Canonical Classics ← 第七十七回
第七十七回
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The Host of Fiends Imposes on the Original Nature · Of One Body They Bow to the True Thus-Come

於燈光前
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

於燈光前 Before The Lamp He Saw

shíyǒuèrgēngshíhòuzhòngguàixiāngjiàntángsēngtuīxià殿diànláizhǎnglǎodēngguāngqiánjiànsāndōukǔnzàixiàlǎoshīxíngzhěshēnbiāndào:「achángshíféngnánquèzàiwàiyùnyòngshéntōngdàojiùxiángjīnfānzāoqínpínsēngzěnmemìng?」shíyǒuèrgēngshíhòuzhòngguàixiāngjiàntángsēngtuīxià殿diànláizhǎnglǎodēngguāngqiánjiànsāndōukǔnzàixiàlǎoshīxíngzhěshēnbiāndào:「achángshíféngnánquèzàiwàiyùnyòngshéntōngdàojiùxiángjīnfānzāoqínpínsēngzěnmemìng?」


逐句解 Line by line

shíyǒuèrgēngshíhòuzhòngguàixiāngjiàntángsēngtuīxià殿diànlái shíyǒuèrgēngshíhòuzhòngguàixiāngjiàntángsēngtuīxià殿diànlái

By this time it was the second watch of the night. When the demons had all greeted one another they pushed the Tang Monk down from the hall.

is gēng, a watch of the night, not gèng, still more. The night ran to five watches of roughly two hours each, so the second watch is around nine to eleven in the evening. The chapter keeps time by these all the way to dawn, so it is worth starting the clock here.

zhǎnglǎodēngguāngqiánjiànsāndōukǔnzàixiàlǎoshīxíngzhěshēnbiāndào:「achángshíféngnánquèzàiwàiyùnyòngshéntōngdàojiùxiáng zhǎnglǎodēngguāngqiánjiànsāndōukǔnzàixiàlǎoshīxíngzhěshēnbiāndào:「achángshíféngnánquèzàiwàiyùnyòngshéntōngdàojiùxiáng

Before the lamplight the elder suddenly saw his three disciples all bound on the ground. The old master threw himself down at Pilgrim's side and wept, saying, "Disciple! In the ordinary way, when we met trouble, you were outside working your powers, going off to fetch rescue and subdue the fiend;

is xiáng, to subdue, not jiàng, to descend — the novel keeps these apart, and most of the in the book are the subduing one. The word , to lie prostrate, is doing quiet work too: Tripitaka does not kneel beside Wukong, he lies down.

jīnfānzāoqínpínsēngzěnmemìng?」 jīnfānzāoqínpínsēngzěnmemìng?」

but this time you are taken as well, and how is a poor monk like me to keep his life?"

貧僧, poor monk, is the humble self-reference a cleric uses in polite speech, and by now it has become Tripitaka's tic. He is being formally modest while asking who is going to save him.


總評 Commentary

The lamp is the best thing in the passage. Everything until now has happened in fog and darkness, and the first clear sight anyone gets is this one: an old man in a lit room, looking at three tied-up bodies on the floor.

Tripitaka's lament is worth reading twice, because it is not quite a lament for his disciples. He notices Wukong is captured, and the thought it produces is about his own survival. That is not a slip by the author. This master has been written the same way for seventy-odd chapters, and the book is neither excusing him nor pretending otherwise.

What saves the moment from being merely unflattering is the posture. He does not stand over Wukong to complain; he lies down beside him in the dirt of a demon's hall. The body is more honest than the speech, and both are allowed to stand.