全真求雨 The Adept Summons the Rain
那人道:「我國中倉廩空虛,錢糧盡絕。文武兩班停俸祿,寡人膳食亦無葷。倣效禹王治水,與萬民同受甘苦,沐浴齋戒,晝夜焚香祈禱。如此三年,只乾得河枯井涸。正都在危急之處,忽然鍾南山來了一個全真,能呼風喚雨,點石成金。先見我文武多官,後來見朕,當即請他登壇祈禱,果然有應,只見令牌響處,頃刻間大雨滂沱。寡人只望三尺雨足矣,他說久旱不能潤澤,又多下了二寸。朕見他如此尚義,就與他八拜為交,以兄弟稱之。」那人道:「我国中仓廪空虚,钱粮尽绝。文武两班停俸禄,寡人膳食亦无荤。倣效禹王治水,与万民同受甘苦,沐浴斋戒,昼夜焚香祈祷。如此三年,只干得河枯井涸。正都在危急之处,忽然钟南山来了一个全真,能呼风唤雨,点石成金。先见我文武多官,后来见朕,当即请他登坛祈祷,果然有应,只见令牌响处,顷刻间大雨滂沱。寡人只望三尺雨足矣,他说久旱不能润泽,又多下了二寸。朕见他如此尚义,就与他八拜为交,以兄弟称之。」
逐句解 Line by line
The man said, “Within my kingdom the granaries stood empty, the money and grain wholly exhausted.
The king answers the charge of misrule by describing a treasury that has already been emptied trying. 倉廩 cāng lǐn are the state granaries; 盡絕 is "utterly gone"; 國中 takes the plain locative zhōng.
The two ranks of civil and military officers had their stipends suspended, and I, the solitary one, took no meat even at my table.
Two clauses of seven characters each, balanced against one another — the same measured shape the narrator used for the king's tears a moment ago, here inside his own speech as he reaches the part he is proud of. He stopped the salaries and he gave up meat. 俸祿 fèng lù is official stipend; 葷 hūn covers meat and the pungent vegetables a fasting Buddhist also avoids; 寡人 guǎ rén, "the solitary one," is a ruler's formal self-deprecation, roughly "I, who lack virtue."
In imitation of King Yu taming the floods, I shared sweet and bitter alike with my myriad people; I bathed and fasted, and burned incense in prayer by day and by night.
He reaches for the highest precedent available. 禹王, King Yu, is the sage-ruler who tamed the floods and famously passed his own door three times without going in — the byword for a sovereign who shares his people's hardship. 倣效 is "in imitation of"; 齋戒 zhāi jiè is to fast and abstain before an act of worship.
So it went for three years, until it was dry indeed — the rivers withered, the wells run dry.
Three years of it, and the land simply stops. 河枯井涸 hé kū jǐng hé — rivers withered, wells run dry — is four characters doing what a paragraph would. 乾得 has 乾 as gān, dry, not qián, the trigram, and the linking de that carries a verb through to its outcome.
Just when all was at its most perilous, of a sudden there came from Mount Zhongnan a Quanzhen adept, who could summon wind and call up rain, and turn stone to gold at a touch.
Enter the villain, at the precise moment of maximum need. A 全真 quán zhēn is an adept of the Complete Perfection school, the great monastic order of later Daoism — a real and respectable institution, which is exactly why the disguise works. His advertised powers are the two that a bankrupt, rainless kingdom would pay anything for: 呼風喚雨 (summon wind and call rain, still current for someone who can make things happen at will) and 點石成金 (turn stone to gold). Note the mountain: this edition writes 鍾南山 where the standard name is 終南.
He first met my many civil and military officers, and afterwards had audience with me; I straightway invited him to mount the altar and pray, and truly there was a response: no sooner had his command-tablet cracked than in an instant the great rain came pouring down.
The demonstration is pure theatre and it works. The 令牌 lìng pái is a Daoist command-tablet, cracked down on the altar to issue an order to the spirit bureaucracy — the ritual equivalent of a gavel. 有應 has 應 as yìng, a response given, not yīng, ought; 滂沱 pāng tuó is torrential.
I had hoped only for three chǐ of rain to suffice; but he said that after so long a drought it would not soak deep enough, and let fall two cùn more.
The showman's flourish, and the line that gives him away. Asked for three 尺 of rain, he throws in two 寸 extra and explains why they were needed. A chǐ is a Chinese foot-length and a cùn a tenth of it, here measuring depth of rainfall — not converted to English measures, because the point is the Chinese unit itself.
Seeing him so devoted to righteousness, I made him my sworn friend with the eight bows, and addressed him as a brother.”
And there is the fatal move. 八拜為交 bā bài wéi jiāo is to become sworn brothers with the eight bows — a formal, binding tie that gave the adept the run of the palace and, in due course, an unguarded walk to the well. 為 is wéi, to become; 尚義 is to hold righteousness dear, which is what the king thought he was rewarding.
The king's own account quietly demolishes Tripitaka's diagnosis. He modelled himself on the sage-king Yu, shared his people's hardship, suspended his officials' salaries, gave up meat at his own table, and fasted and prayed through three years of drought. He was, by every measure the monk just invoked, a good ruler — which makes the ruin worse rather than better.
Against that piety the adept's rain-magic is irresistible: the command-tablet cracked on the altar, the downpour on cue, stone turned to gold. The tell is the flourish — asked for three chǐ, he supplies two cùn more and explains that the drought needed them. That is a showman, not a saint. And the sworn brotherhood sealed with the eight bows is the intimacy the whole crime runs through, sounding for the first time the note this chapter keeps returning to: the false double who steps into another man's place.