Canonical Classics ← 第二十八回
第二十八回
huāguǒshānqúnyāo
hēisōnglínsānzàngféng

At Flower-Fruit Mountain the Host of Fiends Bands Together in Fellowship · In the Black Pine Forest Tripitaka Falls in with a Demon

獵戶之害
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

獵戶之害 The Hunters' Toll

shèngwényánjiācǎn便biànwèn:「menháiyǒuduōshǎozàishānshàng?」qúnhóudào:「lǎozhěxiǎozhězhǐyǒuqiān。」shèngdào:「dāngshígòngyǒuwànqiānqúnyāojīndōuwǎngle?」qúnhóudào:「cóngyehòuzhèshānbèièrlángdiǎnshànghuǒshāoshālebànmendūnzàijǐngzuānzàijiànnèicángtiěbǎnqiáoxiàlexìngmìngzhìhuǒmièyānxiāochūláishíyòuméihuāguǒyǎngshànnáncúnhuóbiéchùyòulebànmenzhèbànáidezhùzàishānzhōngzhèliǎngniányòubèixiēlièdeqiǎnglebàn。」xíngzhědào:「qiǎnggàn?」qúnhóudào:「shuōzhèlièhènmenzhòngjiànzháoqiāngdezhòngdelejiàngzhǔzhēngyóujiānyánchǎodàngzuòxiàfànshíyònghuòyǒuzāowǎngdekòudejiāhuóerlejiàotiàoquānzuòfānjīndǒushùqīngtíngdāngjiēshàngshāiluóléisuǒwéidewánshuǎ。」shèngwényánjiācǎn便biànwèn:「menháiyǒuduōshǎozàishānshàng?」qúnhóudào:「lǎozhěxiǎozhězhǐyǒuqiān。」shèngdào:「dāngshígòngyǒuwànqiānqúnyāojīndōuwǎngle?」qúnhóudào:「cóngyehòuzhèshānbèièrlángdiǎnshànghuǒshāoshālebànmendūnzàijǐngzuānzàijiànnèicángtiěbǎnqiáoxiàlexìngmìngzhìhuǒmièyānxiāochūláishíyòuméihuāguǒyǎngshànnáncúnhuóbiéchùyòulebànmenzhèbànáidezhùzàishānzhōngzhèliǎngniányòubèixiēlièdeqiǎnglebàn。」xíngzhědào:「qiǎnggàn?」qúnhóudào:「shuōzhèlièhènmenzhòngjiànzháoqiāngdezhòngdelejiàngzhǔzhēngyóujiānyánchǎodàngzuòxiàfànshíyònghuòyǒuzāowǎngdekòudejiāhuóerlejiàotiàoquānzuòfānjīndǒushùqīngtíngdāngjiēshàngshāiluóléisuǒwéidewánshuǎ。」


逐句解 Line by line

shèngwényánjiācǎn便biànwèn:「menháiyǒuduōshǎozàishānshàng?」 shèngwényánjiācǎn便biànwèn:「menháiyǒuduōshǎozàishānshàng?」

When the Great Sage heard these words, his sorrow grew keener still. He asked, “How many of you are left on this mountain?”

is , that. 聞得 takes the unstressed de; is hái, still; 多少 takes shǎo. His question — how many are left — assumes there is a number small enough to ask about, and he is right.

qúnhóudào:「lǎozhěxiǎozhězhǐyǒuqiān。」 qúnhóudào:「lǎozhěxiǎozhězhǐyǒuqiān。」

The monkeys said, “Old and young together, only a thousand or so.”

千把 is a thousand-odd, a thousand give or take. The vagueness is the point: nobody has counted, because nobody expected to be able to.

shèngdào:「dāngshígòngyǒuwànqiānqúnyāojīndōuwǎngle?」 shèngdào:「dāngshígòngyǒuwànqiānqúnyāojīndōuwǎngle?」

Said the Great Sage, “In my day I had a host of forty-seven thousand fiends. Where have they all gone now?”

Here is the arithmetic that hurts. He left forty-seven thousand and has come back to a thousand-odd. 四萬七千 is the monkey-army of the novel's early chapters, quoted at its full strength so the gap does the work. 當時 takes dāng, in that time; is dōu; 那裡 is , asking where.

qúnhóudào:「cóngyehòuzhèshānbèièrlángdiǎnshànghuǒshāoshālebànmendūnzàijǐngzuānzàijiànnèicángtiěbǎnqiáoxiàlexìngmìng qúnhóudào:「cóngyehòuzhèshānbèièrlángdiǎnshànghuǒshāoshālebànmendūnzàijǐngzuānzàijiànnèicángtiěbǎnqiáoxiàlexìngmìng

The monkeys said, “After you left us, Grandfather, this mountain was set alight by the Bodhisattva Erlang, and better than half of us were burned to death. Those of us who crouched in the wells, or bored into the gorges, or hid beneath the iron-plank bridge, kept our lives.

The survivors are the ones who happened to be underground. Wells, gorges, the space beneath the bridge — shelter by accident, not by plan. 鐵板橋 is the iron-plank bridge behind the Water-Curtain Cave, the front door of the old kingdom. Note what they call Erlang: 菩薩, bodhisattva. He burned their home and they still speak of him with awe, which tells you how the powerful look from below. is cáng, hid; 得了 takes , got — got their lives, in the sense of keeping them.

zhìhuǒmièyānxiāochūláishíyòuméihuāguǒyǎngshànnáncúnhuóbiéchùyòulebànmenzhèbànáidezhùzàishānzhōngzhèliǎngniányòubèixiēlièdeqiǎnglebàn。」 zhìhuǒmièyānxiāochūláishíyòuméihuāguǒyǎngshànnáncúnhuóbiéchùyòulebànmenzhèbànáidezhùzàishānzhōngzhèliǎngniányòubèixiēlièdeqiǎnglebàn。」

But when the fire had died and the smoke cleared and we came out, there were no more flowers or fruit to keep us fed; we could barely stay alive, and half of what was left went off to other places. This half of us endured the hardship and stayed on the mountain — and these last two years the hunters have carried off half of us again.”

Count the halvings: 一半 three times in one sentence — the half who left for other places, the half who stayed and endured, and the half the hunters have carried off in the last two years. The burning took 大半, more than half, before any of that. 一半 takes as , raised before the falling tone that follows. is nán, hard; 山中 takes zhōng, in among.

xíngzhědào:「qiǎnggàn?」 xíngzhědào:「qiǎnggàn?」

“What do they carry you off to do?” asked the Pilgrim.

行者 takes xíng. 何幹 is gàn, to do — carry you off to do what? He has not guessed, and the answer is worse than anything he would have.

qúnhóudào:「shuōzhèlièhènmenzhòngjiànzháoqiāngdezhòngdelejiàngzhǔzhēngyóujiānyánchǎodàngzuòxiàfànshíyòng qúnhóudào:「shuōzhèlièhènmenzhòngjiànzháoqiāngdezhòngdelejiàngzhǔzhēngyóujiānyánchǎodàngzuòxiàfànshíyòng

The monkeys said, “Speak of these hunters — how hateful they are! Those of us struck by their arrows and pierced by their spears, or poisoned and beaten dead, they carry off to flay and bone, to stew in soy and steam in vinegar, to fry in oil and roast with salt, and eat as a relish with their rice.

The answer is a kitchen. Flayed, boned, stewed in soy, steamed in vinegar, fried in oil, done with salt, and eaten as a side dish with rice — the horror is delivered entirely in the vocabulary of ordinary cooking. 中箭 and 中毒 take as zhòng, struck by, not the zhōng that means middle. is zháo, the reading for a blow that lands. 當做 is dàng, to treat as — not dāng.

huòyǒuzāowǎngdekòudejiāhuóerlejiàotiàoquānzuòfānjīndǒushùqīngtíngdāngjiēshàngshāiluóléisuǒwéidewánshuǎ。」 huòyǒuzāowǎngdekòudejiāhuóerlejiàotiàoquānzuòfānjīndǒushùqīngtíngdāngjiēshàngshāiluóléisuǒwéidewánshuǎ。」

And some who fall into the nets, or are caught in the snares, they take away alive — making them leap through hoops and put on shows, turn somersaults and stand on their heads, sift gongs and beat drums in the middle of the street, all manner of antics for men's amusement.”

And the ones taken alive are made into a circus act: hoops, somersaults, handstands, gongs and drums in the street. The monkeys are describing a trained-animal show, and the reader has watched their king do every one of those tricks by choice. 夾活兒 ends in the curled er suffix, alive. 觔斗 is the somersault, written with where the standard form has is dǒu. is jiào, to make someone do a thing. 當街 takes dāng, right in the street. 無所不為 — there is nothing they will not do — takes as wéi, and the in front of it keeps its falling tone, , because the syllable after it is rising.


總評 Commentary

The monkeys' report turns from lament to indictment, and its detail is meant to be hard to sit through. The novel does not spare the reader the kitchen: flayed and boned, stewed and fried, the monkeys end up as a relish for a man's rice — or are kept alive and made into street entertainers. This is the fullest account the book gives of how Flower-Fruit Mountain fell: burned first by Heaven's punitive raid, then starved, then preyed on by ordinary men. Each halving tolls like a bell.

The passage is doing careful moral work. By the time Wukong acts, the reader has heard, in the monkeys' own voices, exactly what the hunters do, so the slaughter to come will land as payment rather than as savagery. But the timing is pointed. Wukong has just been banished for killing bandits whom Tripitaka judged to be men and not monsters. The novel sets his kinsmen's suffering directly against that judgement, invites sympathy for his fury, and leaves the harder question — whether revenge is justice — wide open.

Notice how the horror is built. The cookery is domestic: 醬煮醋蒸, 油煎鹽炒, the verbs of any household kitchen. The circus is domestic too — 跳圈, 翻觔斗, 豎蜻蜓, 篩鑼擂鼓, the ordinary vocabulary of a street show. Nothing in the language is monstrous, and that is what makes the passage land.