Canonical Classics ← 第九十回
第九十回
師shī獅shī授shòu受shòu同tóng歸guī一yī
盜dào道dào纏chán禪chán靜jìng九jiǔ靈líng

Master and Lion, Giving and Receiving, Return Together to the One · Thieving the Way and Snaring Chan, the Nine Spirits Are Stilled

抵換八戒
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

抵換八戒 Two Lions For One Pig

孫sūn大dà聖shèng收shōu了le法fǎ毛máo,同tóng沙shā僧sēng徑jìng至zhì城chéng樓lóu上shàng,見jiàn了le唐táng僧sēng。唐táng僧sēng道dào:「這zhè場cháng事shì甚shèn是shì利lì害hài呀ya。悟wù能néng性xìng命mìng,不bù知zhī有yǒu無wú?」行xíng者zhě道dào:「沒méi事shì,我wǒ們men把bǎ這zhè兩liǎng個gè妖yāo精jīng拿ná了le,他tā那nà裡lǐ斷duàn不bù敢gǎn傷shāng。且qiě將jiāng二èr精jīng牢láo拴shuān緊jǐn縛fù,待dài明míng早zǎo抵dǐ換huàn八bā戒jiè也yě。」三sān個gè小xiǎo王wáng子zǐ對duì行xíng者zhě叩kòu頭tóu道dào:「師shī父fù先xiān前qián賭dǔ鬥dòu,只zhǐ見jiàn一yì身shēn;及jí後hòu佯yáng輸shū而ér回huí,卻què怎zěn麼me就jiù有yǒu百bǎi十shí位wèi師shī身shēn?及jí至zhì拿ná住zhù妖yāo精jīng,近jìn城chéng來lái還hái是shì一yì身shēn。此cǐ是shì甚shén麼me法fǎ力lì?」孙sūn大dà圣shèng收shōu了le法fǎ毛máo,同tóng沙shā僧sēng径jìng至zhì城chéng楼lóu上shàng,见jiàn了le唐táng僧sēng。唐táng僧sēng道dào:「这zhè场cháng事shì甚shèn是shì利lì害hài呀ya。悟wù能néng性xìng命mìng,不bù知zhī有yǒu无wú?」行xíng者zhě道dào:「没méi事shì,我wǒ们men把bǎ这zhè两liǎng个gè妖yāo精jīng拿ná了le,他tā那nà里lǐ断duàn不bù敢gǎn伤shāng。且qiě将jiāng二èr精jīng牢láo拴shuān紧jǐn缚fù,待dài明míng早zǎo抵dǐ换huàn八bā戒jiè也yě。」三sān个gè小xiǎo王wáng子zǐ对duì行xíng者zhě叩kòu头tóu道dào:「师shī父fù先xiān前qián赌dǔ斗dòu,只zhǐ见jiàn一yì身shēn;及jí后hòu佯yáng输shū而ér回huí,却què怎zěn么me就jiù有yǒu百bǎi十shí位wèi师shī身shēn?及jí至zhì拿ná住zhù妖yāo精jīng,近jìn城chéng来lái还hái是shì一yì身shēn。此cǐ是shì甚shén么me法fǎ力lì?」


逐句解 Line by line

孫sūn大dà聖shèng收shōu了le法fǎ毛máo,同tóng沙shā僧sēng徑jìng至zhì城chéng樓lóu上shàng,見jiàn了le唐táng僧sēng。 孙sūn大dà圣shèng收shōu了le法fǎ毛máo,同tóng沙shā僧sēng径jìng至zhì城chéng楼lóu上shàng,见jiàn了le唐táng僧sēng。

The Great Sage gathered his magic hairs back in and went straight up to the tower on the wall with Sha Monk, where he saw the Tang Monk.

收了法毛 - gathered in the magic hairs - is the undoing of the trick, and the novel always bothers to show it. The hundred duplicates are not left standing about; they go back onto his arm.

唐táng僧sēng道dào:「這zhè場cháng事shì甚shèn是shì利lì害hài呀ya。 唐táng僧sēng道dào:「这zhè场cháng事shì甚shèn是shì利lì害hài呀ya。

The Tang Monk said: "This affair has turned out very badly indeed.

場 is cháng here, the reading it takes when it counts an event - one round of trouble, one bout of it - rather than the chǎng that means an actual place. English does the same thing with "a spell of bad weather", where a word for duration ends up counting episodes. And 呀 on the end is a sigh rather than a word.

悟wù能néng性xìng命mìng,不bù知zhī有yǒu無wú?」 悟wù能néng性xìng命mìng,不bù知zhī有yǒu无wú?」

"Wuneng's life - is there any left in him or not?"

Tripitaka calls Eight Rules by his religious name at the moment he fears he is dead, which is a small piece of characterisation the novel never comments on. 不知有無 - not knowing whether there is or is not - is as close as he gets to saying the word.

行xíng者zhě道dào:「沒méi事shì,我wǒ們men把bǎ這zhè兩liǎng個gè妖yāo精jīng拿ná了le,他tā那nà裡lǐ斷duàn不bù敢gǎn傷shāng。 行xíng者zhě道dào:「没méi事shì,我wǒ们men把bǎ这zhè两liǎng个gè妖yāo精jīng拿ná了le,他tā那nà里lǐ断duàn不bù敢gǎn伤shāng。

Pilgrim said: "It is nothing. We have taken these two spirits of theirs, so on their side they will certainly not dare to harm him.

Worth pausing on 那 here, because this chapter uses the same character both ways. In the combat challenges it is nǎ, the asking reading. In 他那裡 it is nà, the pointing one - over on their side, where they are. The reading turns entirely on whether the speaker wants to know something or is indicating somewhere.

且qiě將jiāng二èr精jīng牢láo拴shuān緊jǐn縛fù,待dài明míng早zǎo抵dǐ換huàn八bā戒jiè也yě。」 且qiě将jiāng二èr精jīng牢láo拴shuān紧jǐn缚fù,待dài明míng早zǎo抵dǐ换huàn八bā戒jiè也yě。」

"Just have the two spirits tied fast and bound tight, and tomorrow at dawn we will trade them for Eight Rules."

牢拴緊縛 stacks two two-character phrases that mean nearly the same thing - fastened firm, bound tight - which is how vernacular Chinese leans on an instruction. 抵換 is straightforwardly to swap one thing against another, the language of a trade rather than a rescue.

三sān個gè小xiǎo王wáng子zǐ對duì行xíng者zhě叩kòu頭tóu道dào:「師shī父fù先xiān前qián賭dǔ鬥dòu,只zhǐ見jiàn一yì身shēn; 三sān个gè小xiǎo王wáng子zǐ对duì行xíng者zhě叩kòu头tóu道dào:「师shī父fù先xiān前qián赌dǔ斗dòu,只zhǐ见jiàn一yì身shēn;

The three young princes bowed their heads to Pilgrim and said: "Master, earlier when you fought we saw only one body of you;

The princes have been on the wall watching all of this, and what has struck them is not the danger but the multiplication. Their question is the reason the passage exists.

及jí後hòu佯yáng輸shū而ér回huí,卻què怎zěn麼me就jiù有yǒu百bǎi十shí位wèi師shī身shēn? 及jí后hòu佯yáng输shū而ér回huí,却què怎zěn么me就jiù有yǒu百bǎi十shí位wèi师shī身shēn?

"and afterwards, when you feigned defeat and came back, how did there come to be a hundred-odd bodies of our master?

佯輸 is to lose on purpose - a feint made with the whole body rather than the weapon. The princes have correctly read a retreat as a tactic, which is more than Eight Rules managed.

及jí至zhì拿ná住zhù妖yāo精jīng,近jìn城chéng來lái還hái是shì一yì身shēn。 及jí至zhì拿ná住zhù妖yāo精jīng,近jìn城chéng来lái还hái是shì一yì身shēn。

"And when it came to seizing the spirits and nearing the city, you were one body again.

The princes lay the sequence out like witnesses: one, then a hundred, then one. They are not asking what happened - they are asking how.

此cǐ是shì甚shén麼me法fǎ力lì?」 此cǐ是shì甚shén么me法fǎ力lì?」

"What power is this?"

Four characters, and the whole passage has been built to arrive at them. 法力 is the standard term for spiritual power gained through cultivation, so the question is technical, not childish: they are asking what class of attainment they have just watched.


總評 Commentary

This passage does something the novel is quietly good at: it stops the battle to let somebody ask a question. The princes have spent the fight on the wall banging drums, and what they want explained is not the danger they are in but the trick they saw.

Meanwhile the plot has become an exchange. Pilgrim's reassurance to Tripitaka is not moral but commercial - we hold two of theirs, so ours is safe - and the word he uses for the plan is the ordinary one for swapping goods. Both sides have now independently arrived at the same arrangement, and neither has spoken to the other.

Tripitaka's line is the emotional centre and it is only nine characters long. He asks whether Wuneng is alive using a formula that avoids the word for dying, and gets an answer about tactics. The novel lets that mismatch stand without remarking on it, which is why it works.