Canonical Classics ← 第十回
第十回
lǎolóngwángzhuōfàntiāntiáo
wèichéngxiàngshūtuōmíng

The Old Dragon King's Foolish Scheme Transgresses the Statutes of Heaven · Minister Wei's Bequeathed Letter Is Entrusted to an Officer of the Dead

漁樵敘別
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

漁樵敘別 The Parting and the Fatal Boast

èrréndàozhāngyòuxiāngliánshīxíngdàofēnchùgōngshēnzuòbiézhāngshāodào:「xiōngazhōngbǎozhòngshàngshānzǎikànjiǎruòyǒuxiēxiōngxiǎnzhèngshìmíngjiētóushǎorén』。」dìngwényándào:「zhèbèilǎnhǎopéngyǒudeshēngzěnmezhòuruòzāohàilàngfānjiāng。」zhāngshāodào:「yǒngshìfānjiāng。」dìngdào:「『tiānyǒufēngyúnrényǒuzànshíhuò。』zěnmejiùbǎodeshì?」zhāngshāodào:「xiōngsuīzhèděngshuōháiméizhuōruòdeshēngyǒuzhuōdìngzāoděngshì。」dìngdào:「shuǐmiànshàngyíngshēngxiōngxiǎnyǐnyǐnànànyǒushénmezhuō?」zhāngshāodào:「shìxiǎozhèchángānchéng西ménjiēshàngyǒumàiguàdexiānshēngměisòngwěijīnjiùxiùchuánfāngwèibǎixiàbǎizháojīnyòumǎiguàjiàozàijīngwāntóudōngbiānxiàwǎng西ànpāogōudìnghuò滿mǎnzàixiāérguīmíngshàngchéngláimàiqiánjiǔzàilǎoxiōngxiāng。」èrréncóngbiéèrréndàozhāngyòuxiāngliánshīxíngdàofēnchùgōngshēnzuòbiézhāngshāodào:「xiōngazhōngbǎozhòngshàngshānzǎikànjiǎruòyǒuxiēxiōngxiǎnzhèngshìmíngjiētóushǎorén』。」dìngwényándào:「zhèbèilǎnhǎopéngyǒudeshēngzěnmezhòuruòzāohàilàngfānjiāng。」zhāngshāodào:「yǒngshìfānjiāng。」dìngdào:「『tiānyǒufēngyúnrényǒuzànshíhuò。』zěnmejiùbǎodeshì?」zhāngshāodào:「xiōngsuīzhèděngshuōháiméizhuōruòdeshēngyǒuzhuōdìngzāoděngshì。」dìngdào:「shuǐmiànshàngyíngshēngxiōngxiǎnyǐnyǐnànànyǒushénmezhuō?」zhāngshāodào:「shìxiǎozhèchángānchéng西ménjiēshàngyǒumàiguàdexiānshēngměisòngwěijīnjiùxiùchuánfāngwèibǎixiàbǎizháojīnyòumǎiguàjiàozàijīngwāntóudōngbiānxiàwǎng西ànpāogōudìnghuòmǎnzàixiāérguīmíngshàngchéngláimàiqiánjiǔzàilǎoxiōngxiāng。」èrréncóngbié


逐句解 Line by line

èrréndàozhāngyòuxiāngliánshīxíngdàofēnchùgōngshēnzuòbié èrréndàozhāngyòuxiāngliánshīxíngdàofēnchùgōngshēnzuòbié

The two of them, having each recited their lyric pieces and then linked their verses couplet by couplet, came to the place where their roads divided, and bowed to take their leave.

The performance is over and the two are back on the road. 躬身 is to bow from the waist. ( in 相聯 is xiāng, and in 那分路 is .)

zhāngshāodào:「xiōngazhōngbǎozhòngshàngshānzǎikànjiǎruòyǒuxiēxiōngxiǎnzhèngshìmíngjiētóushǎorén』。」 zhāngshāodào:「xiōngazhōngbǎozhòngshàngshānzǎikànjiǎruòyǒuxiēxiōngxiǎnzhèngshìmíngjiētóushǎorén』。」

Zhang Shao said: 'Brother Li, take care on your way, and watch sharp for tigers as you climb. Should any peril befall you, it will be a case of "tomorrow on the street, one friend the fewer."'

A friendly word of warning that lands very badly. 明日街頭少故人, 'tomorrow on the street, one old friend the fewer,' is a proverbial line foreboding a death, and here is shǎo, 'few, fewer.' Zhang Shao means it kindly; Li Ding hears a curse.

dìngwényándào:「zhèbèilǎnhǎopéngyǒudeshēngzěnmezhòuruòzāohàilàngfānjiāng。」 dìngwényándào:「zhèbèilǎnhǎopéngyǒudeshēngzěnmezhòuruòzāohàilàngfānjiāng。」

Hearing this, Li Ding flew into a rage: 'You lazy wretch! Good friends should stand in for each other even in life and death — how dare you curse me? If I should meet a tiger and come to harm, then you are bound to meet the waves and be capsized!'

這廝, 'this fellow,' is an insult, and 憊懶 is slovenly, good-for-nothing. In 替得 the is the potential de, 'can stand in for.' Li Ding returns curse for curse — if a tiger takes me, the river takes you — and it is this flare of temper that goads Zhang Shao into saying far more than he should.

zhāngshāodào:「yǒngshìfānjiāng。」 zhāngshāodào:「yǒngshìfānjiāng。」

Zhang Shao said: 'I shall never in all my life be capsized.'

永世 is 'for all time,' and 不得, 'will never, cannot,' keeps as . Flat, absolute confidence, of exactly the kind that invites someone to ask how you can possibly be so sure.

dìngdào:「『tiānyǒufēngyúnrényǒuzànshíhuò。』zěnmejiùbǎodeshì?」 dìngdào:「『tiānyǒufēngyúnrényǒuzànshíhuò。』zěnmejiùbǎodeshì?」

Li Ding said: '"The sky has winds and clouds none can foretell; a man has fortune and misfortune by turns." How can you be so sure of coming to no harm?'

天有不測風雲人有暫時禍福 is a well-worn proverb on the caprice of fate: the sky has winds and clouds nobody can forecast, and a man has fortune and misfortune by turns. It is still in daily use, though the modern form speaks of fortune shifting between dawn and dusk where this one has 暫時. in 保得 is the potential de, and in 不測 is before the falling tone.

zhāngshāodào:「xiōngsuīzhèděngshuōháiméizhuōruòdeshēngyǒuzhuōdìngzāoděngshì。」 zhāngshāodào:「xiōngsuīzhèděngshuōháiméizhuōruòdeshēngyǒuzhuōdìngzāoděngshì。」

Zhang Shao said: 'Brother Li, say what you will, you have nothing sure to go on; whereas my trade has something sure to it, so I shall certainly meet no such fate.'

捉摸 is to get a firm grip on something, to be able to reckon on it; it survives mostly in the negative, 不可捉摸, said of anything unpredictable. is hái, 'still, as yet,' and 不若 is 'unlike, not so much as.' Zhang Shao's certainty rests on a secret, and he is about to hand it over.

dìngdào:「shuǐmiànshàngyíngshēngxiōngxiǎnyǐnyǐnànànyǒushénmezhuō?」 dìngdào:「shuǐmiànshàngyíngshēngxiōngxiǎnyǐnyǐnànànyǒushénmezhuō?」

Li Ding said: 'That living of yours on the face of the water is perilous in the extreme, all murk and shadow — what could you possibly reckon on?'

is the pointing , and in 甚麼, 'what,' is shén. 隱隱暗暗 is dim and dark, all murk — Li Ding needling the fisherman about the one thing he cannot see, which is whatever lies under his own boat.

zhāngshāodào:「shìxiǎozhèchángānchéng西ménjiēshàngyǒumàiguàdexiānshēngměisòngwěijīnjiùxiùchuánfāngwèibǎixiàbǎizháojīnyòumǎiguàjiàozàijīngwāntóudōngbiānxiàwǎng西ànpāogōudìnghuò滿mǎnzàixiāérguīmíngshàngchéngláimàiqiánjiǔzàilǎoxiōngxiāng。」 zhāngshāodào:「shìxiǎozhèchángānchéng西ménjiēshàngyǒumàiguàdexiānshēngměisòngwěijīnjiùxiùchuánfāngwèibǎixiàbǎizháojīnyòumǎiguàjiàozàijīngwāntóudōngbiānxiàwǎng西ànpāogōudìnghuòmǎnzàixiāérguīmíngshàngchéngláimàiqiánjiǔzàilǎoxiōngxiāng。」

Zhang Shao said: 'You simply don't know. Here in Chang'an, on West Gate Street, there is a fortune-teller. Every day I bring him a golden carp, and he passes me a hexagram from his sleeve; go by the bearings he gives, and it is a hundred hits in a hundred casts. Today I went to buy a divination again, and he told me to cast my net on the east side of the bend in the Jing River and throw my hook on the west bank, and I would surely come home with a full load of fish and shrimp. Tomorrow I'll come up to the city, sell them for wine-money, and meet with you again, elder brother.'

Here it is, the boast that does the damage. Zhang Shao has an arrangement with a fortune-teller on West Gate Street: one golden carp a day, and in return 袖傳一課, a divination slipped to him from the sleeve. Follow the bearings, 依方位, and the result is 百下百著, a hundred casts and a hundred hits, with read zháo, 'to strike home.' He is, in short, fishing on inside information. The diviner is 袁守誠, whose infallible art will shortly set a dragon against Heaven. in 不曉得 is de, in 長安 is cháng, and in 相敘 is xiāng.

èrréncóngbié èrréncóngbié

And with that the two took their leave of each other.

敘別 is to say your farewells. The pastoral overture closes on this quiet line, and everything that follows — a dragon's death, an emperor's death, a journey through hell — unrolls from words spoken on a riverbank by two men going home.


總評 Commentary

The long fisher-and-woodcutter overture ends on the hinge of the whole chapter. What has been a leisurely contest of poems turns, in a few lines of prose, into the machinery of a tragedy: Zhang Shao, stung by Li Ding's retort, boasts of the infallible diviner on West Gate Street who tells him exactly where to cast — a hundred hits in a hundred casts. It is an idle boast between friends, spoken at a parting on a country road.

But the trap has been quietly setting for some time. The two recluses who sang of 潛蹤避世 and 隱姓埋名, of hiding their tracks and burying their names, are exactly the men whose careless talk carries. And the one detail Zhang Shao lets slip — that the diviner sends him to the bend of the Jing River, 涇河灣頭 — is precisely the intelligence that will reach the dragon whose subjects those fish are. A whole ideal of the invisible life is punctured by one overheard sentence.