西梁女國 The Women's Country
行者即攙唐僧,沙僧即扶八戒,兩人聲聲喚喚,腆著肚子,一個個只疼得面黃眉皺,入草舍坐下。行者只叫:「婆婆,是必燒些熱湯與我師父,我們謝你。」那婆婆且不燒湯,笑唏唏跑走後邊,叫道:「你們來看,你們來看。」那裡面蹼𨁃蹼踏的又走出兩三個半老不老的婦人,都來望著唐僧哂笑。行者大怒,喝了一聲,把牙一齜。諕得那一家子跌跌蹡蹡,往後就走。行者上前,扯住那老婆子道:「快早燒湯,我饒了你。」那婆子戰兢兢的道:「爺爺呀!我燒湯也不濟事,也治不得他兩個肚疼。你放了我,等我說。」行者放了他,他說:「我這裡乃是西梁女國。我們這一國盡是女人,更無男子,故此見了你們歡喜。你師父吃的那水不好了。那條河喚做子母河。我那國王城外,還有一座迎陽館驛,驛門外有一個照胎泉。我這裡人,但得年登二十歲以上,方敢去吃那河裡水。吃水之後,便覺腹痛有胎。至三日之後,到那迎陽館照胎水邊照去。若照得有了雙影,便就降生孩兒。你師吃了子母河水,以此成了胎氣,也不日要生孩子,熱湯怎麼治得?」行者即搀唐僧,沙僧即扶八戒,两人声声唤唤,腆着肚子,一个个只疼得面黄眉皱,入草舍坐下。行者只叫:「婆婆,是必烧些热汤与我师父,我们谢你。」那婆婆且不烧汤,笑唏唏跑走后边,叫道:「你们来看,你们来看。」那里面蹼𨁃蹼踏的又走出两三个半老不老的妇人,都来望着唐僧哂笑。行者大怒,喝了一声,把牙一龇。諕得那一家子跌跌蹡蹡,往后就走。行者上前,扯住那老婆子道:「快早烧汤,我饶了你。」那婆子战兢兢的道:「爷爷呀!我烧汤也不济事,也治不得他两个肚疼。你放了我,等我说。」行者放了他,他说:「我这里乃是西梁女国。我们这一国尽是女人,更无男子,故此见了你们欢喜。你师父吃的那水不好了。那条河唤做子母河。我那国王城外,还有一座迎阳馆驿,驿门外有一个照胎泉。我这里人,但得年登二十岁以上,方敢去吃那河里水。吃水之后,便觉腹痛有胎。至三日之后,到那迎阳馆照胎水边照去。若照得有了双影,便就降生孩儿。你师吃了子母河水,以此成了胎气,也不日要生孩子,热汤怎么治得?」
逐句解 Line by line
Pilgrim supported the Tang Monk and Sha Monk propped up Eight Rules; the two of them moaning and crying out, bellies thrust forward, each one aching till his face was yellow and his brows drawn, they went into the thatched cottage and sat down.
腆著 has 著 as zhe, marking the action as ongoing — to push the belly out and keep it out. 疼得 takes 得 as the light de linking the verb to its result. The sentence spends thirty-seven characters on a walk of a few paces, and the slowness is the comedy.
Pilgrim kept calling, "Grandmother, you must boil some hot water for my master, and we will thank you for it."
是必 is emphatic — you absolutely must. Wukong is still working from Sha Monk's diagnosis of cold water, and hot water is the remedy that follows from it.
The old woman, far from boiling any water, went trotting off to the back all smiles, calling, "Come and look, all of you! Come and look!"
笑唏唏 is printed here with 唏, where the same chuckling word appeared at the ferry as 笑嘻嘻 with 嘻. Both spellings are kept as printed and both read xī. The pair is good evidence of how loosely the woodblock fixed words of this kind. Both 看 are kàn.
Out from within, with a splashing and a tramping, came two or three more women neither young nor old, and all of them stood gazing at the Tang Monk and tittering.
蹼𨁃蹼踏 imitates footfalls. Its second character, 𨁃, is rare enough that few fonts carry it; the 漢語大字典 gives tī in its reading field, and zdic, the standard online character database, agrees. 半老不老 is a set phrase for middle age — neither old nor not old. 哂笑 is a laugh with something held back.
Pilgrim flew into a rage, gave a shout, and bared his teeth.
齜 is zī, to bare the teeth; the character carries chái in other uses, but not in this one. 喝 is hè, a shout — not hē, to drink. That second reading turns up exactly once in this chapter, a long way further on, and it is Bajie who gets it.
It so frightened the whole household that they went stumbling and staggering away to the back.
諕 is always xià, to frighten, wherever it appears in this book, and never háo. 跌跌蹡蹡 imitates unsteady flight, with 蹡 printed for 蹌; it keeps its ordinary reading.
Pilgrim went forward, caught hold of the old woman and said, "Boil that water quickly and I will let you off."
快早 is an emphatic at once. Wukong's method — seize and threaten — does produce the information, though it never produces the water.
The old woman said, trembling, "Gracious sir! Boiling water will do no good, and it will not cure those two their belly-ache either. Let me go and I will tell you."
治不得 asks whether the thing can be done, so 得 is the light de. Notice that she has stopped arguing about hot water and started bargaining for her release with an explanation.
Pilgrim released her, and she said, "This place of ours is the Women's Country of Western Liang.
西梁女國 is this novel's version of the 女國 that Xuanzang's own travel record places out in the Western Regions. The name is dropped flatly, as a piece of local geography, and everything that has puzzled the pilgrims follows from it.
Every soul in this country of ours is a woman; there is not a man among us, and that is why we were so pleased at the sight of you.
男子 takes 子 as zǐ, the full noun, not the light suffix zi of 圈子 or 獃子. 盡 is jìn. The explanation is delivered without the least sense of anomaly. To her, this is simply how a country is.
That water your master drank was no good.
不好了 is a considerable understatement, and it is the whole of her preamble.
That river is called the Child-and-Mother River.
子母河 takes 子 as zǐ, child — a noun set beside 母, mother, not a suffix. The name is the explanation, and the story has held it back for more than fifteen hundred characters.
Outside the walls of our royal city there is moreover a Posthouse of Welcomed Yang, and outside its gate is a Fetus-Reflecting Spring.
迎陽 means welcoming the yang, the male principle — which is the one thing this country does not contain. Naming the state guesthouse after it is a joke at the reader's expense as much as anything. 照胎泉 is a spring that shows a pregnancy by reflection, like a pond used as a pregnancy test.
The people here dare not go and drink of that river's water until they have reached the age of twenty and above.
但得 takes 得 as dé, to attain — only on reaching that age. The detail turns the river from a curse into an institution. It is regulated, age-gated, and here entirely normal.
After drinking the water, one feels the belly ache and knows there is a conception.
覺 is jué, to become aware, not jiào, sleep. 有胎 states in two characters the fact the pilgrims have been circling for two passages.
Three days after, one goes to the water of the Fetus-Reflecting Spring at the Posthouse of Welcomed Yang, and looks.
The procedure is described as routine. 照去 — go and look — carries no more weight than an errand.
If on looking there prove to be a double reflection, then the child will be born.
照得 links the looking to what it turns up, so 得 is the light de. 降生 takes 降 as jiàng, to come down into life — not the xiáng of subduing a demon. 孩兒 takes 兒 as ér, the full word child, not the little suffix.
Your master has drunk the water of the Child-and-Mother River, and by that has conceived; in a day or two he will have to give birth. What is hot water going to cure?"
Two 子 in one sentence with different readings: zǐ in 子母河, where it means child, and the light zi in 孩子, where it is only a suffix. 治得 again asks whether the thing can be done. Her closing question — what is hot water going to cure? — answers the demand Wukong made of her nine segments back.
This is the chapter's expository centre, and the novel stages it as a hostage negotiation. Wukong demands hot water, is refused, loses his temper, bares his teeth and seizes the old woman by force — and what he extracts is not water but a lecture. The comedy lies in the mismatch of tool to problem. Violence is the one instrument that works on almost everything in this novel, and here it produces a geography lesson.
Her account is remarkable for its complete absence of alarm. She describes a river that makes whoever drinks from it pregnant, an age restriction of twenty years, a state guesthouse, and a spring that confirms a pregnancy by showing a double reflection. This is not the description of a curse. It is the description of a reproductive system with civic infrastructure attached. What is monstrous to the pilgrims is municipal to her, and the flat delivery is what makes the inversion land.
The naming is done with care. 子母河 is the Child-and-Mother River, and the guesthouse is 迎陽館, the hall that welcomes the yang. In a country containing no men, a building named for the male principle is either a monument or a joke, and the novel declines to say which. 照胎泉 completes the arrangement: conception by drinking, confirmation by reflection, birth on the evidence of the third day.
It is worth registering what the novel is doing with its central idea. Everywhere else in the pilgrimage, disaster arrives as a demon with a name, a weapon and a grievance, and is settled by combat. Here there is no antagonist at all. Two men drank from a river in a country where that is what rivers do, and the affliction has no malice behind it and nobody to fight. That absence is what makes the episode genuinely strange, and it is why the remedy will demand a journey rather than a victory.