五件寶貝 Five Treasures
樵子道:「和尚,他那裡有這許多工夫,只是把你拿住,綑在籠裡,囫圇蒸吃了。」行者笑道:「這個更好,更好。疼倒不忍疼,只是受些悶氣罷了。」樵子道:「和尚不要調嘴。那妖怪隨身有五件寶貝,神通極大極廣。就是擎天的玉柱,架海的金梁,若保得唐朝和尚去,也須要發發昏是。」行者道:「發幾個昏麼?」樵子道:「要發三四個昏是。」行者道:「不打緊,不打緊。我們一年,常發七八百個昏兒,這三四個昏兒易得發,發發兒就過去了。」樵子道:「和尚,他那里有这许多工夫,只是把你拿住,捆在笼里,囫囵蒸吃了。」行者笑道:「这个更好,更好。疼倒不忍疼,只是受些闷气罢了。」樵子道:「和尚不要调嘴。那妖怪随身有五件宝贝,神通极大极广。就是擎天的玉柱,架海的金梁,若保得唐朝和尚去,也须要发发昏是。」行者道:「发几个昏么?」樵子道:「要发三四个昏是。」行者道:「不打紧,不打紧。我们一年,常发七八百个昏儿,这三四个昏儿易得发,发发儿就过去了。」
逐句解 Line by line
Said the woodcutter: "Monk, where would they find so much leisure? They will simply take you, bind you in a basket, and steam you whole to eat."
The woodcutter corrects the menu. 囫圇, hú lún, "whole, in one piece" — the word survives in 囫圇吞棗, swallowing a date whole, which is what Chinese says about reading a book without understanding a word of it. 籠 is a steamer basket. And 他那裡有 is not "where does he have" but "where would he find the time?" — a rhetorical question, so 那 is nǎ.
Pilgrim laughed: "That is better still, better still. As for pain, there would be no pain to bear — only a little stuffiness to put up with."
悶氣, mèn qì, "stifling air, stuffiness." Told he will be steamed alive in a basket, Pilgrim's only complaint is that it will be close in there. 倒 in 疼倒 is the adversative dào, "as for pain, on the contrary."
Said the woodcutter: "Monk, do not wag your tongue. Those fiends carry five treasures upon them, and their powers are vast beyond measure. Were you the very jade pillar that props up the sky, the golden beam that spans the sea, to see a monk of Tang through safely you would still have to swoon a good few times."
The real warning at last. 調嘴, tiáo zuǐ, "to wisecrack" — 調 read tiáo. Then the number that matters: five treasures. 擎天玉柱 and 架海金梁, "the jade pillar propping up the sky" and "the golden beam spanning the sea," are a matched pair of stock phrases for a man who single-handedly holds everything together — the Ming equivalent of calling someone the load-bearing wall. Even such a man, says the woodcutter, would need a few fainting fits. 那 is nà; 保得 takes 得 as de.
Said Pilgrim: "Swoon how many times?"
發昏, fā hūn, "to faint, to black out." Pilgrim takes the figure of speech literally and asks for a number, which is how he wins most arguments.
Said the woodcutter: "You would have to swoon three or four times."
And he gets one. 三四個昏, sān sì gè hūn, "three or four faints" — the woodcutter has been drawn into counting swoons as if they were items.
Said Pilgrim: "No matter, no matter. In a single year we commonly swoon some seven or eight hundred times; these three or four are easily had — a swoon or two and it will all be over."
不打緊, bù dǎ jǐn, "no matter, nothing to it." Seven or eight hundred a year, says Pilgrim, so what are three or four? The 兒 in 昏兒 is the light ending er, three times over; 易得發 takes 得 as de.
Told that the demons will skip the cookery and just steam him whole in a basket, Pilgrim pronounces this an improvement — no pain, merely stuffy. But the woodcutter's next line is the one that matters, and it is the reason the whole comic exchange has been running: the demons carry five treasures, and their powers are so great that even the sky-propping pillar and the sea-spanning beam would be knocked out cold a few times over before getting a Tang monk through.
The fainting-count that follows is comic deflation of a high order. Told he must black out three or four times, Pilgrim replies that the party blacks out seven or eight hundred times a year, so these will be easy ones. The banter buries the warning — but the number five has been planted, and those five treasures will drive the entire Gold-Horn and Silver-Horn episode across the chapters to come.