Canonical Classics ← 第六十四回
第六十四回
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On Thorn Ridge Wuneng Exerts His Strength · At the Wood Immortals' Hermitage Tripitaka Discourses on Poetry

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原文 Original text 繁體 Traditional Reader's edition

分開荊棘 Eight Rules Parts The Thorns

jièdào:「jǐnděng使shǐchūcháishǒuláidīngfēnkāijīngshuōjiùtáijiàobāoguò。」sānzàngdào:「suīyǒuchángyuǎnnánáoquèzhīyǒuduōshǎoyuǎnjìnzěnshēngfèidezhèduōjīngshén?」xíngzhědào:「shāngliángděngkànkàn。」jiāngshēnzòngtiàozàibànkōngkànshíwàngjièdào:「jǐnděng使shǐchūcháishǒuláidīngfēnkāijīngshuōjiùtái轿jiàobāoguò。」sānzàngdào:「suīyǒuchángyuǎnnánáoquèzhīyǒuduōshǎoyuǎnjìnzěnshēngfèidezhèduōjīngshén?」xíngzhědào:「shāngliángděngkànkàn。」jiāngshēnzòngtiàozàibànkōngkànshíwàng


逐句解 Line by line

jièdào:「jǐnděng使shǐchūcháishǒuláidīngfēnkāijīngshuōjiùtáijiàobāoguò。」 jièdào:「jǐnděng使shǐchūcháishǒuláidīngfēnkāijīngshuōjiùtái轿jiàobāoguò。」

Eight Rules said, "No matter. Let me bring out my brushwood-clearing stroke and part the brambles with my muckrake — never mind riding a horse, I warrant I could carry you through in a sedan chair."

Eight Rules names his technique before he uses it. 鈀柴手 names a stroke by what it does — the one that clears brushwood — and the English keeps the compound rather than paraphrasing it out of existence. is fixed at across the corpus.

sānzàngdào:「suīyǒuchángyuǎnnánáoquèzhīyǒuduōshǎoyuǎnjìnzěnshēngfèidezhèduōjīngshén?」 sānzàngdào:「suīyǒuchángyuǎnnánáoquèzhīyǒuduōshǎoyuǎnjìnzěnshēngfèidezhèduōjīngshén?」

Tripitaka said, "You may have the strength, but it is hard to endure over a long stretch, and there is no knowing how far it runs. How could you spend so much vigour on it?"

長遠 takes cháng, the measurement; the automatic reading gives zhǎng here as it did at 長嶺 two passages back. is nán, the ordinary word for hard going, and not the nàn of catastrophe — Tripitaka is worried about stamina, not disaster.

xíngzhědào:「shāngliángděngkànkàn。」 xíngzhědào:「shāngliángděngkànkàn。」

Pilgrim said, "There is no need to deliberate. Let me go and take a look."

商量 is read shāng liáng, both characters in their sense of weighing something up. The clipped everyday pronunciation is declined in favour of the full tone.

jiāngshēnzòngtiàozàibànkōngkànshíwàng jiāngshēnzòngtiàozàibànkōngkànshíwàng

He flung up his body and sprang into mid-air; and when he looked, there was no end to it as far as sight reached.

is the disposal marker at jiāng, taking the body as its object — he does something *to* himself. Both instances of , before and before , shift tone mechanically against whatever follows.


總評 Commentary

Eight Rules volunteers in the voice he keeps for volunteering: brisk, faintly boastful, and immediately concrete. He names the stroke, names the tool, and finishes with a piece of comic overreach — not merely a horse but a sedan chair. The rake that has been a weapon for the whole journey is about to become a garden implement.

Tripitaka's reply is the objection of a man who has been on the road a long time. He does not doubt the strength; he doubts it will last over a distance nobody has measured, and the word he picks for the difficulty is the everyday one for hardship rather than the heavier one for calamity. This is a worry about supply lines, not a premonition.

Pilgrim ends the exchange by declining to have it. He will not deliberate; he will look. The leap into the air and the flat report that follows — no end to it as far as sight reached — set up the rhapsody that comes next, and leave the chapter's problem exactly where Eight Rules has offered to solve it.