採鬃拖尾 Dragged Off By Mane And Tail
那一夥妖精齊與大聖三人,戰經半日,不覺天晚。八戒口吐粘涎,看看腳軟,虛幌一鈀,敗下陣去。被那雪獅、猱獅二精喝道:「那裡走?看打。」獃子躲閃不及,被他照脊梁上打了一簡,睡在地下,只叫:「罷了,罷了。」兩個精把八戒採鬃拖尾,扛將去見那九頭獅子,報道:「祖爺,我等拿了一個來也。」說不了,沙僧、行者也都戰敗,眾妖精一齊趕來。被行者拔一把毫毛,嚼碎噴將去,叫聲:「變!」那一伙妖精齐与大圣三人,战经半日,不觉天晚。八戒口吐粘涎,看看脚软,虚幌一钯,败下阵去。被那雪狮、猱狮二精喝道:「那里走?看打。」呆子躲闪不及,被他照脊梁上打了一简,睡在地下,只叫:「罢了,罢了。」两个精把八戒采鬃拖尾,扛将去见那九头狮子,报道:「祖爷,我等拿了一个来也。」说不了,沙僧、行者也都战败,众妖精一齐赶来。被行者拔一把毫毛,嚼碎喷将去,叫声:「变!」
逐句解 Line by line
That crowd of spirits fought the Great Sage and his two companions together for half a day, and before they knew it evening had come.
不覺天晚 - they did not notice it had got late - is how this book marks a fight going on too long. The phrase is doing the work a film would do with a dissolve.
Eight Rules was drooling sticky spittle from his mouth, his legs were going soft under him; he made a feint with the rake and fell back out of the line.
The novel is unsentimental about which pilgrim gives out first. 看看腳軟 has the sense of watching it happen to yourself - his legs going, moment by moment. 虛幌 is a feint, a swing with nothing behind it, made to buy the space to retreat.
At which the Snow Lion and Gibbon Lion spirits shouted after him: "Where do you think you are going?
那裡走 is the standard challenge flung at a fleeing enemy in every novel of this kind, and it is a question in form only - 那 is nǎ here, the asking reading. Nobody expects an answer. The English that fits it is not "where are you going" but "where do you think you are going", which carries the same mock enquiry.
"Take this!"
看打 - literally "watch the blow" - is what a fighter calls out as he swings. It is the same courtesy-in-form as the challenge before it, and just as sincere.
The idiot could not dodge in time, and was struck across the spine with a truncheon. Down he lay on the ground, crying only: "I am finished, I am finished!"
獃子, the idiot, is the narrator's own pet name for Eight Rules and carries more affection than contempt. 罷了 doubled is the cry of somebody who has given up - it is still what Chinese reaches for at the moment a thing is beyond saving.
Two of the spirits seized Eight Rules by the mane and hauled him off by the tail, carrying him away to the nine-headed lion, and reported: "Ancestral sire, we have taken one of them!"
The indignity is precisely calibrated. 採鬃拖尾 is how you carry a hog, not a prisoner - by the bristles and the tail - and the novel picks the phrase because Eight Rules is, under everything else, a pig. 祖爺, ancestral sire, is the title the younger lions use for the nine-headed one; it is a family word, not a military one.
Before the words were out, Sha Monk and Pilgrim were beaten too, and the whole crowd of spirits came chasing after them.
說不了 - before the saying was finished - is one of the commonest hinges in this novel, used dozens of times to cut from one scene to the next at the exact moment somebody is mid-sentence. Here 了 is liǎo, the full verb meaning to finish, and not the le particle that the same character carries everywhere else in this chapter.
Then Pilgrim plucked a handful of his hairs, chewed them to fragments, blew them out and called: "Change!"
The signature trick, and note how physical the description is: pluck, chew, spit, shout. 嚼碎 keeps the older literary reading of 嚼 rather than the everyday chewing one, which is the register the whole novel keeps for this character.
Eight Rules goes down first, and the novel takes real care over how. He is not outfought so much as worn out - drooling, legs softening, feinting for room. Then one truncheon across the spine and he is on the floor announcing his own defeat twice over.
The humiliation continues after the blow. He is carried off by the mane and the tail, which is how a farmer moves a hog, and delivered to a lion the others call grandfather. Every detail is chosen to make his capture domestic rather than heroic - a livestock scene rather than a battlefield one.
And then the passage turns on a sentence hinge. Before the boast is out of the spirit's mouth, the other two pilgrims are beaten as well, and the last line starts Pilgrim reaching for his hairs. The novel has spent this passage taking everything away so it can spend the next one giving it back.