Canonical Classics ← 第二十八回
第二十八回
huāguǒshānqúnyāo
hēisōnglínsānzàngféng

At Flower-Fruit Mountain the Host of Fiends Bands Together in Fellowship · In the Black Pine Forest Tripitaka Falls in with a Demon

獵戶佈山
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

獵戶佈山 The Hunters' Array

shèngshàngleshāndiānkànchùzhǐjiànnánbànbiāndōngdōngxiǎngdāngdāngluómíngshǎnshàngyǒuqiānréndōujiàzheyīngquǎnchízhedāoqiānghóuwángkànxiērénláidexiōngxiǎnhǎonánzizhēnxiāoyǒngdànjiànshèngshàngleshāndiānkànchùzhǐjiànnánbànbiāndōngdōngxiǎngdāngdāngluómíngshǎnshàngyǒuqiānréndōujiàzheyīngquǎnchízhedāoqiānghóuwángkànxiērénláidexiōngxiǎnhǎonánzizhēnxiāoyǒngdànjiàn

gàijiāndǐngjǐnguǒyāoxiōnggàijiāndǐngjǐnguǒyāoxiōng
dàichālángjiànkuàguàbǎodiāogōngdàichālángjiànkuàguàbǎodiāogōng
rénsōushāntiàojiànlóngrénsōushāntiàojiànlóng
chéngqúnyǐnzhequǎn滿mǎnbǎngjiàyīngchéngqúnyǐnzhequǎnmǎnbǎngjiàyīng
jīngkuāngtáihuǒpàodàidìnghǎidōngqīngjīngkuāngtáihuǒpàodàidìnghǎidōngqīng
zhān竿gānbǎishídànchāyǒuqiāngēnzhān竿gānbǎishídànchāyǒuqiāngēn
niútóulánwǎngyánwángkòuzishéngniútóulánwǎngyánwángkòuzishéng
luànyāosàn滿mǎntiānxīngluànyāosànmǎntiānxīng

逐句解 Line by line

shèngshàngleshāndiānkànchùzhǐjiànnánbànbiāndōngdōngxiǎngdāngdāngluómíngshǎnshàngyǒuqiānréndōujiàzheyīngquǎnchízhedāoqiānghóuwángkànxiērénláidexiōngxiǎnhǎonánzizhēnxiāoyǒngdànjiàn shèngshàngleshāndiānkànchùzhǐjiànnánbànbiāndōngdōngxiǎngdāngdāngluómíngshǎnshàngyǒuqiānréndōujiàzheyīngquǎnchízhedāoqiānghóuwángkànxiērénláidexiōngxiǎnhǎonánzizhēnxiāoyǒngdànjiàn

The Great Sage climbed to the summit to look, and there on the southern side came the boom-boom of drums and the clang-clang of gongs; more than a thousand men and horses flashed into view, all with hawks and hounds on the leash and blades and spears in hand. The Monkey King looked closely: these were men of fearsome approach, stalwart fellows, valiant indeed. Behold:

那 nà (thrice: 那大聖 / 只見那 / 那些人); 都 dōu; 架著 / 持著 zhe; 仔細 zǐ; 來得 de. The verse portrait that follows.

gàijiāndǐngjǐnguǒyāoxiōng gàijiāndǐngjǐnguǒyāoxiōng

Fox-fur cloaks their shoulders and crowns; brocade and damask swathe waist and breast.

The opening couplet of the hunters' portrait, in balanced five-graph lines.

dàichālángjiànkuàguàbǎodiāogōng dàichālángjiànkuàguàbǎodiāogōng

In their quivers, wolf-fang arrows; at their hips, bows of jeweled carving.

狼牙箭 barbed “wolf-fang” arrows.

rénsōushāntiàojiànlóng rénsōushāntiàojiànlóng

The men are like mountain-searching tigers; the horses, like dragons vaulting a ravine.

似 sì (“like”); parallel simile-couplet, 似 answered by 如.

chéngqúnyǐnzhequǎn滿mǎnbǎngjiàyīng chéngqúnyǐnzhequǎnmǎnbǎngjiàyīng

In packs they lead their hounds along; on every arm they perch their hawks.

引著 zhe (durative). 滿膀 the whole forearm, on which the hawk is carried.

jīngkuāngtáihuǒpàodàidìnghǎidōngqīng jīngkuāngtáihuǒpàodàidìnghǎidōngqīng

In wicker baskets they haul the fire-guns; and fast on the wrist, the sea-east falcon.

海東青 the gyrfalcon of the northeast, a prized hunting hawk. 火炮 hand-guns.

zhān竿gānbǎishídànchāyǒuqiāngēn zhān竿gānbǎishídànchāyǒuqiāngēn

Lime-poles by the hundred-odd loads; hare-forks a thousand shafts and more.

擔 dàn (load-measure), not dān. 粘竿 bird-liming poles; 兔叉 pronged hare-spears.

niútóulánwǎngyánwángkòuzishéng niútóulánwǎngyánwángkòuzishéng

Ox-head nets to bar the trails; and Yama-snares, the buckling cords.

牛頭 / 閻王 — the nets and snares named for the ox-headed jailer and King Yama of the underworld, presaging the carnage. 扣子 zi.

luànyāosàn滿mǎntiānxīng luànyāosànmǎntiānxīng

All at once the wild hallooing rises; scattered they spread like stars filling the sky.

散撒 sàn (scatter); the beaters fan out across the slope like stars.


總評 Commentary

The hunters get the full rhapsodic treatment usually reserved for a martial hero or a demon-king — fox-fur and brocade, wolf-fang arrows, tiger-men and dragon-horses, hawks and hounds and gyrfalcons by the thousand. The catalogue is admiring in form, and the narrator even calls them “stalwart fellows, valiant indeed.”

But the praise is laid down like a trap. The two closing images — nets named for the ox-headed jailer of hell, snares named for King Yama — quietly reassign the whole magnificent host to the side of death. The men who have come to kill are themselves marked for it, and the scattering “like stars filling the sky” anticipates exactly how they will be flung across the mountain a moment later.