Canonical Classics ← 第三十二回
第三十二回
píngdǐngshāngōngcáochuánxìn
liánhuādòngféngzāi

On Level-Top Mountain the Merit-Officer Brings Word · In the Lotus-Flower Cave the Wood-Mother Meets Disaster

樂以忘憂
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

樂以忘憂 Taking Joy, He Forgets His Cares

xíngzhěwénshuōxiàodào:「shīyàoshēnxiányǒunánshìruògōngchéngzhīhòuwànyuándōuzhūjiēkōngshíjiéránérránquèshìshēnxián?」zhǎnglǎowényánzhǐwàngyōufàngpèicuīyínzhuódōujiāngzǎnlóngxíngzhěwénshuōxiàodào:「shīyàoshēnxiányǒunánshìruògōngchéngzhīhòuwànyuándōuzhūjiēkōngshíjiéránérránquèshìshēnxián?」zhǎnglǎowényánzhǐwàngyōufàngpèicuīyínzhuódōujiāngzǎnlóng


逐句解 Line by line

xíngzhěwénshuōxiàodào:「shīyàoshēnxiányǒunánshì xíngzhěwénshuōxiàodào:「shīyàoshēnxiányǒunánshì

When Pilgrim heard this he laughed aloud and said: "If the Master wants his body at rest, where is the difficulty in that?

Pilgrim, who has been waiting for this, gives the Chan answer. 笑呵呵, xiào hē hē, "with a great laugh"; 身閑 picks up the Elder's own last two characters and hands them back.

ruògōngchéngzhīhòuwànyuándōuzhūjiēkōng ruògōngchéngzhīhòuwànyuándōuzhūjiēkōng

Once the work is achieved, the ten-thousand ties all cease, and the dharmas are one and all empty.

萬緣都罷, wàn yuán dōu bà, "the ten thousand attachments all fall away" — is the pull that binds a person to the world, and is dōu. 諸法皆空, "all things are empty," is Buddhism's bluntest formula, the same emptiness the Heart Sūtra was arguing two passages back.

shíjiéránérránquèshìshēnxián?」 shíjiéránérránquèshìshēnxián?」

At that time, of itself and so of itself, will the body not then be at rest?"

自然而然, zì rán ér rán, "of itself, and so of itself" — the phrase where the modern word for "nature," 自然, comes from. In 那時節, is . Pilgrim's point: rest is not a thing you take, it is a thing that arrives once you have stopped grabbing.

zhǎnglǎowényánzhǐwàngyōu zhǎnglǎowényánzhǐwàngyōu

Hearing these words, the Elder could do no more than take such joy as forgets all care.

The master gives in. 只得, zhǐ dé, "had no choice but to" — here , zhǎng. 樂以忘憂, lè yǐ wàng yōu, "so glad he forgets his worries," is Confucius describing himself in the Analects — and the novel is about to hang it on somebody else entirely. Hold that thought.

fàngpèicuīyínzhuódōujiāngzǎnlóng fàngpèicuīyínzhuódōujiāngzǎnlóng

Loosing the reins, he urged on the silver steed; gathering the halter, he hastened the jade dragon.

A two-line couplet sends them on their way: loose the reins on one mount, gather the halter on the other. 放轡, fàng pèi, against 兜韁, dōu jiāng. The oddity is 銀濁, yín zhuó: paired against 玉龍, "jade dragon," it clearly stands for the horse, but means "muddy," which is no compliment to a mount. Other editions print a character for a bright mane here. The 世德堂本 prints , so is what stands, read zhuó.


總評 Commentary

Pilgrim's reply is a small piece of Chan argument. You want rest? Then finish the work: once the ten thousand attachments drop and all things are seen to be empty (萬緣都罷諸法皆空), ease turns up 自然而然, of itself. He is not offering a holiday. He is saying that rest is a by-product of waking up, and cannot be had any other way. Once again the disciple teaches the master, and the master can only 樂以忘憂, be glad and forget his worries.

Watch that phrase. It is Confucius's self-description in the Analects, and within two passages the novel will pin it to the coat of a woodcutter on a mountainside — who is not a woodcutter. The passage ends on a five-and-five couplet of departure: reins loosed on the silver mount, halter gathered on the jade dragon. The 世德堂本 prints , "muddy," where the parallel with 玉龍 wants something bright and maned. The edition's reading stands and is glossed rather than quietly improved; where this text and other printings disagree, this text wins.