頃刻過河 Crossing the River
行者近於船邊道:「你是擺渡的?」那婦人道:「是。」行者道:「梢公如何不在,卻著梢婆撐船?」婦人微笑不答,用手拖上跳板。沙和尚將行李挑上去,行者扶著師父上跳,然後順過船來,八戒牽上白馬,收了跳板。那婦人撐開船,搖動槳,頃刻間過了河。身登西岸,長老教沙僧解開包,取幾文錢鈔與他。婦人更不爭多寡,將纜拴在傍水的樁上,笑嘻嘻徑入莊屋裡去了。行者近于船边道:「你是摆渡的?」那妇人道:「是。」行者道:「梢公如何不在,却着梢婆撑船?」妇人微笑不答,用手拖上跳板。沙和尚将行李挑上去,行者扶着师父上跳,然后顺过船来,八戒牵上白马,收了跳板。那妇人撑开船,摇动桨,顷刻间过了河。身登西岸,长老教沙僧解开包,取几文钱钞与他。妇人更不争多寡,将缆拴在傍水的桩上,笑嘻嘻径入庄屋里去了。
逐句解 Line by line
Pilgrim came up to the side of the boat and said, "Are you the ferry-keeper?"
Wukong asks the plain question the description has just made necessary. Using 於 rather than 到 gives the sentence a faintly bookish turn.
The woman said, "I am."
Five characters, standing as a whole segment. The narrative now calls her 婦人, a woman, without comment, having withheld the fact through the entire description.
Pilgrim said, "How is it the boatman is not here, and the boat-woman is set to pole instead?"
卻著 has 著 as zhuó, the reading it takes when it sends somebody off to do a job. Wukong's question assumes a husband who ought to be doing this work, and it is the first time any character in the novel notices that something is missing.
The woman smiled faintly and gave no answer, but reached out a hand and drew up the gangplank.
微笑不答 is the most economical piece of foreshadowing in the chapter. She does not lie. She simply declines to explain, and the explanation would have spared the pilgrims a great deal.
Sha Monk carried the luggage aboard on his pole, Pilgrim helped his master up the plank, and then they brought the boat about; Eight Rules led the white horse on and took in the gangplank.
挑 is tiāo here, to carry on a shoulder-pole, as against the tiǎo of 挑著草把 later in the chapter, where the same character means to prop something up on a pole. 扶著 has 著 as zhe, marking the action as ongoing. Four clauses give each pilgrim his usual office.
The woman poled off, worked her oar, and in an instant they were across.
頃刻間 takes 間 as jiān. The crossing itself gets fifteen characters. The boat got a hundred and thirty-eight — the novel spends nine times as long describing the vessel as using it.
Once ashore on the western bank, the elder bade Sha Monk open the bundle and take out a few coppers to give her.
教 is jiào, to have somebody do a thing; 解 is jiě, to untie. 錢鈔 is loose cash rather than any particular coin.
The woman did not haggle in the least over how much, but made the cable fast to a post at the water's edge and went off, all smiles, straight into her cottage.
更不爭 takes 更 as gèng. 笑嘻嘻 is a broad, open smile, and this is the second detail in three sentences to attach amusement to this woman. Read it again after the next passage and it changes colour.
The crossing is dispatched in a single clause — 頃刻間過了河 — after two long descriptions of the boat and its keeper. The disproportion is the novel's standard method. Description is where meaning is stored; action is frequently a formality.
Wukong's question is the hinge of the passage. Having watched the description resolve, he asks where the boatman is and why a woman is doing the poling, and the question assumes an ordinary household with an ordinary division of work. Her answer — 微笑不答 — is not quite evasion and not quite mockery. She smiles and gets on with the job, and the novel lets her silence stand as the answer it is: there is no boatman, there are no men, and no explanation would have been believed anyway.
Two details repay a second reading. She takes whatever coins are offered without haggling, and she goes into her house 笑嘻嘻, laughing to herself. The narrative offers no gloss on either. But she has just ferried four travellers across a river whose properties she knows perfectly well, and she has watched them walk on without a word of warning. The good humour is not innocent.