Canonical Classics ← 第五十九回
第五十九回
唐táng三sān藏zàng路lù阻zǔ火huǒ焰yàn山shān
孫sūn行xíng者zhě一yí調tiáo芭bā蕉jiāo扇shàn

Tripitaka's Road Is Blocked at the Mountain of Flames · Sun the Pilgrim Contrives the First Fetching of the Banana-Leaf Fan

長老勿罪
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

長老勿罪 Pray Take No Offence

那nà老lǎo者zhě卻què才cái放fàng心xīn,笑xiào云yún:「長zhǎng老lǎo勿wù罪zuì。我wǒ老lǎo漢hàn一yì時shí眼yǎn花huā,不bù識shí尊zūn顏yán。」行xíng者zhě道dào:「不bù敢gǎn。」老lǎo者zhě又yòu問wèn:「令lìng師shī在zài那nǎ條tiáo路lù上shàng?」行xíng者zhě道dào:「那nà南nán首shǒu大dà路lù上shàng立lì的de不bú是shì?」老lǎo者zhě教jiào:「請qǐng來lái,請qǐng來lái。」行xíng者zhě歡huān喜xǐ,把bǎ手shǒu一yì招zhāo,三sān藏zàng即jí同tóng八bā戒jiè、沙shā僧sēng,牽qiān白bái馬mǎ,挑tiāo行xíng李lǐ近jìn前qián,都dōu對duì老lǎo者zhě作zuò禮lǐ。那nà老lǎo者zhě却què才cái放fàng心xīn,笑xiào云yún:「长zhǎng老lǎo勿wù罪zuì。我wǒ老lǎo汉hàn一yì时shí眼yǎn花huā,不bù识shí尊zūn颜yán。」行xíng者zhě道dào:「不bù敢gǎn。」老lǎo者zhě又yòu问wèn:「令lìng师shī在zài那nǎ条tiáo路lù上shàng?」行xíng者zhě道dào:「那nà南nán首shǒu大dà路lù上shàng立lì的de不bú是shì?」老lǎo者zhě教jiào:「请qǐng来lái,请qǐng来lái。」行xíng者zhě欢huān喜xǐ,把bǎ手shǒu一yì招zhāo,三sān藏zàng即jí同tóng八bā戒jiè、沙shā僧sēng,牵qiān白bái马mǎ,挑tiāo行xíng李lǐ近jìn前qián,都dōu对duì老lǎo者zhě作zuò礼lǐ。


逐句解 Line by line

那nà老lǎo者zhě卻què才cái放fàng心xīn,笑xiào云yún:「長zhǎng老lǎo勿wù罪zuì。 那nà老lǎo者zhě却què才cái放fàng心xīn,笑xiào云yún:「长zhǎng老lǎo勿wù罪zuì。

Only then was the old man's mind at ease, and he said with a smile, 'Venerable Elder, take no offence.'

長老 is zhǎng lǎo, the respectful address for a senior monk — 長 here is the zhǎng of seniority, against the cháng of physical length in 山長水更長 in the autumn poem. Using 云 instead of 曰 for "said" is a small literary flourish in otherwise plain prose.

我wǒ老lǎo漢hàn一yì時shí眼yǎn花huā,不bù識shí尊zūn顏yán。」 我wǒ老lǎo汉hàn一yì时shí眼yǎn花huā,不bù识shí尊zūn颜yán。」

'This old fellow's eyes clouded for a moment, and I failed to recognise your honoured face.'

眼花, literally "flowery eyes," is the ordinary idiom for sight blurring with age. 尊顏, "your honoured face," is politeness laid on thick. The whole apology is a courteous fiction: he took Pilgrim for a monster because Pilgrim looks like one.

行xíng者zhě道dào:「不bù敢gǎn。」 行xíng者zhě道dào:「不bù敢gǎn。」

Pilgrim said, 'You are too kind.'

不敢, literally "I would not dare," is the standard way of brushing off a compliment or an apology. The exchange is pure formula, and its shortness is the joke.

老lǎo者zhě又yòu問wèn:「令lìng師shī在zài那nǎ條tiáo路lù上shàng?」 老lǎo者zhě又yòu问wèn:「令lìng师shī在zài那nǎ条tiáo路lù上shàng?」

The old man asked again, 'And which road is your master on?'

令師, "your honoured teacher" — 令 is lìng, the polite prefix you attach to another person's relatives. It is the same character that Sha Monk used a moment ago for the seasonal ordinances, in the same reading. 那條 asks which, nǎ.

行xíng者zhě道dào:「那nà南nán首shǒu大dà路lù上shàng立lì的de不bú是shì?」 行xíng者zhě道dào:「那nà南nán首shǒu大dà路lù上shàng立lì的de不bú是shì?」

Pilgrim said, 'Is that not he, standing there on the main road at the southern end?'

And now 那 points rather than asks — nà, against the nǎ of the question it is answering. 立的不是 is a colloquial tag question, roughly "that's him standing there, isn't it?"

老lǎo者zhě教jiào:「請qǐng來lái,請qǐng來lái。」 老lǎo者zhě教jiào:「请qǐng来lái,请qǐng来lái。」

The old man bade him, 'Ask him to come, ask him to come.'

教 is jiào in its "have someone do something" sense. Saying 請來 twice is ordinary spoken emphasis.

行xíng者zhě歡huān喜xǐ,把bǎ手shǒu一yì招zhāo,三sān藏zàng即jí同tóng八bā戒jiè、沙shā僧sēng,牽qiān白bái馬mǎ,挑tiāo行xíng李lǐ近jìn前qián,都dōu對duì老lǎo者zhě作zuò禮lǐ。 行xíng者zhě欢huān喜xǐ,把bǎ手shǒu一yì招zhāo,三sān藏zàng即jí同tóng八bā戒jiè、沙shā僧sēng,牵qiān白bái马mǎ,挑tiāo行xíng李lǐ近jìn前qián,都dōu对duì老lǎo者zhě作zuò礼lǐ。

Pilgrim was delighted. He gave one wave of his hand, and Tripitaka came forward at once with Eight Rules and Sha Monk, leading the white horse and shouldering the baggage; and all of them made their bows to the old man.

把手一招, one beckon of the hand. 挑 is tiāo, to carry a load slung on a shoulder pole — which is Eight Rules' permanent job in this company.


總評 Commentary

The apology is a polite fiction and both men know it. The old man says his eyes clouded and he failed to recognise a distinguished face; in fact he saw exactly what was in front of him. The convention exists so the encounter can go forward, and Pilgrim's 不敢 accepts it without looking at it too closely.

The rest moves briskly through the mechanics of an introduction: where is your master, there he is on the road, ask him to come, and the party assembles. Nothing is dramatised. The interest is all in the change of footing — the man who was shouting at a monster four lines ago is now sending for the rest of the party so that he can feed them.

The bows at the end are the formal sign that the household has been entered. From here on the old man is a host, and everything the chapter needs from him — the name of the mountain, the eight hundred lǐ of fire, the fan and the person who owns it — will be handed over in the language of hospitality rather than dragged out of him. It is the last conversation of that kind for quite some time.