Canonical Classics ← 第八回
第八回
zàojīngchuán
guānyīnfèngzhǐshàngchángān

The Buddha Creates the Sutra, Preaching the Ultimate Bliss · Guanyin Receives the Edict and Proceeds to Chang'an

山下賭鬥
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

山下賭鬥 The Battle Below the Mountain

zhuàngshàngláifēnhǎodǎiwàngdīngjiùzhùbèizhāxíngzhědǎngzhùshēngdào:「guàixiūkànbàng。」yāodào:「zhèshàngzhīhuókàn。」liǎngzàishānxiàchōngzhuàngdòushūyíngzhēnhǎoshāzhuàngshàngláifēnhǎodǎiwàngdīngjiùzhùbèizhāxíngzhědǎngzhùshēngdào:「guàixiūkànbàng。」yāodào:「zhèshàngzhīhuókàn。」liǎngzàishānxiàchōngzhuàngdòushūyíngzhēnhǎoshā

yāoxiōngměnghuìànwēinéngyāoxiōngměnghuìànwēinéng
tiěbàngfēnxīndǎodīngmiànyíngtiěbàngfēnxīndǎodīngmiànyíng
yángchéntiānànfēishāzǒushíguǐshénjīngyángchéntiānànfēishāzǒushíguǐshénjīng
jiǔchǐguāng耀yào耀yàoshuānghuánxiǎngliàngtiáobànghēiyōuyōuliǎngshǒufēiténgjiǔ齿chǐguāng耀yào耀yàoshuānghuánxiǎngliàngtiáobànghēiyōuyōuliǎngshǒufēiténg
zhèshìtiānwángtàizishìyuánshuàijīnglíngzhèshìtiānwángtàizishìyuánshuàijīnglíng
zàituówéizàishāndòngzuòyāojīngzàituówéizàishāndòngzuòyāojīng
zhèchǎngxiāngzhēnggāoxiàzhīkuīshūyíngzhèchǎngxiāngzhēnggāoxiàzhīkuīshūyíng

逐句解 Line by line

zhuàngshàngláifēnhǎodǎiwàngdīngjiùzhù zhuàngshàngláifēnhǎodǎiwàngdīngjiùzhù

He charged up, heedless of right or wrong, and swung his rake at the Bodhisattva to strike.

bèizhāxíngzhědǎngzhùshēngdào:「guàixiūkànbàng。」 bèizhāxíngzhědǎngzhùshēngdào:「guàixiūkànbàng。」

Moksa blocked him and shouted aloud: “Vile demon, mind your manners — look to my rod!”

一聲 takes before first-tone .

yāodào:「zhèshàngzhīhuókàn。」 yāodào:「zhèshàngzhīhuókàn。」

The demon said: “This monk knows not life from death — look to my rake!”

liǎngzàishānxiàchōngzhuàngdòushūyíngzhēnhǎoshā liǎngzàishānxiàchōngzhuàngdòushūyíngzhēnhǎoshā

The two of them, at the foot of the mountain, lunged and clashed, gambling on victory or defeat, in a truly splendid fight:

一衝 takes (before first-tone ), 一撞 takes (before fourth-tone ). 真個好殺 introduces the battle-rhapsody.

yāoxiōngměnghuìànwēinéng yāoxiōngměnghuìànwēinéng

The demon fierce and savage, Huian mighty in power.

tiěbàngfēnxīndǎodīngmiànyíng tiěbàngfēnxīndǎodīngmiànyíng

The iron rod stabs at the heart; the rake meets it full in the face.

yángchéntiānànfēishāzǒushíguǐshénjīng yángchéntiānànfēishāzǒushíguǐshénjīng

Scattering earth and raising dust, heaven and earth go dark; flying sand and hurtling stones, gods and ghosts take fright.

jiǔchǐguāng耀yào耀yàoshuānghuánxiǎngliàngtiáobànghēiyōuyōuliǎngshǒufēiténg jiǔ齿chǐguāng耀yào耀yàoshuānghuánxiǎngliàngtiáobànghēiyōuyōuliǎngshǒufēiténg

The nine-toothed rake, gleaming bright, its twin rings ringing; the single rod, dark and deep, both hands in flying motion.

一條 takes before second-tone .

zhèshìtiānwángtàizishìyuánshuàijīnglíng zhèshìtiānwángtàizishìyuánshuàijīnglíng

This one the Heavenly King's prince; that one the marshal's sprite.

zàituówéizàishāndòngzuòyāojīng zàituówéizàishāndòngzuòyāojīng

The one at Potalaka a guardian of the Dharma; the other in a mountain cave a demon-spirit.

Each 一個 takes ; 為護法 — “as a Dharma-guardian,” read wéi.

zhèchǎngxiāngzhēnggāoxiàzhīkuīshūyíng zhèchǎngxiāngzhēnggāoxiàzhīkuīshūyíng

This encounter contends for high and low; who knows which shall lose and which shall win?

相遇 — to meet; is xiāng.


總評 Commentary

The boar-demon attacks the Bodhisattva, and Moksa intervenes a second time — the chapter's other sustained combat, again cast as a battle-rhapsody (). The verse mirrors the river-fight in structure, pairing rake against rod through the antithetical 這個 / 那個.

The rhapsody is built to be read against its twin: where the river-battle escalated into churning waves, this one raises dust and hurls stones, darkening heaven and frightening the spirits. The parallelism is structural — two future disciples, two subduing combats, two near-identical — reinforcing the chapter's patterned design.

Following Anthony C. Yu, the closing couplet names the true terms of the encounter: a guardian of the Dharma against a cave-bound demon-spirit. As with Sha Wujing, the fight is not an end but the prelude to recognition and conversion, which the lotus-flower of the next passage will set in motion.