world.