Canonical Classics ← 第二十八回
第二十八回
huāguǒshānqúnyāo
hēisōnglínsānzàngféng

At Flower-Fruit Mountain the Host of Fiends Bands Together in Fellowship · In the Black Pine Forest Tripitaka Falls in with a Demon

呆子偷閒
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

呆子偷閒 The Idle Search

kànchūlesōnglínwǎng西xíngjīngshígèngcéngzhuàngzháorénjiāzhēnshìyǒulángrényāndechùdāizizǒudexīnxīnnèichényíndào:「dāngniánxíngzhězàilǎoshàngyàodejiùyǒujīnlúndàodeshēnshàngchéngsuǒwèidāngjiācáizhīcháijiàyǎngzifāngxiǎoniángēn』。gōngdàoméihuàchù。」quèyòuzǒudeshuìshàngláidào:「ruòjiùhuíduìlǎoshàngshuōméichùhuàzhāixìnzǒulezhèduōshìzàiduōhuǎngshíchéncáihǎohuíhuàqiěwǎngzhècǎoshuìshuì。」dāizijiùtóugǒngzàicǎoshuìxiàdāngshízhǐshuōménglóngménglóngjiùláizhīzǒuxīnderéndiūdǎotóuzhǐguǎnhōuhōushuìkànchūlesōnglínwǎng西xíngjīngshígèngcéngzhuàngzháorénjiāzhēnshìyǒulángrényāndechùdāizizǒudexīnxīnnèichényíndào:「dāngniánxíngzhězàilǎoshàngyàodejiùyǒujīnlúndàodeshēnshàngchéngsuǒwèidāngjiācáizhīcháijiàyǎngzifāngxiǎoniángēn』。gōngdàoméihuàchù。」quèyòuzǒudeshuìshàngláidào:「ruòjiùhuíduìlǎoshàngshuōméichùhuàzhāixìnzǒulezhèduōshìzàiduōhuǎngshíchéncáihǎohuíhuàqiěwǎngzhècǎoshuìshuì。」dāizijiùtóugǒngzàicǎoshuìxiàdāngshízhǐshuōménglóngménglóngjiùláizhīzǒuxīnderéndiūdǎotóuzhǐguǎnhōuhōushuì


逐句解 Line by line

kànchūlesōnglínwǎng西xíngjīngshígèngcéngzhuàngzháorénjiāzhēnshìyǒulángrényāndechù kànchūlesōnglínwǎng西xíngjīngshígèngcéngzhuàngzháorénjiāzhēnshìyǒulángrényāndechù

Watch him: out of the pines he went, westward more than ten , and never once ran into a single household — truly a place of wolves and tigers and no human smoke.

Ten li of nothing. 無人煙 is without human smoke — no cooking fires, so no houses, so no alms. It is still the ordinary Chinese way of saying uninhabited, and it measures habitation by what rises from a chimney. 撞著 takes as zháo, the reading for a thing that lands or connects: ran into. 西行 takes xíng.

dāizizǒudexīnxīnnèichényíndào:「dāngniánxíngzhězàilǎoshàngyàodejiùyǒujīnlúndàodeshēnshàngchéngsuǒwèidāngjiācáizhīcháijiàyǎngzifāngxiǎoniángēn』。gōngdàoméihuàchù。」 dāizizǒudexīnxīnnèichényíndào:「dāngniánxíngzhězàilǎoshàngyàodejiùyǒujīnlúndàodeshēnshàngchéngsuǒwèidāngjiācáizhīcháijiàyǎngzifāngxiǎoniángēn』。gōngdàoméihuàchù。」

That blockhead, footsore and weary, mused to himself: “In the old days, when the Elder Brother was with us, whatever the old monk wanted was simply there. Now that it has fallen to me — truly it is as they say, ‘Only the head of a house knows the price of firewood and rice; only in raising a son do you learn a parent's love.’ In all fairness, there's nowhere to go begging.”

Bajie's complaint inverts the reader's. He misses Wukong — not as a brother, but as the one who used to make food appear. The couplet he quotes is a real folk saying and still in use: 當家, only the head of a household knows what firewood and rice cost; 養子, only raising a child teaches you what your parents did. It is genuinely apt, and he is using it to excuse himself rather than to improve. is ; 走得 takes the unstressed de.

quèyòuzǒudeshuìshàngláidào:「ruòjiùhuíduìlǎoshàngshuōméichùhuàzhāixìnzǒulezhèduōshìzàiduōhuǎngshíchéncáihǎohuíhuà quèyòuzǒudeshuìshàngláidào:「ruòjiùhuíduìlǎoshàngshuōméichùhuàzhāixìnzǒulezhèduōshìzàiduōhuǎngshíchéncáihǎohuíhuà

Then, as he walked, drowsiness came over him, and he thought: “If I just turn back now and tell the old monk there was nowhere to beg, he won't believe I've walked all this way. I'd better dawdle another hour or so before I go back to report.

This is the sentence that costs Tripitaka the chapter. Bajie does not decide to fail the errand — he decides how long to loiter so that failing will look like effort. He allows himself 個時辰 more, and the unit matters: a 時辰 is one twelfth of a full day and night, so it runs a full two of our hours, not one. The Chinese hour was double ours, which is why the modern word for our sixty-minute hour is 小時, a little 時辰. This chapter's ruby reads the pair shí chén; elsewhere in the project it has been sealed with a neutral second syllable. 走得 takes the unstressed de.

qiěwǎngzhècǎoshuìshuì。」dāizijiùtóugǒngzàicǎoshuìxià qiěwǎngzhècǎoshuìshuì。」dāizijiùtóugǒngzàicǎoshuìxià

Well, then, well then — I'll just have a nap here in the grass.” And the blockhead burrowed his head into the grass and lay down to sleep.

草科 is a clump of tall grass. The scheme to look busy collapses into a nap inside a single sentence, which is the most efficient character sketch in the chapter.

dāngshízhǐshuōménglóngménglóngjiùláizhīzǒuxīnderéndiūdǎotóuzhǐguǎnhōuhōushuì dāngshízhǐshuōménglóngménglóngjiùláizhīzǒuxīnderéndiūdǎotóuzhǐguǎnhōuhōushuì

At the time he meant only to doze a moment and then get up; but who could know that a man worn out with walking, once he flings down his head, will simply snore and snore away.

丟倒頭 takes as dǎo, flung down. 齁齁 is the snoring itself, the sound written straight into the character, and the narrator's shrug — who could know that a man worn out with walking, once he puts his head down, will simply snore — is doing the work of a shrug in any language.


總評 Commentary

Bajie's soliloquy is a small masterpiece of self-justification. He never decides to fail the errand; he decides how long to loiter so that his failure will look like effort — and then falls asleep in the middle of the scheme. The folk couplet he quotes about the price of firewood is genuinely apt, but he deploys it to excuse himself rather than to reform, and his nostalgia for the banished Wukong is entirely practical. He misses the servant, not the brother.

The nap is the hinge of the whole disaster. With Bajie snoring in the grass and Sha Monk about to be sent after him, the master will be left completely alone, which is the one condition the demon needs. The novel lets low comedy do the work of plot: it is not malice that opens the door to the Yellow-Robe ordeal but laziness.