山神獻飯 The Mountain God Offers the Rice
話說那大路傍叫喚者誰?乃金兜山山神、土地,捧著紫金缽盂叫道:「聖僧啊,這缽盂飯是孫大聖向好處化來的。因你等不聽良言,誤入妖魔之手,致令大聖勞苦萬端,今日方救得出。且來吃了飯,再去走路,莫孤負孫大聖一片恭孝之心也。」三藏道:「徒弟,萬分虧你,言謝不盡。早知不出圈痕,那有此殺身之害?」行者道:「不瞞師父說,只因你不信我的圈子,卻教你受別人的圈子。多少苦楚。可嘆,可嘆!」八戒道:「怎麼又有個圈子?」行者道:「都是你這孽嘴孽舌的夯貨,弄師父遭此一場大難,著老孫翻天覆地,請天兵、水火與佛祖丹砂,盡被他使一個白森森的圈子套去。如來暗示了羅漢,對老孫說出那妖的根原,才請老君來收伏,卻是個青牛作怪。」三藏聞言,感激不盡道:「賢徒,今番經此,下次定然聽你吩咐。」话说那大路傍叫唤者谁?乃金兜山山神、土地,捧着紫金钵盂叫道:「圣僧啊,这钵盂饭是孙大圣向好处化来的。因你等不听良言,误入妖魔之手,致令大圣劳苦万端,今日方救得出。且来吃了饭,再去走路,莫孤负孙大圣一片恭孝之心也。」三藏道:「徒弟,万分亏你,言谢不尽。早知不出圈痕,那有此杀身之害?」行者道:「不瞒师父说,只因你不信我的圈子,却教你受别人的圈子。多少苦楚。可叹,可叹!」八戒道:「怎么又有个圈子?」行者道:「都是你这孽嘴孽舌的夯货,弄师父遭此一场大难,着老孙翻天覆地,请天兵、水火与佛祖丹砂,尽被他使一个白森森的圈子套去。如来暗示了罗汉,对老孙说出那妖的根原,才请老君来收伏,却是个青牛作怪。」三藏闻言,感激不尽道:「贤徒,今番经此,下次定然听你吩咐。」
逐句解 Line by line
Now, who was it calling out there by the side of the great road?
The last chapter broke off on a shout from the roadside without saying whose it was, and this sentence picks it straight back up. 那 is nà, that — pointing back to the road already named — and not nǎ, which.
It was the mountain god of Gold-Helm Mountain and the local earth-spirit, who held up the purple-gold almsbowl and called: "Holy Monk, this bowl of rice the Great Sage Sun begged from a house of means.
The mountain is 金兜山, and its middle character is the one place in this chapter where the text cannot be shown quite as the woodblock has it. The old print writes a character built from 山 standing beside 兜, and no such character has ever been given a slot in the standard character set. 維基文庫 prints 兜 on its own and says so in a note; that is what is shown here, and the substitution is forced rather than chosen. 捧著 has 著 as zhe, marking an action still going on — he is standing there holding the bowl up. 好處 is chù, a place: Wukong begged the rice from a house of means, and the reading is not the hǎochu of the everyday noun meaning a benefit or an advantage.
Because you would none of you heed his good counsel, you blundered into the demons' hands, and put the Great Sage to a myriad labours before he could get you out at last today.
救得出 asks whether a thing can be done — able to be got out — and that shape takes 得 as the light, toneless de, the same one in 動不得 and 睡不得. It is not the dé of 曉得, where the character means to attain something. 方 is only then, and it puts the whole length of the ordeal into one character.
Come, eat the rice, and then take to the road again; do not slight the whole heart of reverent devotion the Great Sage Sun has shown."
孤負 — written 辜負 elsewhere — is to waste somebody's kindness, to let it go for nothing. The word to watch is 恭孝: 孝 is filial duty, what a son owes a father, not what a disciple owes a teacher. A minor local god has just described Wukong's conduct as a son's, and he says it to the man who has been behaving badly as a father.
Tripitaka said, "Disciple, I am ten thousand parts in your debt; words cannot exhaust my thanks.
盡 is jìn, in the falling tone, throughout this book; the same character reads jǐn in its concessive sense, to the utmost of, which is not what is wanted here. That governs the character in front of it: 不 is bù as a rule but shifts to bú before a falling tone, so 言謝不盡 runs bú jìn. 萬分 is fēn, parts — ten thousand parts in your debt, a set way of saying a debt that will not go into figures.
Had I known not to step outside the circle's mark, how should such deadly harm have come to me?"
那 is nǎ this time rather than nà: 那有 is the rhetorical how would there have been, not that has. 圈痕 is the ring Wukong scratched on the ground in chapter fifty. His master stepped over it, and everything since has followed from that step.
Pilgrim said, "I'll not deceive you, Master: just because you would not trust my circle, you were made to suffer another man's circle.
The retort turns on one word said twice. 圈子 is first the ring Wukong drew in the dust to keep his master inside it, then the demon's white hoop that swallowed every weapon thrown at it. Same word, two rings: one a shelter refused, the other a trap walked into. 卻教 has 教 as jiào, to make somebody undergo a thing.
So much bitterness! A pity, a pity!"
多少 is the exclamation here, not the question — how much bitterness!, not how much bitterness? English works the same way and marks it the same way, with the punctuation rather than the words.
Eight Rules said, "How does it come there was a second circle?"
Bajie is not being slow. The pilgrims were in the demon's hands for what the reader watched in chapter fifty-two, so somebody has to ask before the rest can be told. That job falls to him about once a chapter and he takes it without embarrassment.
Pilgrim said, "It was all you, you blundering lout with your wicked mouth and wicked tongue, who landed Master in this great calamity and set Old Monkey overturning heaven and earth — summoning the troops of Heaven, the water and fire divisions, and the Buddha's cinnabar sand, and every one of them was lassoed away by that stark white ring of his.
大難 is nàn, a disaster — the noun — and not nán, difficult. 著 is zhuó when it sends somebody off to do something, as it does here: it set Old Monkey turning heaven over. And 夯貨 is worth knowing, because Wukong comes back to it later in the chapter. A 夯 is a rammer, the heavy block builders drop to tamp earth flat; calling Bajie one is close to calling him a lump of pig iron with legs.
The Tathāgata gave the arhats a covert sign, and they told Old Monkey the demon's origin; only then was Lord Lao invited to subdue him, and it proved to be his green ox at its mischief."
根原 — spelled 根源 elsewhere — is where the demon came from, not what he is. The distinction settles the whole episode. The useful intelligence was never the creature's nature but its owner: three chapters of failed weapons, and the answer turned out to be a name on a receipt.
Tripitaka, hearing this, was moved past all telling, and said, "Worthy disciple, having come through this, next time I shall assuredly heed what you bid me."
感激不盡 takes bú before jìn, exactly as 言謝不盡 did a few lines back. As for the promise — next time I shall assuredly heed what you bid me — he has made it before and will make it again. The novel keeps a straight face.
The voice left hanging at the end of the last chapter gets a body here: the local mountain god and earth-spirit, holding out the almsbowl Wukong had filled before the disaster began. The detail is quietly pointed. The rice was begged before the catastrophe and has been waiting through the whole of it, which makes the meal a rebuke as much as a kindness.
The mountain god's speech is an accusation wrapped in hospitality. He assigns fault — 因你等不聽良言, because you would none of you heed good counsel — before he offers any food, and he closes by naming what a refusal would waste: 孫大聖一片恭孝之心. That last phrase repays a pause. 恭孝 is the vocabulary of filial duty rather than of discipleship, and by reaching for it a small local deity quietly observes that Wukong has behaved as a son should while Tripitaka has not behaved as a father should.
Tripitaka's reply is the most characteristic moment in the passage. He thanks Wukong warmly, and then in the very next breath phrases his regret as a statement about his own ignorance — had I known, no harm would have come. That is contrition which quietly moves the fault from disobedience to bad information, and Wukong hears it exactly so. His answer refuses the escape by pivoting on 圈子: you would not trust my circle, so you suffered somebody else's. One word names both the shelter declined and the trap entered, and the whole chain of consequence is folded into the repetition.
The exchange ends with Bajie asking the question that lets Wukong summarise chapter fifty-two, and with Tripitaka promising to obey next time. Readers will recognise the promise as a formula. The cycle of ignored warning, capture, rescue and vow is the engine of the whole pilgrimage, and its recurrence is not a weakness in the design but the design itself. What is learned in one chapter does not carry into the next, which is precisely why eighty-one ordeals are needed and not one.