Canonical Classics ← 第二十一回
第二十一回
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The Dharma-Protectors Set Up a Farmstead to Lodge the Great Sage · From Mount Sumeru, Lingji Subdues the Wind-Demon

五更夢醒,四句頌子
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

五更夢醒,四句頌子 The Farmstead Vanishes, and a Gāthā on a Slip of Paper

juéyòushìgēngjiāngxiǎoxíngzhěliǎnzhēngkāiyǎndào:「guǒránhǎoyàochánggèngyǒubǎifēnguāngmíng。」quèzhuǎntóuhòubiānwàngwàngyashénfángshèchuāngméndànzhǐjiànxiēlǎohuáigāoliǔxiōngmendōushuìzàishāyīnshàngjièxǐngláidào:「rǎngzěnde?」xíngzhědào:「zhēngkāiyǎnjīngkànkàn。」dāizitáitóujiànméilerénjiāhuāngdejiāngláidào:「de?」xíngzhědào:「shùshàngshuāndeshì?」「xíngne?」xíngzhědào:「tóubiānfàngdeshì?」jièdào:「zhèjiāzibèilǎnbānlezěnmejiùjiàomenshēngtōnglǎozhūzhīdàohǎosòngxiēcháguǒxiǎngshìduǒméndekǒngzhǎngxiǎodequèjiùliánbānle。──menshuìdezěnmejiāchāifángzixiǎngtīngjiànxiǎngxiǎng?」xíngzhědexiàodào:「dāiziyàoluànrǎngkànshùshàngshìshénmezhǐtiěer?」jièzǒushàngqiányòngshǒujiēleyuánláishàngmiànsòngziyúnjuéyòushìgēngjiāngxiǎoxíngzhěliǎnzhēngkāiyǎndào:「guǒránhǎoyàochánggèngyǒubǎifēnguāngmíng。」quèzhuǎntóuhòubiānwàngwàngyashénfángshèchuāngméndànzhǐjiànxiēlǎohuáigāoliǔxiōngmendōushuìzài绿shāyīnshàngjièxǐngláidào:「rǎngzěnde?」xíngzhědào:「zhēngkāiyǎnjīngkànkàn。」dāizitáitóujiànméilerénjiāhuāngdejiāngláidào:「de?」xíngzhědào:「shùshàngshuāndeshì?」「xíngne?」xíngzhědào:「tóubiānfàngdeshì?」jièdào:「zhèjiāzibèilǎnbānlezěnmejiùjiàomenshēngtōnglǎozhūzhīdàohǎosòngxiēcháguǒxiǎngshìduǒméndekǒngzhǎngxiǎodequèjiùliánbānle。──menshuìdezěnmejiāchāifángzixiǎngtīngjiànxiǎngxiǎng?」xíngzhědexiàodào:「dāiziyàoluànrǎngkànshùshàngshìshénmezhǐtiěer?」jièzǒushàngqiányòngshǒujiēleyuánláishàngmiànsòngziyún

zhuāngfēishìrénqiélándiǎnhuàzhuāngfēishìrénqiélándiǎnhuà
miàoyàojūnyǎntòngjìnxīnxiángguàichóuchúmiàoyàojūnyǎntòngjìnxīnxiángguàichóuchú

逐句解 Line by line

juéyòushìgēngjiāngxiǎoxíngzhěliǎnzhēngkāiyǎndào:「guǒránhǎoyàochánggèngyǒubǎifēnguāngmíng。」 juéyòushìgēngjiāngxiǎoxíngzhěliǎnzhēngkāiyǎndào:「guǒránhǎoyàochánggèngyǒubǎifēnguāngmíng。」

Before he knew it, the fifth watch was drawing toward dawn. The Pilgrim rubbed his face, opened his eyes, and said, "Good medicine indeed! I see a hundredfold more brightly than before."

Two readings of in one segment, requiring a positional fixspec: 五更 is gēng, the night-watch (roughly 3–5 a.m.); 比常更有 is the adverb gèng, "the more." 將曉 takes as jiāng, "about to."

quèzhuǎntóuhòubiānwàngwàngyashénfángshèchuāngméndànzhǐjiànxiēlǎohuáigāoliǔxiōngmendōushuìzàishāyīnshàng quèzhuǎntóuhòubiānwàngwàngyashénfángshèchuāngméndànzhǐjiànxiēlǎohuáigāoliǔxiōngmendōushuìzài绿shāyīnshàng

But when he turned his head and looked behind him — why! Where were the house and the rooms and the windows? He saw nothing but old locust trees and tall willows, and his brothers asleep on the green turf.

那裡得甚房舍窗門: the first is interrogative ("where"), the second demonstrative ; is the potential , and is shén, "any." 綠莎茵 — a mat of green sedge. The exclamation 呀! is the Pilgrim's, and it is the first thing he sees with his mended eyes.

jièxǐngláidào:「rǎngzěnde?」xíngzhědào:「zhēngkāiyǎnjīngkànkàn。」 jièxǐngláidào:「rǎngzěnde?」xíngzhědào:「zhēngkāiyǎnjīngkànkàn。」

Bajie woke and said, "Brother, what are you shouting about?" Said the Pilgrim, "Open your eyes and look."

The Pilgrim, having his sight back, says nothing but "open your eyes." The economy is the author's, not the character's.

dāizitáitóujiànméilerénjiāhuāngdejiāngláidào:「de?」 dāizitáitóujiànméilerénjiāhuāngdejiāngláidào:「de?」

The Idiot lifted his head of a sudden, saw no house at all, and scrambled up in a fright, rolling over as he went. "And where is my horse?" he cried.

一轂轆, "in a roll, head over heels" — an onomatopoeic vernacular adverb (compare 一骨魯, ch16). 爬將起來 takes as the directional jiāng. Bajie asks after the horse before the baggage, and after both before his master.

xíngzhědào:「shùshàngshuāndeshì?」「xíngne?」xíngzhědào:「tóubiānfàngdeshì?」 xíngzhědào:「shùshàngshuāndeshì?」「xíngne?」xíngzhědào:「tóubiānfàngdeshì?」

Said the Pilgrim, "Is that not it tied to the tree?" "And the baggage?" Said the Pilgrim, "Is that not it, lying at your head?"

Three short speeches, and the Pilgrim has to tell him where his own belongings are. The novel is very patient with Bajie in this chapter, and very exact about him.

jièdào:「zhèjiāzibèilǎnbānlezěnmejiùjiàomenshēng jièdào:「zhèjiāzibèilǎnbānlezěnmejiùjiàomenshēng

Said Bajie, "This family is a shabby lot. They have moved, and never so much as called out to us.

憊懶, "shabby, good-for-nothing." Bajie has arrived at the only explanation available to him, and he will now defend it at length.

tōnglǎozhūzhīdàohǎosòngxiēcháguǒxiǎngshìduǒméndekǒngzhǎngxiǎodequèjiùliánbānle tōnglǎozhūzhīdàohǎosòngxiēcháguǒxiǎngshìduǒméndekǒngzhǎngxiǎodequèjiùliánbānle

Had they let old Hog know, I would have sent you off with a few cakes and some tea. They must have been running from the tax-rolls, and were afraid the headman would find them out, and so they moved by night.

Two readings of here: 通得老豬知道 is the potential , 曉得 the resultative de. 躲門戶 is to abscond from the tax and corvée registers; the 里長 (zhǎng) was the headman responsible for reporting them. Bajie has constructed, out of nothing, an entirely plausible Ming rural crime.

──menshuìdezěnmejiāchāifángzixiǎngtīngjiànxiǎngxiǎng?」 ──menshuìdezěnmejiāchāifángzixiǎngtīngjiànxiǎngxiǎng?」

— Ah! And we slept too dead. How could they pull the house down and we never hear so much as a sound of it?"

is a sigh of realisation. 忒睡得死: () the intensifier, resultative. The one thing Bajie will not consider is that the house was never there.

xíngzhědexiàodào:「dāiziyàoluànrǎngkànshùshàngshìshénmezhǐtiěer?」 xíngzhědexiàodào:「dāiziyàoluànrǎngkànshùshàngshìshénmezhǐtiěer?」

The Pilgrim laughed through his teeth. "Idiot, do not carry on so. Look — what is that paper slip on the tree?"

吸吸的笑, a laugh drawn in through the teeth. 紙帖兒: reads tiě, a written slip, and ends in the diminutive er.

jièzǒushàngqiányòngshǒujiēleyuánláishàngmiànsòngziyún jièzǒushàngqiányòngshǒujiēleyuánláishàngmiànsòngziyún

Bajie went up, pulled it off with his hand, and there upon it were four lines of a gāthā, which said:

四句頌子云: — "four lines of a gāthā, saying:" This is an explicit verse tag: (Sanskrit gāthā) names the form, and 四句 counts the lines. The quatrain that follows is therefore verse, and takes v:true; the lead-in stays in the prose. The same construction recurs at the old man's slip later in this chapter.

zhuāngfēishìrénqiélándiǎnhuà zhuāngfēishìrénqiélándiǎnhuà

This dwelling was no dwelling of ordinary men: / the dharma-guarding Saṃghārāma raised the hut by transformation.

伽藍 reads qié lán, the standing fix — Sanskrit saṃghārāma, properly the monastery, and by extension the eighteen spirits who guard it. 點化 is the technical verb for raising a thing by transformation, and is the meanest word for a dwelling: a hut.

miàoyàojūnyǎntòngjìnxīnxiángguàichóuchú miàoyàojūnyǎntòngjìnxīnxiángguàichóuchú

The excellent medicine was given to heal your eyes; / bend your whole heart to subduing the fiend, and do not hesitate.

盡心 takes as jìn, "to exhaust, to give wholly." 降怪 takes as xiáng, "to subdue." 莫躊躇 — do not hesitate: the spirits have healed the Pilgrim's eyes and expect him to go back to work at once.


總評 Commentary

The novel has done this before — the vanished lodging, the note on the tree — but never with this much comic patience. Bajie awake and houseless does not conclude that spirits were at work; he concludes that his hosts were tax-evaders who dismantled their farm and stole away by night, and that they were rude not to say goodbye. He is, on the evidence available to him, being perfectly reasonable, and he is entirely wrong.

The gāthā settles it in twenty-eight graphs. 護法伽藍 — the guardian spirits assigned to the pilgrims by Guanyin in chapter 15 — built the hut, and the ointment was theirs. Note the last line: 盡心降怪莫躊躇, "bend your whole heart to subduing the fiend, and do not hesitate." Heaven is not consoling the Pilgrim. It is telling him to get on with it.