Canonical Classics ← 第二十一回
第二十一回
shèzhuāngliúshèng
língdìngfēng

The Dharma-Protectors Set Up a Farmstead to Lodge the Great Sage · From Mount Sumeru, Lingji Subdues the Wind-Demon

大路傍走出一個老公公
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

大路傍走出一個老公公 An Old Man Comes Out on the Road

zhèngshāngchùzhǐjiànpángzǒuchūlǎogōnggongláikànzěnshēngyàngzhèngshāngchùzhǐjiànpángzǒuchūlǎogōnggongláikànzěnshēngyàng

shēnjiànguǎizhàngbīngránxuěbìnpéngpéngshēnjiànguǎizhàngbīngránxuěbìnpéngpéng
jīnhuā耀yàoyǎnménglóngshòushuāijīnqiángyìngjīnhuā耀yàoyǎnménglóngshòushuāijīnqiángyìng
bèitóuhuǎnpángméichìliǎntóngbèitóuhuǎnpángméichìliǎntóng
kànróngmàoshìrénchēngquèshòuxīngchūdòngkànróngmàoshìrénchēngquè寿shòuxīngchūdòng

逐句解 Line by line

zhèngshāngchùzhǐjiànpángzǒuchūlǎogōnggonglái zhèngshāngchùzhǐjiànpángzǒuchūlǎogōnggonglái

Just as they were talking it over, they saw an old man come out onto the highroad.

正商議處: is chù, turning the verb into a moment — "at the point of discussing it." reads páng, standing for , a fixed borrowing in this project. 老公公 is a courteous word for an old man, roughly "grandfather."

kànzěnshēngyàng kànzěnshēngyàng

Look at him, and see what manner of figure he was:

reads . The announcement of a description, and it stays in the prose.

shēnjiànguǎizhàngbīngránxuěbìnpéngpéng shēnjiànguǎizhàngbīngránxuěbìnpéngpéng

Hale in body, he leaned on no staff; / his beard was ice, his temples snow, and both were wild.

冰髯雪鬢, a beard of ice and temples of snow, is the standard figure for great age, and 蓬蓬 adds that it is all unkempt. Then look at the first half of the line again: he is that old, and he walks without a stick. The poem contradicts itself in its opening breath, and it means to.

jīnhuā耀yàoyǎnménglóngshòushuāijīnqiángyìng jīnhuā耀yàoyǎnménglóngshòushuāijīnqiángyìng

Golden flowers dazzled his eyes and his mind seemed clouded; / his bones were lean, his sinews withered, and yet he was strong and firm.

金花耀眼 — the golden specks that swim in front of an old man's eyes. 強硬 takes as qiáng. Every couplet of this poem sets a sign of decay against a sign of vigour and refuses to choose between them.

bèitóuhuǎnpángméichìliǎntóng bèitóuhuǎnpángméichìliǎntóng

Bent-backed, head lowered, he went at a slow pace; / his brows were heavy and his face was red as a child's.

is bèi, the noun. 龐眉赤臉如童 — heavy brows and a child's red face. That is not the physiognomy of a peasant. It is the standard painter's formula for a Daoist immortal.

kànróngmàoshìrénchēngquèshòuxīngchūdòng kànróngmàoshìrénchēngquè寿shòuxīngchūdòng

Look at his countenance, such as men praise: / he was for all the world the Star of Longevity come out of his cave.

壽星 is the Star of Longevity, the star Canopus, always painted as a bald-domed ancient with an enormous forehead. The poem finishes by naming a god and pretending it is only making a comparison. In fact the old man is Li Changgeng, the Planet Venus, and the reader will be told so on a slip of paper shortly.


總評 Commentary

Seventy-four characters, and every one of them portraiture. The verse is built on one figure repeated three times over: an old man who is not decrepit. He needs no staff; his sinews are withered and also firm; his back is bent and his face is a child's. Then the fourth line stops contrasting and simply concludes — Chinese physiognomy reads that combination one way only, and the poem comes out and says it: he looks like the Star of Longevity.

He is not. He is Li Changgeng, the Planet Venus, who came down in chapter 3 to propose that the Monkey King be given a post in heaven rather than fought, and again in chapter 5 to warn him off the peach banquet. He has, in other words, been quietly managing Sun Wukong's career since before Sun Wukong had a master. He turns up here on a road on Yellow Wind Ridge at the exact moment when the pilgrims have a name and no address — and the novel refuses to tell us who he is until the verse on the paper slip in the very next passage.