Canonical Classics ← 第十三回
第十三回
xiànxuéjīnxīngjiěè
shuāngchālǐngqīnliúsēng

Trapped in the Tiger's Den, the Gold Star Dispels the Peril · At Twin-Fork Ridge, Liu Boqin Takes In the Monk

亡靈超脫
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

亡靈超脫 The Father's Soul Set Free

quèshuōqīndeqīnzhīlíngchāojiàntuōchénlúnguǐhúnerzǎoláidàojiāzháinèituōmèngzháizhǎngyòudào:「zàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēnglemenhǎoshēngxièsòngzhǎnglǎoyàodàimànyàodàimàn。」zhècáishìquèshuōqīndeqīnzhīlíngchāojiàntuōchénlúnguǐhúnerzǎoláidàojiāzháinèituōmèngzháizhǎngyòudào:「zàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēnglemenhǎoshēngxièsòngzhǎnglǎoyàodàimànyàodàimàn。」zhècáishì

wànzhuāngyánduānyǒujiànwángchūchénlúnwànzhuāngyánduānyǒujiànwángchūchénlún

jiāermèngxǐngyòuzǎotàiyángdōngshàngqīndeniángzidào:「tàibǎojīnmèngjiàngōnggongláijiāshuōzàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēngjiàomenhǎoshēngxièzhǎnglǎodàimànshuōjìngchūményángchánglemenjiàoyìngliúzhùxǐngláiquèshìmèng。」qīndào:「shìděngmèngbānmenduìqīnshuō。」liǎngkǒuzizhèngshuōzhǐjiànlǎojiàodào:「qīnháierláishuōhuà。」èrrénzhìqiánlǎozuòzàichuángshàngdào:「érajīnlemèngmèngjiànqīnláijiāshuōduōkuīlezhǎnglǎochāoxiāolezuìshàngzhōnghuázhǎngzhějiātuōshēng。」menxiàodào:「jiēyǒumèngzhèngláigàobǐngqīnhuànshìmèng。」suìjiàojiāxiǎoláiānpáixièshōushídōuzhìqiánbàixièdào:「duōxièzhǎnglǎochāojiànwángtuōnànchāoshēngbàojìn。」sānzàngdào:「pínsēngyǒunéngchùgǎnláozhìxiè?」jiāermèngxǐngyòuzǎotàiyángdōngshàngqīndeniángzidào:「tàibǎojīnmèngjiàngōnggongláijiāshuōzàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēngjiàomenhǎoshēngxièzhǎnglǎodàimànshuōjìngchūményángchánglemenjiàoyìngliúzhùxǐngláiquèshìmèng。」qīndào:「shìděngmèngbānmenduìqīnshuō。」liǎngkǒuzizhèngshuōzhǐjiànlǎojiàodào:「qīnháierláishuōhuà。」èrrénzhìqiánlǎozuòzàichuángshàngdào:「érajīnlemèngmèngjiànqīnláijiāshuōduōkuīlezhǎnglǎochāoxiāolezuìshàngzhōnghuázhǎngzhějiātuōshēng。」menxiàodào:「jiēyǒumèngzhèngláigàobǐngqīnhuànshìmèng。」suìjiàojiāxiǎoláiānpáixièshōushídōuzhìqiánbàixièdào:「duōxièzhǎnglǎochāojiànwángtuōnànchāoshēngbàojìn。」sānzàngdào:「pínsēngyǒunéngchùgǎnláozhìxiè?」


逐句解 Line by line

quèshuōqīndeqīnzhīlíngchāojiàntuōchénlúnguǐhúnerzǎoláidàojiāzháinèituōmèngzháizhǎngyòudào:「zàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēnglemenhǎoshēngxièsòngzhǎnglǎoyàodàimànyàodàimàn。」zhècáishì quèshuōqīndeqīnzhīlíngchāojiàntuōchénlúnguǐhúnerzǎoláidàojiāzháinèituōmèngzháizhǎngyòudào:「zàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēnglemenhǎoshēngxièsòngzhǎnglǎoyàodàimànyàodàimàn。」zhècáishì

Now the soul of Boqin's father, delivered by the merit of the service from its sunk estate, came betimes as a ghost to his own house, and appeared in a dream to the whole household, old and young, saying: "In the shadow-world my sufferings were hard to escape, and for long I could not win rebirth. Now, by the good fortune of the holy monk's reciting the scriptures, my burden of sin has been dissolved, and King Yama has sent men to escort me up to the rich land of the Middle Flower, there to be reborn into the house of a man of substance. See that you thank and speed the elder well, and be in no way remiss, be in no way remiss. I am going now." And this was the very thing:

陰司 (yīn sī), the "shadow-world," is the underworld administration under 閻王 (Yán wáng), King Yama — and it is an administration, with clerks and paperwork and escorts assigned. 超生 is rebirth into a better station. 中華 (Zhōng-huá), the "Middle Flower," is China itself; to be reborn there, into a wealthy house, is treated as a substantial promotion. One nice detail of reading: in 苦難 the character is nàn, an ordeal, while 難脫 in the very same breath is nán, "hard to." The same character, two jobs, one sentence.

wànzhuāngyánduānyǒujiànwángchūchénlún wànzhuāngyánduānyǒujiànwángchūchénlún

The myriad dharmas in their solemn splendour have their purpose indeed: they deliver the dead from their woe and lift them out of the depths.

A storyteller's summing-up couplet, and it does not hedge: the 萬法, the whole body of Buddhist law and practice, has a purpose, and the purpose is this. The rites are being certified as having worked.

jiāermèngxǐngyòuzǎotàiyángdōngshàngqīndeniángzidào:「tàibǎojīnmèngjiàngōnggongláijiāshuōzàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēngjiàomenhǎoshēngxièzhǎnglǎodàimànshuōjìngchūményángchánglemenjiàoyìngliúzhùxǐngláiquèshìmèng。」qīndào:「shìděngmèngbānmenduìqīnshuō。」 jiāermèngxǐngyòuzǎotàiyángdōngshàngqīndeniángzidào:「tàibǎojīnmèngjiàngōnggongláijiāshuōzàiyīnnànnántuōjiǔchāoshēngjīnxìngshèngsēngniànlejīngjuànxiāoledezuìyánwángchāirénsòngshàngzhōnghuázhǎngzhěrénjiātuōshēngjiàomenhǎoshēngxièzhǎnglǎodàimànshuōjìngchūményángchánglemenjiàoyìngliúzhùxǐngláiquèshìmèng。」qīndào:「shìděngmèngbānmenduìqīnshuō。」

When that whole household woke from the dream, the sun was already up in the east. Boqin's wife said: "Husband, tonight I dreamed our father came home, and said that in the shadow-world his sufferings were hard to escape, and that for long he could not win rebirth; but now, by the good fortune of the holy monk's reciting the scriptures, his burden of sin has been dissolved, and King Yama has sent men to escort him up to the rich land of the Middle Flower, to be reborn into the house of a man of substance. He bade us thank the elder well and not be remiss with him. When he had spoken, he went straight out of the door and wandered off; we called him but he would not answer, and could not keep him. Then I woke, and it was a dream." Boqin said: "I too had just such a dream, the same as yours. Let us get up and go tell my mother."

The wife's dream repeats the father's message almost word for word. That near-verbatim repetition is a standard technique of the vernacular novel, and here it is doing evidence: this is not one person's odd night, it is the same visitation reported twice by independent witnesses.

liǎngkǒuzizhèngshuōzhǐjiànlǎojiàodào:「qīnháierláishuōhuà。」èrrénzhìqiánlǎozuòzàichuángshàngdào:「érajīnlemèngmèngjiànqīnláijiāshuōduōkuīlezhǎnglǎochāoxiāolezuìshàngzhōnghuázhǎngzhějiātuōshēng。」menxiàodào:「jiēyǒumèngzhèngláigàobǐngqīnhuànshìmèng。」suìjiàojiāxiǎoláiānpáixièshōushídōuzhìqiánbàixièdào:「duōxièzhǎnglǎochāojiànwángtuōnànchāoshēngbàojìn。」sānzàngdào:「pínsēngyǒunéngchùgǎnláozhìxiè?」 liǎngkǒuzizhèngshuōzhǐjiànlǎojiàodào:「qīnháierláishuōhuà。」èrrénzhìqiánlǎozuòzàichuángshàngdào:「érajīnlemèngmèngjiànqīnláijiāshuōduōkuīlezhǎnglǎochāoxiāolezuìshàngzhōnghuázhǎngzhějiātuōshēng。」menxiàodào:「jiēyǒumèngzhèngláigàobǐngqīnhuànshìmèng。」suìjiàojiāxiǎoláiānpáixièshōushídōuzhìqiánbàixièdào:「duōxièzhǎnglǎochāojiànwángtuōnànchāoshēngbàojìn。」sānzàngdào:「pínsēngyǒunéngchùgǎnláozhìxiè?」

The two of them were just about to go and tell her when the old mother called out: "Boqin, my child, come here; I have something to say to you." When the two came before her, the old mother, seated on her bed, said: "Son, tonight I had a happy dream: I dreamed your father came home, and said that thanks to the elder's deliverance his burden of sin was already dissolved, and that he was going up to the rich land of the Middle Flower, to be reborn into a house of substance." Husband and wife both laughed aloud and said: "We two, and your daughter-in-law, all had this dream, and were just coming to report it; who would have thought that mother should call us, and it is the same dream." So they called the whole household, high and low, to rise and make ready their thanks, and to see to the pilgrim's horse; and all came before him and bowed their thanks, saying: "Our deep thanks to the elder for delivering our dead father out of his ordeal and into rebirth — more than we can ever repay." Sanzang said: "What power has this poor monk, that he should merit such thanks?"

And a third time, by the mother, which settles it. One reading to catch: in 兒啊 ("son!") the character stands alone as the full noun "son," read ér — distinct from the light er it carries in 孩兒 in her son's name a line earlier.


總評 Commentary

The novel now proves its case in the most concrete way available to it: the dead man turns up in person to confirm his own release.

The proof is built out of repetition. The father delivers his message; the wife repeats it almost word for word; Boqin says he had the same dream; the mother, before anyone can tell her, reports it herself. Four accounts, independently arrived at, and the family ends up laughing in the bedroom over the coincidence that is not one.

The embedded couplet states the moral without embarrassment — the myriad dharmas have their purpose, and here it is, achieved. Sanzang, characteristically, waves the thanks away: what power has this poor monk?

What keeps the scene from turning into a sermon is how domestic it is. A woman waking her husband to tell him about a dream; an old mother calling her grown son to her bedside; everyone talking at once. The supernatural arrives through ordinary family life, which is where this novel usually prefers to put it.