Canonical Classics ← 第二十回
第二十回
huángfēnglǐngtángsēngyǒunàn
bànshānzhōngjièzhēngxiān

On Yellow Wind Ridge the Tang Monk Meets Adversity · Halfway Up the Mountain Bajie Strives for the Lead

山路傍邊有村舍
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字體 Script
原文 Original text 繁體 Traditional Reader's edition

山路傍邊有村舍 A Hamlet Beside the Mountain Road

zhèngxíngshírántiānwǎnyòujiànshānpángbiānyǒucūnshèsānzàngdào:「kōngkànluò西shāncánghuǒjìngyuèshēngdōnghǎixiànbīnglúnxìngérdàopángyǒurénjiāmenqiějiè宿xiāomíngzàizǒu。」jièdào:「shuōdeshìlǎozhūyǒuxiēèleqiědàorénjiāhuàxiēzhāichīyǒuhǎotiāoxíng。」xíngzhědào:「zhèliànjiāguǐlejiājiùshēngbàoyuàn。」jièdào:「azhèfēngayānderéncónggēnleshīzhèchángrěnbànxiǎo?」sānzàngwénzhīdào:「néngruòshìzàijiāxīnzhòngashìchūjiādeleháihuí。」dāizihuāngdeguìxiàdào:「shītīngshīxiōngzhīyányǒuxiēzāngmáiréncéngbàoyuànshéndejiùshuōbàoyuànshìzhíchángdechīhànshuōdàonèilehǎoxúnrénjiāhuàzhāijiùshìliànjiāguǐshīashòuledejièxíngyòuchéngshīliánmǐnqíngyuànyàoshìshīwǎng西tiānshì退tuìhuǐzhèjiàozuòhènxiūxíng』。zěndeshuōshìchūjiādehuà?」sānzàngdào:「shìqiělái。」zhèngxíngshírántiānwǎnyòujiànshānpángbiānyǒucūnshèsānzàngdào:「kōngkànluò西shāncánghuǒjìngyuèshēngdōnghǎixiànbīnglúnxìngérdàopángyǒurénjiāmenqiějiè宿xiāomíngzàizǒu。」jièdào:「shuōdeshìlǎozhūyǒuxiē饿èleqiědàorénjiāhuàxiēzhāichīyǒuhǎotiāoxíng。」xíngzhědào:「zhèliànjiāguǐlejiājiùshēngbàoyuàn。」jièdào:「azhèfēngayānderéncónggēnleshīzhèchángrěnbànxiǎo?」sānzàngwénzhīdào:「néngruòshìzàijiāxīnzhòngashìchūjiādeleháihuí。」dāizihuāngdeguìxiàdào:「shītīngshīxiōngzhīyányǒuxiēzāngmáiréncéngbàoyuànshéndejiùshuōbàoyuànshìzhíchángdechīhànshuōdàonèilehǎoxúnrénjiāhuàzhāijiùshìliànjiāguǐshīashòuledejièxíngyòuchéngshīliánmǐnqíngyuànyàoshìshīwǎng西tiānshì退tuìhuǐzhèjiàozuòhènxiūxíng』。zěndeshuōshìchūjiādehuà?」sānzàngdào:「shìqiělái。」


逐句解 Line by line

zhèngxíngshírántiānwǎnyòujiànshānpángbiānyǒucūnshè zhèngxíngshírántiānwǎnyòujiànshānpángbiānyǒucūnshè

One day, as they were going along, evening came on of a sudden, and they saw a hamlet standing beside the mountain road.

傍邊 is written for , so the character takes that word's reading, páng — as it does everywhere it appears in this chapter. 村舍, a farmstead: the first human dwelling the pilgrims have laid eyes on since Gao Village.

sānzàngdào:「kōngkànluò西shāncánghuǒjìngyuèshēngdōnghǎixiànbīnglún sānzàngdào:「kōngkànluò西shāncánghuǒjìngyuèshēngdōnghǎixiànbīnglún

Sanzang said, "Wukong, look — the sun drops behind the western hills and hides away its mirror of fire; the moon climbs from the eastern sea and shows its wheel of ice.

The monk is pleased with himself, and it shows in the matching: 日落西山藏火鏡 set against 月升東海現冰輪, with (cáng, "to hide") answered by , "to show." The same character in his own name, 三藏, is of course zàng. Both readings stand in this one line.

xìngérdàopángyǒurénjiāmenqiějiè宿xiāomíngzàizǒu。」 xìngérdàopángyǒurénjiāmenqiějiè宿xiāomíngzàizǒu。」

Happily there is a house beside the way. Let us beg a night's lodging, and go on again tomorrow."

借宿一宵, to borrow a single night. 道傍 is again written for .

jièdào:「shuōdeshìlǎozhūyǒuxiēèleqiědàorénjiāhuàxiēzhāichīyǒuhǎotiāoxíng。」 jièdào:「shuōdeshìlǎozhūyǒuxiē饿èleqiědàorénjiāhuàxiēzhāichīyǒuhǎotiāoxíng。」

Bajie said, "Well said. Old Hog is somewhat hungry himself. Let us beg a little fasting-fare of the house — there will be strength in me then for carrying the loads."

說得是 takes as the linking particle de. 老豬, "Old Hog," is what Bajie always calls himself, answering the Pilgrim's 老孫, "Old Monkey." 化些齋吃: is to beg alms, and the meatless meal proper to monks.

xíngzhědào:「zhèliànjiāguǐlejiājiùshēngbàoyuàn。」 xíngzhědào:「zhèliànjiāguǐlejiājiùshēngbàoyuàn。」

The Pilgrim said, "You home-hankering ghost. A few days from your own doorway and already you breed complaints."

戀家鬼, "home-hankering ghost," is invented on the spot — and Bajie will fling it straight back a hundred characters later, quoting it word for word as an insult received. 生報怨, to breed a grievance.

jièdào:「azhèfēngayānderén jièdào:「azhèfēngayānderén

Bajie said, "Brother, I am no match for you, who drink the wind and sup the haze.

比不得 is the "cannot" pattern, so reads . 喝風啊煙 — making a meal of wind and smoke — is the pig's sour description of an immortal's diet. He has a point: the immortal in question has not eaten since he was let out from under the Five Phases Mountain.

cónggēnleshīzhèchángrěnbànxiǎo?」 cónggēnleshīzhèchángrěnbànxiǎo?」

Since I fell in behind our master these few days, I have gone long with a belly half-empty. Did you know that?"

長忍 is cháng rěn, "to endure for a long time," not zhǎng; the automatic reading goes wrong here. 曉得 is the plain verb "to know," and its is toneless de. 半肚饑, half a belly of hunger, is Bajie exactly: not starving, merely not full.

sānzàngwénzhīdào:「néngruòshìzàijiāxīnzhòngashìchūjiādeleháihuí。」 sānzàngwénzhīdào:「néngruòshìzàijiāxīnzhòngashìchūjiādeleháihuí。」

Sanzang, hearing it, said, "Wuneng, if the thought of home lies so heavy on you, then you are no man who has left the household. Go back, and welcome."

心重, the heart weighed down with home, reads zhòng. And here is the threat the Tang Monk reaches for whenever Bajie annoys him — go home, then — which he will go on reaching for for a long time yet. here is the adverb hái.

dāizihuāngdeguìxiàdào:「shītīngshīxiōngzhīyányǒuxiēzāngmáirén dāizihuāngdeguìxiàdào:「shītīngshīxiōngzhīyányǒuxiēzāngmáirén

The Idiot dropped in a fright to his knees. "Master, do not listen to my elder brother. He has a way of fastening dirt upon a man.

慌得跪下 takes as the result-linking de. 贓埋人 means literally "to bury someone in stolen goods," and it was Ming slang for framing a man; both characters are chosen for their sound rather than their sense.

céngbàoyuànshéndejiùshuōbàoyuàn céngbàoyuànshéndejiùshuōbàoyuàn

I complained of nothing whatever, and still he says I complain.

甚的 is doing the work of 什麼, so reads shén, not shèn.

shìzhíchángdechīhànshuōdàonèilehǎoxúnrénjiāhuàzhāijiùshìliànjiāguǐ shìzhíchángdechīhànshuōdàonèilehǎoxúnrénjiāhuàzhāijiùshìliànjiāguǐ

I am a straight-gut simpleton. I said my belly was empty and that we might find a house and beg a meal, and at once he rails at me for a home-hankering ghost.

直腸的痴漢, "a straight-gut fool," is a self-description of considerable cunning: Bajie pleads simplicity inside a perfectly built rhetorical sentence. Watch what he does with the quotations, too. His own words he repeats accurately; his brother's he sharpens.

shīashòuledejièxíngyòuchéngshīliánmǐn shīashòuledejièxíngyòuchéngshīliánmǐn

Master, from the Bodhisattva I received the discipline of the precepts, and from you I have had compassion besides;

戒行, keeping the precepts, reads jiè xíng. The Bodhisattva conferred them on him in chapter 8 and again in chapter 19; the master's pity is about a fortnight old.

qíngyuànyàoshìshīwǎng西tiānshì退tuìhuǐ qíngyuànyàoshìshīwǎng西tiānshì退tuìhuǐ

willingly I would serve you the whole way to the Western Heaven, and I have sworn to know no drawing back.

誓無退悔 — sworn never to turn back. Coming from a creature who has just been threatened with dismissal over dinner, the vow is both perfectly sincere and completely unreliable, which is Bajie whole and entire in four characters.

zhèjiàozuòhènxiūxíng』。zěndeshuōshìchūjiādehuà?」 zhèjiàozuòhènxiūxíng』。zěndeshuōshìchūjiādehuà?」

This is what men call cultivation in bitter earnest. How can you say it is not the speech of one who has left the household?"

The source puts 恨苦修行 inside the inner quotation marks 『』, so Bajie is citing a phrase, not minting one. 恨苦, "in bitter earnest," intensifies rather than negates; 修行 is xiū xíng.

sānzàngdào:「shìqiělái。」 sānzàngdào:「shìqiělái。」

Sanzang said, "If that is how it stands, get up."

既是如此 concedes without conceding anything. The Tang Monk lets the matter drop, and the party reaches the farmhouse door with the quarrel still live — which is why the Pilgrim loses his temper with the owner within the page.


總評 Commentary

The first ordinary scene with the new company. Three pilgrims now walk where two walked before, and the novel wastes no time finding out what the third is for. Bajie is hungry, says so, is mocked for saying so, and defends himself at length and rather well. The quarrel is trivial and entirely in character. It also establishes, before any demon turns up, that the real fault-line in this party runs between the monkey and the pig, with the monk arbitrating badly.

Notice how the Tang Monk talks. His one long speech is an ornamental couplet about sunset and moonrise, delivered while his disciples are thinking about supper. His second is a threat of expulsion. His third is a grudging 既是如此, if that is how it stands. The poem at the head of the chapter has not made him a wiser master, only a more literary one. The gap between 莫認賊為子 and this squabble over a bowl of rice is the space the chapter's irony lives in.