Canonical Classics ← 第十六回
第十六回
guānyīnyuànsēngmóubǎobèi
hēifēngshānguàiqièjiāshā

At the Guanyin Monastery the Monks Plot for the Treasure · At Black Wind Mountain the Fiend Steals the Cassock

失瞻問訊
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

失瞻問訊 An Exchange at the Gate

sānzàngjiànleshìménpángdàowènxùnshàngliánmángxiàodào:「shīzhān。」wèn:「shìláideqǐngfāngzhàngxiànchá。」sānzàngdào:「nǎidōngqīnchāishàngléiyīnbàiqiújīngzhìchùtiānjiāngwǎnjièshàngchàxiāo。」shàngdào:「qǐngjìnzuòqǐngjìnzuò。」sānzàngfānghuànxíngzhěqiānjìnláishàngjiànxíngzhěxiàngmàoyǒuxiēhài便biànwèn:「qiāndeshìshénmedōng西?」sānzàngdào:「qiāoyánqiāoyándexìngruòtīngjiànshuōshìshénmedōng西jiùnǎoleshìde。」shànglehánjìnyǎozhezhǐtóudào:「zhèbānchǒutóuguàinǎodehǎozhāozuò?」sānzàngdào:「kànchūláichǒuchǒushènshìyǒuyòng。」sānzàngjiànleshìménpángdàowènxùnshàngliánmángxiàodào:「shīzhān。」wèn:「shìláideqǐngfāngzhàngxiànchá。」sānzàngdào:「nǎidōngqīnchāishàngléiyīnbàiqiújīngzhìchùtiānjiāngwǎnjièshàngchàxiāo。」shàngdào:「qǐngjìnzuòqǐngjìnzuò。」sānzàngfānghuànxíngzhěqiānjìnláishàngjiànxíngzhěxiàngmàoyǒuxiēhài便biànwèn:「qiāndeshìshénmedōng西?」sānzàngdào:「qiāoyánqiāoyándexìngruòtīngjiànshuōshìshénmedōng西jiùnǎoleshìde。」shànglehánjìnyǎozhezhǐtóudào:「zhèbānchǒutóuguàinǎodehǎozhāozuò?」sānzàngdào:「kànchūláichǒuchǒushènshìyǒuyòng。」


逐句解 Line by line

sānzàngjiànleshìménpángdàowènxùnshàngliánmángxiàodào:「shīzhān。」 sānzàngjiànleshìménpángdàowènxùnshàngliánmángxiàodào:「shīzhān。」

Sanzang, seeing them, stood attentively beside the gate and made his salutation. The monk hastily returned the courtesy and said, smiling, "Forgive me for not having looked up."

問訊 is the Buddhist greeting proper: palms joined, with a spoken inquiry after the other's welfare. is read páng, "at the side of." 失瞻 (shīzhān) is a set apology — "I failed to raise my eyes and see you" — and the very first words a monk of this house speaks are a formula of politeness.

wèn:「shìláideqǐngfāngzhàngxiànchá。」 wèn:「shìláideqǐngfāngzhàngxiànchá。」

He asked, "Where have you come from? Please come into the abbot's quarters and take tea."

那裡 is interrogative here and reads , "where," not the demonstrative . 方丈 ("ten feet square") names the abbot's cell after the room of the layman Vimalakīrti, and by extension the abbot himself.

sānzàngdào:「nǎidōngqīnchāishàngléiyīnbàiqiújīng sānzàngdào:「nǎidōngqīnchāishàngléiyīnbàiqiújīng

Sanzang said, "This disciple is an imperial commissioner from the Land of the East, bound for the Temple of Thunderclap to worship the Buddha and seek the scriptures.

欽差 (qīnchāi) is an officer dispatched by imperial command — is chāi, not chà. 弟子 (dìzǐ) is a self-lowering first person used before clergy. 雷音寺, Thunderclap Monastery, is the Buddha's seat on Vulture Peak, the journey's end.

zhìchùtiānjiāngwǎnjièshàngchàxiāo。」 zhìchùtiānjiāngwǎnjièshàngchàxiāo。」

"Arriving here as the light fails, I would beg one night's lodging of your eminent monastery."

將晚 is jiāng, the adverb of imminence, "about to." 上剎 repeats the honorific of the quatrain, and is again chà. To "borrow one night" (借…一宵) is the traveller's idiom.

shàngdào:「qǐngjìnzuòqǐngjìnzuò。」sānzàngfānghuànxíngzhěqiānjìnlái shàngdào:「qǐngjìnzuòqǐngjìnzuò。」sānzàngfānghuànxíngzhěqiānjìnlái

"Come in and sit, come in and sit," said the monk. Only then did Sanzang call the Pilgrim to lead the horse in.

("only then") is doing careful work. Sanzang waits for the invitation before summoning his disciple: courtesy first, and the horse — with the horse's keeper — brought forward only after. The precaution is about to prove insufficient.

shàngjiànxíngzhěxiàngmàoyǒuxiēhài便biànwèn:「qiāndeshìshénmedōng西?」 shàngjiànxíngzhěxiàngmàoyǒuxiēhài便biànwèn:「qiāndeshìshénmedōng西?」

The monk, catching sight of the Pilgrim's face, took some fright and asked, "What kind of thing is that, leading the horse?"

相貌 (xiàngmào) is countenance; is xiàng. To ask 是個甚麼東西 — "what thing is it?" — is an insult in any register: the monk cannot bring himself to use a word that would make Wukong a person.

sānzàngdào:「qiāoyánqiāoyándexìngruòtīngjiànshuōshìshénmedōng西jiùnǎoleshìde。」 sānzàngdào:「qiāoyánqiāoyándexìngruòtīngjiànshuōshìshénmedōng西jiùnǎoleshìde。」

Sanzang said, "Softly, softly. His temper is quick, and if he hears you call him a thing, he will take it ill. He is my disciple."

悄言, "speak low." Sanzang's warning is not moral but practical, and it is the plainest thing said so far: not do not insult him but he will hear you. 性急, quick of temper; , to be provoked.

shànglehánjìnyǎozhezhǐtóudào:「zhèbānchǒutóuguàinǎodehǎozhāozuò?」 shànglehánjìnyǎozhezhǐtóudào:「zhèbānchǒutóuguàinǎodehǎozhāozuò?」

The monk gave a shudder, bit his finger, and said, "And you took on so ugly-headed, so freakish-skulled a creature for a disciple?"

寒噤 (hánjìn) is the shudder of fright. In 咬著指頭 the particle is zhe: the finger stays in the teeth while he speaks — a state maintained, not a goal reached. 醜頭怪腦 is a colloquial abuse-compound, "ugly of head, monstrous of skull."

sānzàngdào:「kànchūláichǒuchǒushènshìyǒuyòng。」 sānzàngdào:「kànchūláichǒuchǒushènshìyǒuyòng。」

Sanzang said, "You cannot see it. Ugly he is, but he is very useful indeed."

here is the adverb shèn, "very," and not the shén of 甚麼. 醜自醜 concedes the whole charge in three graphs — "ugly is ugly" — and then walks past it. Sanzang has learned, in fifteen chapters, exactly what his disciple is worth.


總評 Commentary

Two hundred words of pure courtesy, and underneath them the chapter's engine already turning. The monk of the gate opens with 失瞻 and closes by calling Wukong a thing; between the two lies the whole distance this house keeps between its manners and its mind. Wú Chéng'ēn stages the encounter as a small comedy of hospitality — bows, tea offered, an invitation repeated twice — but the comedy is played on a stage the descriptive verses have already made suspiciously spotless.

Sanzang's handling of the insult repays attention. He does not rebuke the monk; he warns him. 悄言,悄言speak low — is the caution of a man who has been travelling with this disciple long enough to know that Wukong's dignity is a hazard to bystanders, not a principle to be defended. And when he does defend him, it is on the ground of utility: 醜自醜,甚是有用, "ugly he is, but very useful." That is the pilgrim's honest estimate at this stage of the road, and the reader may measure the whole later relation against it. Compare the monk's shudder and bitten finger: fear of the ugly is the first appetite this monastery displays, and it is not the worst.