熊羆野牛 The Mountain Lord and the Recluse
諕得個三藏魂飛魄散,二從者骨軟筋麻。魔王喝令綁了。眾妖一齊將三人用繩索綁縛。正要安排吞食,只聽得外面喧嘩,有人來報:「熊山君與特處士二位來也。」三藏聞言,擡頭觀看,前走的是一條黑漢。你道他是怎生模樣:諕得个三藏魂飞魄散,二从者骨软筋麻。魔王喝令绑了。众妖一齐将三人用绳索绑缚。正要安排吞食,只听得外面喧哗,有人来报:「熊山君与特处士二位来也。」三藏闻言,抬头观看,前走的是一条黑汉。你道他是怎生模样:
又見那後邊來的是一條胖漢。你道怎生模樣:又见那后边来的是一条胖汉。你道怎生模样:
逐句解 Line by line
Sanzang was frightened out of his wits, and his two attendants went limp with terror. The Monster King gave the order to bind them, and the whole pack of fiends together lashed the three men with ropes and cords. Just as they were about to make ready to devour them, there came a clamour from outside, and someone came in to announce: "The Mountain Lord Xiong and the Recluse Te, the two of them, have arrived." Hearing this, Sanzang raised his head and looked, and saw that the one walking in front was a swarthy fellow. This was his manner and form:
Two more guests arrive, both with splendid titles. 熊山君 (Xióng Shān-jūn) is the "Mountain Lord Xiong," and 山君 — "lord of the mountain" — was an old polite euphemism for a bear, the way English once said "Bruin" rather than name the animal outright. 特處士 (Tè Chǔ-shì) is the "Recluse Te," and 處士 (chǔ shì) means a scholar who has declined public office on principle — about the most dignified thing a man could be called. Hold that thought; the portrait is going to take it apart.
Bold and fierce, of ample courage; nimble and strong, of burly frame.
The bear's portrait opens in the language of a military commander — bold, fierce, ample courage. Straight-faced, so far.
Fording streams by sheer brute force; coursing the woods, he flaunts his raging might.
跑林 (pǎo lín), "coursing the woods," catches the particular blundering speed of a bear at full tilt.
Long has he answered to auspicious dreams; now, alone, he shows his gallant form.
符吉夢 — "answering to auspicious dreams" — reaches back to the 詩經 (the Book of Songs), where dreaming of a bear was held to foretell the birth of sons. So the compliment is real, and also very old, and also being paid to an actual bear.
Green trees he can climb and break; knowing the cold, he reads the turning seasons well.
知寒, "knowing the cold," sounds like wisdom about the turning seasons. It is hibernation.
Truly a spirit at the sacred places, and so he is styled the Mountain Lord.
號 here is hào, "to be styled" or "titled" — the bear's honorific — not the other reading háo, "to howl," which would have been funnier but is not what the line says.
Then he saw that the one coming behind was a portly fellow. This was his manner and form:
Now the same treatment for the "Recluse," who is a wild ox.
Craggy and high, a crown of twin horns; grave and erect, with shoulders reared and back.
雙角冠, a "crown of twin horns": 冠 (guān) is the noun "cap," the formal headgear of an official. The ox's horns are being described as court dress.
By nature settled in his coat of grey; his hoofed gait for the most part slow and dragging.
青衣, the "grey coat," turns the hide into a garment — and "settled by nature" in it, as though the beast had chosen a sober wardrobe.
In his line the sire is called a bull; and from of old the dam is named a cow.
And the mock-genealogy delivers the punchline. 牯 (gǔ) is a bull and 牸 (zì) is a cow, so a couplet with the solemn shape of an ancestral record ends up announcing that this gentleman's father was a bull and his mother a cow. 號 (hào) again is "to be named."
Able to do the work of the man who tills the field, and so he is named the Recluse Te.
為 here is wéi, "to do" or "perform." And the last character gives the whole game away: 特 (tè) is itself an old word for a bull. So the grand style "Recluse-Scholar Te," unpacked, is roughly "Sir Ox, Esq." — and his one recorded accomplishment is being able to pull a plough.
Two monsters walk in, and the novel drops into one of its favourite comic registers: the mock-dignified portrait. Each is announced with a title borrowed from polite society — Mountain Lord, retired scholar — and each then gets a passage of parallel verse that appears to flatter him while steadily giving him away.
The bear is granted omens, spirit, gallantry; he also climbs trees and sleeps through winter. The ox is dressed in lineage and office, right up to the couplet that names his sire a bull and his dam a cow, and the final line that glosses his distinguished title as a farm animal's. The joke only works if you know that 山君 and 處士 are euphemisms — it is learned humour, aimed at a reader who will enjoy being in on it.
It is also, in context, faintly appalling. Xuanzang is roped up on the floor a few feet away while this drawing-room comedy plays out over his head. The novel is letting the tone go light precisely because of where the next scene is about to take it.