Canonical Classics ← 第三十七回
第三十七回
鬼guǐ王wáng夜yè謁yè唐táng三sān藏zàng
悟wù空kōng神shén化huà引yǐn嬰yīng兒ér

The Ghost-King Visits Tang Tripitaka by Night · Wukong, by Divine Transformation, Leads the Infant

空中望城
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

空中望城 Surveying the City from the Air

不bù多duō時shí,東dōng方fāng發fā白bái。行xíng者zhě又yòu吩fēn咐fù了le八bā戒jiè、沙shā僧sēng,教jiào他tā兩liǎng個gè:「不bù可kě攪jiǎo擾rǎo僧sēng人rén,出chū來lái亂luàn走zǒu。待dài我wǒ成chéng功gōng之zhī後hòu,共gòng汝rǔ等děng同tóng行xíng。」才cái別bié了le,唿hū哨shào,一yì觔jīn斗dǒu,跳tiào在zài空kōng中zhōng。睜zhēng火huǒ眼yǎn平píng西xī看kàn處chù,果guǒ見jiàn有yǒu一yí座zuò城chéng池chí。你nǐ道dào怎zěn麼me就jiù看kàn見jiàn了le?當dāng時shí說shuō那nà城chéng池chí離lí寺sì只zhǐ有yǒu四sì十shí里lǐ,故gù此cǐ憑píng高gāo就jiù望wàng見jiàn了le。行xíng者zhě近jìn前qián仔zǐ細xì看kàn處chù,又yòu見jiàn那nà怪guài霧wù愁chóu雲yún漠mò漠mò,妖yāo風fēng怨yuàn氣qì紛fēn紛fēn。行xíng者zhě在zài空kōng中zhōng讚zàn嘆tàn道dào:不bù多duō时shí,东dōng方fāng发fā白bái。行xíng者zhě又yòu吩fēn咐fù了le八bā戒jiè、沙shā僧sēng,教jiào他tā两liǎng个gè:「不bù可kě搅jiǎo扰rǎo僧sēng人rén,出chū来lái乱luàn走zǒu。待dài我wǒ成chéng功gōng之zhī后hòu,共gòng汝rǔ等děng同tóng行xíng。」才cái别bié了le,唿hū哨shào,一yì觔jīn斗dǒu,跳tiào在zài空kōng中zhōng。睁zhēng火huǒ眼yǎn平píng西xī看kàn处chù,果guǒ见jiàn有yǒu一yí座zuò城chéng池chí。你nǐ道dào怎zěn么me就jiù看kàn见jiàn了le?当dāng时shí说shuō那nà城chéng池chí离lí寺sì只zhǐ有yǒu四sì十shí里lǐ,故gù此cǐ凭píng高gāo就jiù望wàng见jiàn了le。行xíng者zhě近jìn前qián仔zǐ细xì看kàn处chù,又yòu见jiàn那nà怪guài雾wù愁chóu云yún漠mò漠mò,妖yāo风fēng怨yuàn气qì纷fēn纷fēn。行xíng者zhě在zài空kōng中zhōng赞zàn叹tàn道dào:

「若ruò是shì真zhēn王wáng登dēng寶bǎo座zuò,自zì有yǒu祥xiáng光guāng五wǔ色sè雲yún。「若ruò是shì真zhēn王wáng登dēng宝bǎo座zuò,自zì有yǒu祥xiáng光guāng五wǔ色sè云yún。
只zhǐ因yīn妖yāo怪guài侵qīn龍lóng位wèi,騰téng騰téng黑hēi氣qì鎖suǒ金jīn門mén。」只zhǐ因yīn妖yāo怪guài侵qīn龙lóng位wèi,腾téng腾téng黑hēi气qì锁suǒ金jīn门mén。」

逐句解 Line by line

不bù多duō時shí,東dōng方fāng發fā白bái。 不bù多duō时shí,东dōng方fāng发fā白bái。

In a little while, the east grew white.

Dawn, in four characters. 東方發白 — the east turns white.

行xíng者zhě又yòu吩fēn咐fù了le八bā戒jiè、沙shā僧sēng,教jiào他tā兩liǎng個gè:「不bù可kě攪jiǎo擾rǎo僧sēng人rén,出chū來lái亂luàn走zǒu。 行xíng者zhě又yòu吩fēn咐fù了le八bā戒jiè、沙shā僧sēng,教jiào他tā两liǎng个gè:「不bù可kě搅jiǎo扰rǎo僧sēng人rén,出chū来lái乱luàn走zǒu。

Pilgrim once more charged Bajie and Sha Seng, bidding the two of them: “Do not disturb the monks, nor go running about outside.

Housekeeping before the operation: keep the other two out of the way. 攪擾 is to disturb; 吩咐了 takes the completive le; 教他兩個 has 教 as jiào, the causative.

待dài我wǒ成chéng功gōng之zhī後hòu,共gòng汝rǔ等děng同tóng行xíng。」 待dài我wǒ成chéng功gōng之zhī后hòu,共gòng汝rǔ等děng同tóng行xíng。」

Wait till I have succeeded, and I will go on together with you all.”

同行 has 行 as xíng, to travel — the word that gives Wukong his own title, 行者, the one who walks.

才cái別bié了le,唿hū哨shào,一yì觔jīn斗dǒu,跳tiào在zài空kōng中zhōng。 才cái别bié了le,唿hū哨shào,一yì觔jīn斗dǒu,跳tiào在zài空kōng中zhōng。

Just then he took his leave, gave a whistle, and with one somersault sprang into the air.

The whistle and the somersault. 觔斗 here is the cloud-somersault that covers a hundred and eight thousand lǐ, though this morning he needs forty. 斗 is dǒu; 唿哨 is a whistle; 空中 takes the locative zhōng; 一觔斗 keeps 一 as yì.

睜zhēng火huǒ眼yǎn平píng西xī看kàn處chù,果guǒ見jiàn有yǒu一yí座zuò城chéng池chí。 睁zhēng火huǒ眼yǎn平píng西xī看kàn处chù,果guǒ见jiàn有yǒu一yí座zuò城chéng池chí。

Opening his fiery eyes and looking level toward the west, he did indeed see a walled city.

火眼 — the fire-eyes with golden pupils, burned into him in Laozi's furnace back in chapter 7, and the reason he can see what nobody else can. 一座 keeps 一 as yí.

你nǐ道dào怎zěn麼me就jiù看kàn見jiàn了le? 你nǐ道dào怎zěn么me就jiù看kàn见jiàn了le?

You ask how he could see it just so?

The narrator turns to the reader and asks a question on their behalf — a storyteller's habit the novel never quite gives up. 怎麼就 is "how, just like that?"

當dāng時shí說shuō那nà城chéng池chí離lí寺sì只zhǐ有yǒu四sì十shí里lǐ,故gù此cǐ憑píng高gāo就jiù望wàng見jiàn了le。 当dāng时shí说shuō那nà城chéng池chí离lí寺sì只zhǐ有yǒu四sì十shí里lǐ,故gù此cǐ凭píng高gāo就jiù望wàng见jiàn了le。

In those days it was said the city lay but forty li from the temple, and so, from his height, he glimpsed it at once.

And answers it with arithmetic: forty lǐ, from that height. The distance was fixed by the ghost in the night audience and is repeated here exactly — the only two places the chapter states it. 當時 has 當 as dāng; 那城池 takes the pointing nà.

行xíng者zhě近jìn前qián仔zǐ細xì看kàn處chù,又yòu見jiàn那nà怪guài霧wù愁chóu雲yún漠mò漠mò,妖yāo風fēng怨yuàn氣qì紛fēn紛fēn。 行xíng者zhě近jìn前qián仔zǐ细xì看kàn处chù,又yòu见jiàn那nà怪guài雾wù愁chóu云yún漠mò漠mò,妖yāo风fēng怨yuàn气qì纷fēn纷fēn。

Pilgrim drew near and looked carefully, and again he saw that fiendish mist and mournful cloud lay thick, that a demon wind and rancorous vapor swirled.

What he sees is a diagnosis, not a view. 怪霧愁雲 and 妖風怨氣 — fiend-mist and grieving cloud, demon-wind and rancorous vapour — are the visible signature of a throne held wrongly. 漠漠 is spreading thick; 仔細 has 仔 as zǐ, carefully, not zǎi; 那怪霧 takes the pointing nà.

行xíng者zhě在zài空kōng中zhōng讚zàn嘆tàn道dào: 行xíng者zhě在zài空kōng中zhōng赞zàn叹tàn道dào:

Pilgrim, up in the air, gave voice to praise:

讚嘆 is to sigh in wonder — and, as a narrative cue, the signal that verse is about to start. 空中 takes the locative zhōng.

「若ruò是shì真zhēn王wáng登dēng寶bǎo座zuò,自zì有yǒu祥xiáng光guāng五wǔ色sè雲yún。 「若ruò是shì真zhēn王wáng登dēng宝bǎo座zuò,自zì有yǒu祥xiáng光guāng五wǔ色sè云yún。

If a true king mounts the throne of treasure, of itself there is auspicious light and five-colored cloud;

The first half of a four-line quatrain, and it states the chapter's cosmology as flatly as a rule: a rightful king on the throne produces 祥光, auspicious radiance, and five-coloured cloud. Weather is a readout of legitimacy. 寶座 is the throne.

只zhǐ因yīn妖yāo怪guài侵qīn龍lóng位wèi,騰téng騰téng黑hēi氣qì鎖suǒ金jīn門mén。」 只zhǐ因yīn妖yāo怪guài侵qīn龙lóng位wèi,腾téng腾téng黑hēi气qì锁suǒ金jīn门mén。」

only because a fiend has usurped the dragon-seat, roiling black vapors lock the golden gate.

And the second half applies the rule in reverse. 龍位 is the dragon-seat; 騰騰 is roiling upward; 鎖金門 has the black vapour locking the golden gate — the palace sealed by its own corruption.


總評 Commentary

The scene shifts to Wukong's reconnaissance, with the fine detail that his fire-eyes golden-pupils pick out a city forty lǐ off, and the narrator pausing to explain to the reader how that is possible. What he finds is not a capital at peace but one wrapped in fiend-mist and demon-wind.

The prose observation is then crystallised into a quatrain that states the underlying rule outright: a true king draws auspicious light and five-coloured cloud, a usurping fiend brings black vapour that locks the golden gate. In this cosmology the sky is a public record of whether the throne is rightfully held — and Wukong is the one character equipped to read it.