Canonical Classics ← 第二十八回
第二十八回
花huā果guǒ山shān群qún妖yāo聚jù義yì
黑hēi松sōng林lín三sān藏zàng逢féng魔mó

At Flower-Fruit Mountain the Host of Fiends Bands Together in Fellowship · In the Black Pine Forest Tripitaka Falls in with a Demon

獵戶佈山
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

獵戶佈山 The Hunters' Array

那nà大dà聖shèng上shàng了le山shān巔diān看kàn處chù,只zhǐ見jiàn那nà南nán半bàn邊biān鼕dōng鼕dōng鼓gǔ響xiǎng,噹dāng噹dāng鑼luó鳴míng,閃shǎn上shàng有yǒu千qiān餘yú人rén馬mǎ,都dōu架jià著zhe鷹yīng犬quǎn,持chí著zhe刀dāo槍qiāng。猴hóu王wáng仔zǐ細xì看kàn那nà些xiē人rén來lái得de兇xiōng險xiǎn,好hǎo男nán子zǐ,真zhēn個gè驍xiāo勇yǒng。但dàn見jiàn:那nà大dà圣shèng上shàng了le山shān巅diān看kàn处chù,只zhǐ见jiàn那nà南nán半bàn边biān冬dōng冬dōng鼓gǔ响xiǎng,当dāng当dāng锣luó鸣míng,闪shǎn上shàng有yǒu千qiān余yú人rén马mǎ,都dōu架jià着zhe鹰yīng犬quǎn,持chí着zhe刀dāo枪qiāng。猴hóu王wáng仔zǐ细xì看kàn那nà些xiē人rén来lái得de凶xiōng险xiǎn,好hǎo男nán子zǐ,真zhēn个gè骁xiāo勇yǒng。但dàn见jiàn:

狐hú皮pí蓋gài肩jiān頂dǐng,錦jǐn綺qǐ裹guǒ腰yāo胸xiōng。狐hú皮pí盖gài肩jiān顶dǐng,锦jǐn绮qǐ裹guǒ腰yāo胸xiōng。
袋dài插chā狼láng牙yá箭jiàn,胯kuà掛guà寶bǎo雕diāo弓gōng。袋dài插chā狼láng牙yá箭jiàn,胯kuà挂guà宝bǎo雕diāo弓gōng。
人rén似sì搜sōu山shān虎hǔ,馬mǎ如rú跳tiào澗jiàn龍lóng。人rén似sì搜sōu山shān虎hǔ,马mǎ如rú跳tiào涧jiàn龙lóng。
成chéng群qún引yǐn著zhe犬quǎn,滿mǎn膀bǎng架jià其qí鷹yīng。成chéng群qún引yǐn着zhe犬quǎn,满mǎn膀bǎng架jià其qí鹰yīng。
荊jīng筐kuāng擡tái火huǒ炮pào,帶dài定dìng海hǎi東dōng青qīng。荆jīng筐kuāng抬tái火huǒ炮pào,带dài定dìng海hǎi东dōng青qīng。
粘zhān竿gān百bǎi十shí擔dàn,兔tù叉chā有yǒu千qiān根gēn。粘zhān竿gān百bǎi十shí担dàn,兔tù叉chā有yǒu千qiān根gēn。
牛niú頭tóu攔lán路lù網wǎng,閻yán王wáng扣kòu子zi繩shéng。牛niú头tóu拦lán路lù网wǎng,阎yán王wáng扣kòu子zi绳shéng。
一yì齊qí亂luàn吆yāo喝hè,散sàn撒sā滿mǎn天tiān星xīng。一yì齐qí乱luàn吆yāo喝hè,散sàn撒sā满mǎn天tiān星xīng。

逐句解 Line by line

那nà大dà聖shèng上shàng了le山shān巔diān看kàn處chù,只zhǐ見jiàn那nà南nán半bàn邊biān鼕dōng鼕dōng鼓gǔ響xiǎng,噹dāng噹dāng鑼luó鳴míng,閃shǎn上shàng有yǒu千qiān餘yú人rén馬mǎ,都dōu架jià著zhe鷹yīng犬quǎn,持chí著zhe刀dāo槍qiāng。猴hóu王wáng仔zǐ細xì看kàn那nà些xiē人rén來lái得de兇xiōng險xiǎn,好hǎo男nán子zǐ,真zhēn個gè驍xiāo勇yǒng。但dàn見jiàn: 那nà大dà圣shèng上shàng了le山shān巅diān看kàn处chù,只zhǐ见jiàn那nà南nán半bàn边biān冬dōng冬dōng鼓gǔ响xiǎng,当dāng当dāng锣luó鸣míng,闪shǎn上shàng有yǒu千qiān余yú人rén马mǎ,都dōu架jià着zhe鹰yīng犬quǎn,持chí着zhe刀dāo枪qiāng。猴hóu王wáng仔zǐ细xì看kàn那nà些xiē人rén来lái得de凶xiōng险xiǎn,好hǎo男nán子zǐ,真zhēn个gè骁xiāo勇yǒng。但dàn见jiàn:

The Great Sage climbed to the summit to look, and there on the southern side came the boom-boom of drums and the clang-clang of gongs; more than a thousand men and horses flashed into view, all with hawks and hounds on the leash and blades and spears in hand. The Monkey King looked closely: these were men of fearsome approach, stalwart fellows, valiant indeed. Behold:

Drums, gongs, a thousand men and horses coming up the southern slope. The narrator calls them stalwart and valiant and means it — for the moment. 那 points three times, 那大聖, 只見那, 那些人, and is nà each time. 都 is dōu; 架著 and 持著 both end in the unstressed zhe; 仔細 takes zǐ; 來得 takes the unstressed de.

狐hú皮pí蓋gài肩jiān頂dǐng,錦jǐn綺qǐ裹guǒ腰yāo胸xiōng。 狐hú皮pí盖gài肩jiān顶dǐng,锦jǐn绮qǐ裹guǒ腰yāo胸xiōng。

Fox-fur cloaks their shoulders and crowns; brocade and damask swathe waist and breast.

The hunters' portrait opens in matched five-character lines. Fur above, brocade below: money on display.

袋dài插chā狼láng牙yá箭jiàn,胯kuà掛guà寶bǎo雕diāo弓gōng。 袋dài插chā狼láng牙yá箭jiàn,胯kuà挂guà宝bǎo雕diāo弓gōng。

In their quivers, wolf-fang arrows; at their hips, bows of jeweled carving.

狼牙箭 are wolf-fang arrows, barbed so they cannot be pulled back out. The name is doing the work that the picture does not have to.

人rén似sì搜sōu山shān虎hǔ,馬mǎ如rú跳tiào澗jiàn龍lóng。 人rén似sì搜sōu山shān虎hǔ,马mǎ如rú跳tiào涧jiàn龙lóng。

The men are like mountain-searching tigers; the horses, like dragons vaulting a ravine.

似 is sì, like — and it is answered by 如 in the second half, the same word twice over so the two images balance. Men as tigers, horses as dragons: the hunters are being given the beasts' own attributes.

成chéng群qún引yǐn著zhe犬quǎn,滿mǎn膀bǎng架jià其qí鷹yīng。 成chéng群qún引yǐn着zhe犬quǎn,满mǎn膀bǎng架jià其qí鹰yīng。

In packs they lead their hounds along; on every arm they perch their hawks.

引著 ends in the unstressed zhe, marking something kept up rather than done once. 滿膀 is the whole forearm — the length of arm a hawk stands on.

荊jīng筐kuāng擡tái火huǒ炮pào,帶dài定dìng海hǎi東dōng青qīng。 荆jīng筐kuāng抬tái火huǒ炮pào,带dài定dìng海hǎi东dōng青qīng。

In wicker baskets they haul the fire-guns; and fast on the wrist, the sea-east falcon.

海東青 is the gyrfalcon of the far northeast, the most prized hunting bird in the empire and a standing tribute item — the falcon an emperor gave as a gift. 火炮 here are hand-guns, hauled up the hill in wicker baskets. Falconry and firearms in the same couplet, the very old and the very new.

粘zhān竿gān百bǎi十shí擔dàn,兔tù叉chā有yǒu千qiān根gēn。 粘zhān竿gān百bǎi十shí担dàn,兔tù叉chā有yǒu千qiān根gēn。

Lime-poles by the hundred-odd loads; hare-forks a thousand shafts and more.

擔 is dàn here, a carrying-pole load — what one man shoulders — not dān, to carry. 粘竿 are liming poles, smeared with birdlime so a bird that lands is stuck; 兔叉 are pronged hare-spears. This is not sport equipment but industrial trapping gear, counted in hundreds and thousands.

牛niú頭tóu攔lán路lù網wǎng,閻yán王wáng扣kòu子zi繩shéng。 牛niú头tóu拦lán路lù网wǎng,阎yán王wáng扣kòu子zi绳shéng。

Ox-head nets to bar the trails; and Yama-snares, the buckling cords.

And here the admiring catalogue turns. The nets are called ox-head nets and the snares Yama-snares: 牛頭 is the ox-headed jailer of the Buddhist hells and 閻王 is King Yama who judges the dead. The hunters' own gear is named after the underworld, which is a quiet way of saying where all this is heading. 扣子 ends in an unstressed zi.

一yì齊qí亂luàn吆yāo喝hè,散sàn撒sā滿mǎn天tiān星xīng。 一yì齐qí乱luàn吆yāo喝hè,散sàn撒sā满mǎn天tiān星xīng。

All at once the wild hallooing rises; scattered they spread like stars filling the sky.

散撒 takes sàn, to scatter. The beaters spread out across the slope like stars filling the sky — and being flung across a hillside is exactly what happens to them a few lines later. The simile is a spoiler.


總評 Commentary

The hunters get the full rhapsodic treatment the novel usually saves for a martial hero or a demon king: fox fur and brocade, wolf-fang arrows, tiger-men and dragon-horses, hawks and hounds, hand-guns, hare-forks by the thousand, and a gyrfalcon on the wrist. In form the catalogue is admiring, and the narrator goes so far as to call them stalwart fellows, valiant indeed.

But the praise is laid down like a trap. The two closing images — nets named for the ox-headed jailer of hell, snares named for King Yama — hand the whole magnificent company over to the side of death. The men who have come to kill are themselves being marked, and the scattering like stars filling the sky describes, in advance, how they will end up strewn across the mountain.