Canonical Classics ← 第五十九回
第五十九回
tángsānzànghuǒyànshān
sūnxíngzhě調tiáojiāoshàn

Tripitaka's Road Is Blocked at the Mountain of Flames · Sun the Pilgrim Contrives the First Fetching of the Banana-Leaf Fan

休得心焦
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

休得心焦 Do Not Fret Over It

qiáozijiànxíngzhěchénjiētàn便biànxiàodào:「zhǎnglǎochūjiārényǒuyōuzhètiáoxiǎoerxiàngdōngshàngliùjiùshìjiāodòngxiūxīnjiāo。」xíngzhědào:「mánqiáoshuōshìdōngtángcháochāiwǎng西tiānqiújīngdetángsēngqiánniánzàihuǒyúndòngcéngluóchàzhīzihóngháiéryǒuxiēyándànkǒngluóchàhuáichóushēngyōu。」qiáozijiànxíngzhěchénjiētàn便biànxiàodào:「zhǎnglǎochūjiārényǒuyōuzhètiáoxiǎoerxiàngdōngshàngliùjiùshìjiāodòngxiūxīnjiāo。」xíngzhědào:「mánqiáoshuōshìdōngtángcháochāiwǎng西tiānqiújīngdetángsēngqiánniánzàihuǒyúndòngcéngluóchàzhīzihóngháiéryǒuxiēyándànkǒngluóchà怀huáichóushēngyōu。」


逐句解 Line by line

qiáozijiànxíngzhěchénjiētàn便biànxiàodào:「zhǎnglǎochūjiārényǒuyōu qiáozijiànxíngzhěchénjiētàn便biànxiàodào:「zhǎnglǎochūjiārényǒuyōu

The woodcutter, seeing Pilgrim sunk in thought and sighing without stopping, laughed and said, 'Venerable Elder, you are a man who has left the household — what have you to be anxious about?'

出家人, "one who has left the household," is the standard designation for a monk, and the woodcutter's point is that such a person is supposed to be past private quarrels. 嗟嘆不已, sighing without stopping.

zhètiáoxiǎoerxiàngdōngshàngliùjiùshìjiāodòngxiūxīnjiāo。」 zhètiáoxiǎoerxiàngdōngshàngliùjiùshìjiāodòngxiūxīnjiāo。」

'Take this little path eastward — not five or six — and you come to the Banana-Leaf Cave. There is no need to fret.'

小路兒 takes as the genuine curled-back ending, just "a little path." 不尚 is "not so much as, not even." 休得 is the fixed way of saying don't, with as ; 心焦 is a burning heart, meaning worry. This is the chapter's only other , and it settles the reading of the first one: is anxiety here, so 焦著 in Pilgrim's 且莫隔年焦著 is worry taking hold, not a cake drying out.

xíngzhědào:「mánqiáoshuōshìdōngtángcháochāiwǎng西tiānqiújīngdetángsēngqiánniánzàihuǒyúndòngcéngluóchàzhīzihóngháiéryǒuxiēyándànkǒngluóchàhuáichóushēngyōu。」 xíngzhědào:「mánqiáoshuōshìdōngtángcháochāiwǎng西tiānqiújīngdetángsēngqiánniánzàihuǒyúndòngcéngluóchàzhīzihóngháiéryǒuxiēyándànkǒngluóchà怀huáichóushēngyōu。」

Pilgrim said, 'I'll not deceive you, brother woodcutter. I am the senior disciple of the Tang Monk, sent by the Tang court in the Land of the East to fetch scriptures from the West. Some years ago at the Fiery Cloud Cave I had words with the Rākṣasī's son, the Red Boy; and I am afraid she may hold the grudge and refuse me — which is why I am uneasy.'

is cháo here, the dynasty or court, against the zhāo of 朝三暮二 and 朝來雨 elsewhere in this chapter. is again chāi, sent on a commission. And 有些言語, "we had a few words," is considerable understatement for a battle that ran three chapters and needed the Bodhisattva to end it.


總評 Commentary

The woodcutter's question is sharper than it looks. You are a man who has left the household — what have you to be anxious about? Leaving the household is supposed to sever exactly this sort of entanglement, and Pilgrim is visibly snarled up in five hundred years of other people's family business.

His answer is a full confession, and it is the longest single stretch of speech in the chapter. He gives his credentials, the place, the year, the injured party and the grievance, and he does not minimise: 有些言語, "we had a few words," is dry understatement about a battle that took three chapters and had to be settled by the Bodhisattva in person.

What makes the exchange work is how lopsided it is. A woodcutter on a hillside is being told, calmly and in order, that the man in front of him fought the local deity's child and lost him to a Bodhisattva. He does not appear to find this remarkable, and his reply will be practical advice on how to conduct an interview.