Canonical Classics ← 第十六回
第十六回
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At the Guanyin Monastery the Monks Plot for the Treasure · At Black Wind Mountain the Fiend Steals the Cassock

對袈裟痛哭
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對袈裟痛哭 Weeping over the Cassock

quèshuōshàngjiāshāpiàndàoshǒuzàihòufángdēngxiàduìjiāshāháotáotònghuāngdeběnsēnggǎnxiānshuìxiǎoxìngtóngzhīwèiquèbàozhòngsēngdào:「gōnggōngdàoèrgēngshíhòuháixiēshēng。」yǒuliǎngsūnshìxīnàizhīrénshàngqiánwèndào:「shīgōngzěnde?」lǎosēngdào:「yuánkàntángsēngbǎobèi。」xiǎoshàngdào:「gōnggōngniángāoguòledejiāshāfàngzàimiànqiánzhǐxiāojiěkāikàn便biànletòng?」lǎosēngdào:「kàndechángjiǔjīnniánèrbǎishísuìkōngzhènglebǎijiànjiāshāzěnmeyǒuzhèjiànzěnmezuòtángsēng?」quèshuōshàngjiāshāpiàndàoshǒuzàihòufángdēngxiàduìjiāshāháotáotònghuāngdeběnsēnggǎnxiānshuìxiǎoxìngtóngzhīwèiquèbàozhòngsēngdào:「gōnggōngdàoèrgēngshíhòuháixiēshēng。」yǒuliǎngsūnshìxīnàizhīrénshàngqiánwèndào:「shīgōngzěnde?」lǎosēngdào:「yuánkàntángsēngbǎobèi。」xiǎoshàngdào:「gōnggōngniángāoguòledejiāshāfàngzàimiànqiánzhǐxiāojiěkāikàn便biànletòng?」lǎosēngdào:「kàndechángjiǔjīnniánèrbǎishísuìkōngzhènglebǎijiànjiāshāzěnmeyǒuzhèjiànzěnmezuòtángsēng?」


逐句解 Line by line

quèshuōshàngjiāshāpiàndàoshǒuzàihòufángdēngxiàduìjiāshāháotáotòng quèshuōshàngjiāshāpiàndàoshǒuzàihòufángdēngxiàduìjiāshāháotáotòng

Now, the monk, having got the cassock into his hands by a trick, carried it to the back chamber, set it beneath the lamp, and wailed over it, weeping bitterly.

騙到手 — the narrator says flatly what the scene has been too courteous to say: it was got by a fraud. 號咷 (háotáo) is unrestrained wailing, and is háo, "to cry aloud," not hào.

huāngdeběnsēnggǎnxiānshuì huāngdeběnsēnggǎnxiānshuì

So alarmed were the monks of the house that none dared go to bed before him.

慌得 takes the neutral de. The whole monastery lies awake because an old man is crying; and not one of two hundred and thirty men asks whether the thing he is crying over is his.

xiǎoxìngtóngzhīwèiquèbàozhòngsēngdào:「gōnggōngdàoèrgēngshíhòuháixiēshēng。」 xiǎoxìngtóngzhīwèiquèbàozhòngsēngdào:「gōnggōngdàoèrgēngshíhòuháixiēshēng。」

The little page, not knowing what it was about, went off to report to the assembly: "Grandfather has wept into the second watch and has still not left off."

為何 takes wèi. 二更 (èr gēng) is the second night-watch, roughly nine to eleven o'clock; is gēng. 公公, "grandfather," is what this house calls its patriarch — a family word, in a community of celibates.

yǒuliǎngsūnshìxīnàizhīrénshàngqiánwèndào:「shīgōngzěnde?」 yǒuliǎngsūnshìxīnàizhīrénshàngqiánwèndào:「shīgōngzěnde?」

Two disciples' disciples, being dear to his heart, came forward and asked, "Master's master, what are you weeping for?"

徒孫, "disciple-grandsons." The whole vocabulary of this monastery is a vocabulary of descent: 師祖, 師公, 徒孫, 公公. None of it concerns the Way; all of it concerns inheritance — and 傳家之寶, "the treasure handed down in a family," is the phrase on which the plot will turn.

lǎosēngdào:「yuánkàntángsēngbǎobèi。」 lǎosēngdào:「yuánkàntángsēngbǎobèi。」

The old monk said, "I weep that I have no bond, and cannot look my fill at the Tang monk's treasure."

看不得 is the negative potential, read : "cannot manage to look at it." He says this with the cassock in his hands, beneath a lamp he has had lit for the purpose.

xiǎoshàngdào:「gōnggōngniángāoguòle xiǎoshàngdào:「gōnggōngniángāoguòle

A young monk said, "Grandfather, you are far advanced in years; you have carried it too far.

發過了, "you have overdone it," said of a fit of feeling. The young are practical here; and being practical, they will shortly propose murder.

dejiāshāfàngzàimiànqiánzhǐxiāojiěkāikàn便biànletòng?」 dejiāshāfàngzàimiànqiánzhǐxiāojiěkāikàn便biànletòng?」

"His cassock lies there before you. You need only untie it and look, and there is an end. What need of all this weeping?"

只消, "you need only." The boy states the entire rational case, and it is no comfort at all — because what the old man wants is not to look at the cassock.

lǎosēngdào:「kàndechángjiǔjīnniánèrbǎishísuìkōngzhènglebǎijiànjiāshā lǎosēngdào:「kàndechángjiǔjīnniánèrbǎishísuìkōngzhènglebǎijiànjiāshā

The old monk said, "The looking does not last. I am two hundred and seventy years old this year, and to no purpose have I amassed some hundreds of cassocks.

不長久: is cháng. 空掙 ("earned to no purpose"); is zhèng, to gain by labour. The hundreds of robes that an hour ago were the proof of his eminence have become, in the dark, the measure of his poverty.

zěnmeyǒuzhèjiànzěnmezuòtángsēng?」 zěnmeyǒuzhèjiànzěnmezuòtángsēng?」

"How am I to come by this one of his? How am I to become a Tang monk?"

Both instances of are , the potential: "how am I to get." The second question is the more terrible of the two, and he does not appear to hear himself ask it. He does not wish to be holy. He wishes to own what holiness owns.


總評 Commentary

An old man sits alone under a lamp with a beautiful thing in his lap and weeps until the whole house is afraid to sleep. It is, on the face of it, a grotesque scene, and Wú Chéng'ēn plays it with almost no comedy at all. The young monk's advice is entirely sensible — untie it, look at it, and be done — and it is useless, because looking is not what the old man wants and he knows it. 看的不長久: the looking does not last. Behind the greed lies something more desolate than greed, which is the discovery, at two hundred and seventy, that nothing he has gathered will stay.

The passage turns on two questions, and the second is the abyss. 怎麼得有他這一件? — how am I to get this one of his? — is avarice, and answerable: one might steal it. 怎麼得做個唐僧? — how am I to become a Tang monk? — is not answerable at all, and the old man asks it in the same breath, in the same grammar, as though it were the same kind of question. He has confused a state of being with a possession. That confusion is the whole disease of this monastery, and the cassock — a robe that only a 真僧 dare wear — is the one object in the world exactly shaped to expose it. He wants the garment because he cannot have the sanctity; and he will die because he cannot tell the difference.