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繁體 Traditional
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長老不安
The Uneasy Wait
且不言八戒在此睡覺。卻說長老在那林間耳熱眼跳,身心不安。急回叫沙僧道:「悟能去化齋,怎麼這早晚還不回?」沙僧道:「師父,你還不曉得哩。他見這西方上人家齋僧的多,他肚子又大,他管你?直等他吃飽了才來哩。」三藏道:「正是呀,倘或他在那裡貪著吃齋,我們那裡會他?天色晚了,此間不是個住處,須要尋個下處方好哩。」沙僧道:「不打緊,師父,你且坐在這裡,等我去尋他來。」三藏道:「正是,正是。有齋沒齋罷了,只是尋下處要緊。」沙僧綽了寶杖,徑出松林來找八戒。且不言八戒在此睡觉。却说长老在那林间耳热眼跳,身心不安。急回叫沙僧道:「悟能去化斋,怎么这早晚还不回?」沙僧道:「师父,你还不晓得哩。他见这西方上人家斋僧的多,他肚子又大,他管你?直等他吃饱了才来哩。」三藏道:「正是呀,倘或他在那里贪著吃斋,我们那里会他?天色晚了,此间不是个住处,须要寻个下处方好哩。」沙僧道:「不打紧,师父,你且坐在这里,等我去寻他来。」三藏道:「正是,正是。有斋没斋罢了,只是寻下处要紧。」沙僧绰了宝杖,径出松林来找八戒。
逐句解 Line by line
且不言八戒在此睡覺。卻說長老在那林間耳熱眼跳,身心不安。
且不言八戒在此睡觉。却说长老在那林间耳热眼跳,身心不安。
But let us say no more of Bajie sleeping here. The elder, meanwhile, sat in the woods with burning ears and twitching eyes, uneasy in body and mind.
睡覺 jiào (“sleep”), not jué. 長老 zhǎng; 那 nà. 耳熱眼跳 — the folk omens of impending trouble.
急回叫沙僧道:「悟能去化齋,怎麼這早晚還不回?」
急回叫沙僧道:「悟能去化斋,怎么这早晚还不回?」
Quickly he turned and called to Sha Monk, “Wuneng went to beg food — why is it so late and he still not back?”
悟能 Bajie's dharma-name. 還 hái (“still”).
沙僧道:「師父,你還不曉得哩。他見這西方上人家齋僧的多,他肚子又大,他管你?直等他吃飽了才來哩。」
沙僧道:「师父,你还不晓得哩。他见这西方上人家斋僧的多,他肚子又大,他管你?直等他吃饱了才来哩。」
Said Sha Monk, “Master, you still don't understand. He's seen how many households out here in the West feed monks, and with a belly that big, does he give a thought to you? He won't come back till he's eaten his fill.”
還 hái; 曉得 de; 肚子 zi. Sha Monk's dry read of Bajie's appetite — wrong in the particulars, right about the man.
三藏道:「正是呀,倘或他在那裡貪著吃齋,我們那裡會他?天色晚了,此間不是個住處,須要尋個下處方好哩。」
三藏道:「正是呀,倘或他在那里贪著吃斋,我们那里会他?天色晚了,此间不是个住处,须要寻个下处方好哩。」
Said Tripitaka, “Just so. But if he is off somewhere gorging on alms-food, how are we to meet up with him? The day grows late, this is no place to stay, and we had best find lodging.”
三藏 zàng; 那裡 nǎ (“somewhere / how”, twice); 貪著 zhe.
沙僧道:「不打緊,師父,你且坐在這裡,等我去尋他來。」三藏道:「正是,正是。有齋沒齋罷了,只是尋下處要緊。」沙僧綽了寶杖,徑出松林來找八戒。
沙僧道:「不打紧,师父,你且坐在这里,等我去寻他来。」三藏道:「正是,正是。有斋没斋罢了,只是寻下处要紧。」沙僧绰了宝杖,径出松林来找八戒。
Said Sha Monk, “No matter, Master — you sit here a while, and I'll go find him.” “Quite right, quite right,” said Tripitaka. “Food or no food, let it go; finding lodging is what matters.” Sha Monk gripped his precious staff and went straight out of the pines to look for Bajie.
三藏 zàng. And so the second disciple departs — the master is now to be left wholly alone.
總評 Commentary
The passage tightens the trap one turn further. Tripitaka's “burning ears and twitching eyes” are the traditional bodily omens of danger, and his instinct is sound; but the remedy he chooses — sending Sha Monk after Bajie — strips away his last protector. Each reasonable, ordinary decision (wait for food, then seek the missing disciple, then find lodging) removes another guardian, until the master sits alone in a forest he has himself warned holds demons.
Sha Monk's characterization of Bajie is the comic ballast beneath the mounting dread. His theory — that Bajie is simply off eating — is both affectionately exact and completely wrong, and the gap between the disciples' easy assumptions and the reader's foreknowledge is where the chapter's suspense now lives.