獵戶佈山 The Hunters' Array
那大聖上了山巔看處,只見那南半邊鼕鼕鼓響,噹噹鑼鳴,閃上有千餘人馬,都架著鷹犬,持著刀槍。猴王仔細看那些人來得兇險,好男子,真個驍勇。但見:那大圣上了山巅看处,只见那南半边冬冬鼓响,当当锣鸣,闪上有千余人马,都架着鹰犬,持着刀枪。猴王仔细看那些人来得凶险,好男子,真个骁勇。但见:
逐句解 Line by line
The Great Sage climbed to the summit to look, and there on the southern side came the boom-boom of drums and the clang-clang of gongs; more than a thousand men and horses flashed into view, all with hawks and hounds on the leash and blades and spears in hand. The Monkey King looked closely: these were men of fearsome approach, stalwart fellows, valiant indeed. Behold:
Drums, gongs, a thousand men and horses coming up the southern slope. The narrator calls them stalwart and valiant and means it — for the moment. 那 points three times, 那大聖, 只見那, 那些人, and is nà each time. 都 is dōu; 架著 and 持著 both end in the unstressed zhe; 仔細 takes zǐ; 來得 takes the unstressed de.
Fox-fur cloaks their shoulders and crowns; brocade and damask swathe waist and breast.
The hunters' portrait opens in matched five-character lines. Fur above, brocade below: money on display.
In their quivers, wolf-fang arrows; at their hips, bows of jeweled carving.
狼牙箭 are wolf-fang arrows, barbed so they cannot be pulled back out. The name is doing the work that the picture does not have to.
The men are like mountain-searching tigers; the horses, like dragons vaulting a ravine.
似 is sì, like — and it is answered by 如 in the second half, the same word twice over so the two images balance. Men as tigers, horses as dragons: the hunters are being given the beasts' own attributes.
In packs they lead their hounds along; on every arm they perch their hawks.
引著 ends in the unstressed zhe, marking something kept up rather than done once. 滿膀 is the whole forearm — the length of arm a hawk stands on.
In wicker baskets they haul the fire-guns; and fast on the wrist, the sea-east falcon.
海東青 is the gyrfalcon of the far northeast, the most prized hunting bird in the empire and a standing tribute item — the falcon an emperor gave as a gift. 火炮 here are hand-guns, hauled up the hill in wicker baskets. Falconry and firearms in the same couplet, the very old and the very new.
Lime-poles by the hundred-odd loads; hare-forks a thousand shafts and more.
擔 is dàn here, a carrying-pole load — what one man shoulders — not dān, to carry. 粘竿 are liming poles, smeared with birdlime so a bird that lands is stuck; 兔叉 are pronged hare-spears. This is not sport equipment but industrial trapping gear, counted in hundreds and thousands.
Ox-head nets to bar the trails; and Yama-snares, the buckling cords.
And here the admiring catalogue turns. The nets are called ox-head nets and the snares Yama-snares: 牛頭 is the ox-headed jailer of the Buddhist hells and 閻王 is King Yama who judges the dead. The hunters' own gear is named after the underworld, which is a quiet way of saying where all this is heading. 扣子 ends in an unstressed zi.
All at once the wild hallooing rises; scattered they spread like stars filling the sky.
散撒 takes sàn, to scatter. The beaters spread out across the slope like stars filling the sky — and being flung across a hillside is exactly what happens to them a few lines later. The simile is a spoiler.
The hunters get the full rhapsodic treatment the novel usually saves for a martial hero or a demon king: fox fur and brocade, wolf-fang arrows, tiger-men and dragon-horses, hawks and hounds, hand-guns, hare-forks by the thousand, and a gyrfalcon on the wrist. In form the catalogue is admiring, and the narrator goes so far as to call them stalwart fellows, valiant indeed.
But the praise is laid down like a trap. The two closing images — nets named for the ox-headed jailer of hell, snares named for King Yama — hand the whole magnificent company over to the side of death. The men who have come to kill are themselves being marked, and the scattering like stars filling the sky describes, in advance, how they will end up strewn across the mountain.