Canonical Classics ← 第五十三回
第五十三回
chánzhǔtūncānhuáiguǐyùn
huángyùnshuǐjiěxiétāi

The Master of Dhyāna, Swallowing His Meal, Conceives a Ghostly Pregnancy · The Yellow Dame Draws Water and Dissolves the Demon Foetus

來叫沙僧
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

來叫沙僧 He Comes to Call Sha Monk

hǎoshèngzhuǎnyúntóujìngzhìcūnshèménshǒujiàoshēng:「shāshàng。」biānsānzàngrěntòngshēnyínzhūjièhēngshēngjuétīngjiàohuànèrrénhuāndào:「shāsēngakōnglái。」shāsēngliánmángchūménjiēzhedào:「shuǐláile?」shèngjìnménduìtángsēngbèiyánqiánshìsānzànglèidào:「azěnliǎo?」shèngdào:「láijiàoshāxiōngtóngdàoānbiānděnglǎosūndòujiàoshāsēngchéng便biànshuǐláijiù。」sānzàngdào:「liǎngméibìngdedōulediūxiàliǎngyǒubìngdejiàoshuíshì?」lǎopozàipángdào:「lǎoluóhànzhǐguǎnfàngxīnyàojiāránkànshìmenzǎojiāndàoshíděngshíyǒuàiliánzhīquècáijiànzhèwèiyúnláifāngzhīshìluóhànjiājuégǎnhài。」hǎoshèngzhuǎnyúntóujìngzhìcūnshèménshǒujiàoshēng:「shāshàng。」biānsānzàngrěntòngshēnyínzhūjièhēngshēngjuétīngjiàohuànèrrénhuāndào:「shāsēngakōnglái。」shāsēngliánmángchūménjiēzhedào:「shuǐláile?」shèngjìnménduìtángsēngbèiyánqiánshìsānzànglèidào:「azěnliǎo?」shèngdào:「láijiàoshāxiōngtóngdàoānbiānděnglǎosūndòujiàoshāsēngchéng便biànshuǐláijiù。」sānzàngdào:「liǎngméibìngdedōulediūxiàliǎngyǒubìngdejiàoshuíshì?」lǎopozàipángdào:「lǎoluóhànzhǐguǎnfàngxīnyàojiāránkànshìmenzǎojiāndàoshíděngshíyǒuàiliánzhīquècáijiànzhèwèiyúnláifāngzhīshìluóhànjiājuégǎnhài。」


逐句解 Line by line

hǎoshèngzhuǎnyúntóujìngzhìcūnshèménshǒujiàoshēng:「shāshàng。」 hǎoshèngzhuǎnyúntóujìngzhìcūnshèménshǒujiàoshēng:「shāshàng。」

Excellent Great Sage! He turned his cloud about, went straight to the gate of the village cottage and called out, "Sha Monk!"

村舍 takes as shè, a dwelling. The thirty- journey that needed two descriptions on the way out is dispatched here in four characters.

biānsānzàngrěntòngshēnyínzhūjièhēngshēngjué biānsānzàngrěntòngshēnyínzhūjièhēngshēngjué

Inside, Tripitaka was groaning with the pain he bore and Pig was moaning without a pause.

哼聲不絕 keeps Bajie's groaning continuous where his master's comes and goes, which is the same proportion the narrative has maintained ever since they drank.

tīngjiàohuànèrrénhuāndào:「shāsēngakōnglái。」 tīngjiàohuànèrrénhuāndào:「shāsēngakōnglái。」

Hearing the call, the two of them said with delight, "Sha Monk — Wukong is back!"

聽得 takes as . Their delight is premature by about fifteen hundred characters — the water does not reach this cottage until eight passages from now.

shāsēngliánmángchūménjiēzhedào:「shuǐláile?」 shāsēngliánmángchūménjiēzhedào:「shuǐláile?」

Sha Monk hurried out to meet him and said, "Elder brother, have you brought the water?"

接著 has as zhe, marking the action as it happens — going out to meet him. The question is the one everybody in the house has, and it is answered with a summary rather than a bucket.

shèngjìnménduìtángsēngbèiyánqiánshì shèngjìnménduìtángsēngbèiyánqiánshì

The Great Sage came in and gave the Tang Monk a full account of what had passed.

備言前事 compresses the whole of the previous three passages into four characters. This is the storyteller declining to repeat himself, and it is a courtesy to a listening audience who have just heard it all.

sānzànglèidào:「azěnliǎo?」 sānzànglèidào:「azěnliǎo?」

Tripitaka let fall tears and said, "Disciple! What is to be done about such a thing as this?"

怎了 takes as liǎo, to settle — how is this to end? It is the same phrase with the same reading he used at the first news of the pregnancy. His response to a setback is word for word what it was before.

shèngdào:「láijiàoshāxiōngtóngdàoānbiānděnglǎosūndòujiàoshāsēngchéng便biànshuǐláijiù。」 shèngdào:「láijiàoshāxiōngtóngdàoānbiānděnglǎosūndòujiàoshāsēngchéng便biànshuǐláijiù。」

The Great Sage said, "I have come to call brother Sha to go with me. When we get to the convent, let Old Sun engage that fellow in a fight, and Sha Monk can take the chance to draw the water and bring it back to save you."

乘便 takes as chéng, to take advantage of an opening. is jiào, to have somebody do a thing. The plan is stated plainly and is exactly what will happen, which in this novel is unusual enough to be worth marking.

sānzàngdào:「liǎngméibìngdedōulediūxiàliǎngyǒubìngdejiàoshuíshì?」 sānzàngdào:「liǎngméibìngdedōulediūxiàliǎngyǒubìngdejiàoshuíshì?」

Tripitaka said, "If the two who are well both go off, and leave behind the two of us who are ill, who is to wait on us?"

appears again but with a different job: here it introduces the question who, as in who is to wait on us. Note what the objection actually is. Told that both able disciples must leave to fetch his cure, Tripitaka's first thought is that he will be short of attendants.

lǎopozàipángdào:「lǎoluóhànzhǐguǎnfàngxīnyàojiāránkànshì lǎopozàipángdào:「lǎoluóhànzhǐguǎnfàngxīnyàojiāránkànshì

The old woman said from beside them, "Venerable arhat, set your mind entirely at rest. There is no need of your disciples; my household will look after you and wait on you of ourselves.

看顧 takes as kàn, to look after. Note who is speaking. The offer to nurse the two invalids is made without being asked for, and it is made by the woman who was standing at her own door laughing at them four passages ago.

menzǎojiāndàoshíděngshíyǒuàiliánzhī menzǎojiāndàoshíděngshíyǒuàiliánzhī

When you came this morning, we did truly have thoughts of tenderness toward you.

早間 takes as jiān — this morning. 愛憐之意 is put very delicately, and on the evidence of the next passage it is not a delicate thing at all.

quècáijiànzhèwèiyúnláifāngzhīshìluóhànjiājuégǎnhài。」 quècáijiànzhèwèiyúnláifāngzhīshìluóhànjiājuégǎnhài。」

But just now, seeing this bodhisattva come on cloud and go in mist, we knew you were arhats and bodhisattvas, and my household would certainly never dare to harm you again."

決不敢復害你 admits, in the very act of renouncing it, that harm had been on the table. The grammar is reassurance and the content is a confession.


總評 Commentary

The passage is functional — it moves a character from one place to another and sets up the plan that will work — and its interest lies in what gets said around the edges. Wukong's scheme is one sentence long and is a plain division of labour: he will keep the immortal occupied and Sha Monk will draw the water. There is no trick in it, which for this novel is worth remarking on.

Tripitaka's objection is the best small moment in the passage. Told that both healthy disciples must go to fetch the cure for his condition, his first thought is 教誰伏侍 — who will wait on us? The novel does not editorialise. It simply lets him say it, and lets the old woman answer it.

Her answer contains the real disclosure. She promises her household will look after them, and then explains why they can now be trusted: when the pilgrims arrived that morning the women had 愛憐之意, thoughts of tenderness, and it was only on seeing Wukong ride a cloud that they understood these were arhats and gave the idea up. She offers this as reassurance. It is in fact an admission that the pilgrims spent the morning in danger they never noticed, and the next passage will spell out exactly what the danger was.