Canonical Classics ← 第七十七回
第七十七回
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The Host of Fiends Imposes on the Original Nature · Of One Body They Bow to the True Thus-Come

無言語哼嗔
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

無言語哼嗔 Not A Groan From Inside

xíngzhězàiyúnduānmíngmíngtīngzhezhèděngfēnfuquèxiàyúntóutīngjiànlóngrénshēngxiǎngzhe:「huǒshàngténgránmenzěnmeyòuyánhēngchēngǎnshìzhēngleděngjìnqiánzàitīng。」xíngzhězàiyúnduānmíngmíngtīngzhezhèděngfēnfuquèxiàyúntóutīngjiànlóngrénshēngxiǎngzhe:「huǒshàngténgránmenzěnmeyòuyánhēngchēngǎnshìzhēngleděngjìnqiánzàitīng。」


逐句解 Line by line

xíngzhězàiyúnduānmíngmíngtīngzhezhèděngfēnfuquèxiàyúntóutīngjiànlóngrénshēng xíngzhězàiyúnduānmíngmíngtīngzhezhèděngfēnfuquèxiàyúntóutīngjiànlóngrénshēng

Pilgrim, up in the cloudland, heard these orders given plain, and dropped his cloud lower; but he could hear no human sound out of the steamer.

The whole passage turns on this. 明明聽著 — he heard the orders clearly — set against hearing nothing at all from the people he came to save.

xiǎngzhe:「huǒshàngténgránmenzěnmeyòuyánhēngchēn xiǎngzhe:「huǒshàngténgránmenzěnmeyòuyánhēngchēn

He thought to himself, "The heat goes upward, so it must be hot in there. How is it they are not afraid, and not a word or a groan out of them?

哼嗔 is a grunt or a moan of complaint, and it is the sound he is listening for. The reasoning is a physicist's: heat rises, therefore the upper trays are hot, therefore there should be noise.

gǎnshìzhēngleděngjìnqiánzàitīng。」 gǎnshìzhēngleděngjìnqiánzàitīng。」

Can they have been steamed to death? Let me go closer and listen again."

莫敢是, can it be that, is the phrase for a fear you are talking yourself into. He has arranged the rescue himself and he still cannot believe the silence.


總評 Commentary

This is the best-observed moment in the chapter, and what makes it good is that Wukong is wrong for entirely sound reasons. He knows heat rises. He knows the steamer is lit. He does not know that a dragon is coiled under the pot, because he has not gone to look.

So the silence he cannot explain is the silence of his own rescue working. The sequence is a small machine: he arranges salvation, hears nothing, and concludes from the nothing that everyone is dead.

And it is characterisation by inference. Wukong deduces rather than looks — he reasons from heat to noise to death without descending — and the correction, when it comes, will arrive through his ears and not his argument.