山路傍邊有村舍 A Hamlet Beside the Mountain Road
那日正行時,忽然天晚,又見山路傍邊有一村舍。三藏道:「悟空,你看那日落西山藏火鏡,月升東海現冰輪。幸而道傍有一人家,我們且借宿一宵,明日再走。」八戒道:「說得是,我老豬也有些餓了,且到人家化些齋吃,有力氣,好挑行李。」行者道:「這個戀家鬼,你離了家幾日,就生報怨。」八戒道:「哥啊,比不得你這喝風啊煙的人。我從跟了師父這幾日,長忍半肚饑,你可曉得?」三藏聞之道:「悟能,你若是在家心重啊,不是個出家的了,你還回去罷。」那獃子慌得跪下道:「師父,你莫聽師兄之言,他有些贓埋人。我不曾報怨甚的,他就說我報怨。我是個直腸的痴漢,我說道肚內饑了,好尋個人家化齋,他就罵我是戀家鬼。師父啊,我受了菩薩的戒行,又承師父憐憫,情願要伏侍師父往西天去,誓無退悔。這叫做『恨苦修行』。怎的說不是出家的話?」三藏道:「既是如此,你且起來。」那日正行时,忽然天晚,又见山路傍边有一村舍。三藏道:「悟空,你看那日落西山藏火镜,月升东海现冰轮。幸而道傍有一人家,我们且借宿一宵,明日再走。」八戒道:「说得是,我老猪也有些饿了,且到人家化些斋吃,有力气,好挑行李。」行者道:「这个恋家鬼,你离了家几日,就生报怨。」八戒道:「哥啊,比不得你这喝风啊烟的人。我从跟了师父这几日,长忍半肚饥,你可晓得?」三藏闻之道:「悟能,你若是在家心重啊,不是个出家的了,你还回去罢。」那呆子慌得跪下道:「师父,你莫听师兄之言,他有些赃埋人。我不曾报怨甚的,他就说我报怨。我是个直肠的痴汉,我说道肚内饥了,好寻个人家化斋,他就骂我是恋家鬼。师父啊,我受了菩萨的戒行,又承师父怜悯,情愿要伏侍师父往西天去,誓无退悔。这叫做『恨苦修行』。怎的说不是出家的话?」三藏道:「既是如此,你且起来。」
逐句解 Line by line
One day, as they were going along, evening came on of a sudden, and they saw a hamlet standing beside the mountain road.
傍邊 is written for 旁, so the character takes that word's reading, páng — as it does everywhere it appears in this chapter. 村舍, a farmstead: the first human dwelling the pilgrims have laid eyes on since Gao Village.
Sanzang said, "Wukong, look — the sun drops behind the western hills and hides away its mirror of fire; the moon climbs from the eastern sea and shows its wheel of ice.
The monk is pleased with himself, and it shows in the matching: 日落西山藏火鏡 set against 月升東海現冰輪, with 藏 (cáng, "to hide") answered by 現, "to show." The same character in his own name, 三藏, is of course zàng. Both readings stand in this one line.
Happily there is a house beside the way. Let us beg a night's lodging, and go on again tomorrow."
借宿一宵, to borrow a single night. 道傍 is again written for 旁.
Bajie said, "Well said. Old Hog is somewhat hungry himself. Let us beg a little fasting-fare of the house — there will be strength in me then for carrying the loads."
說得是 takes 得 as the linking particle de. 老豬, "Old Hog," is what Bajie always calls himself, answering the Pilgrim's 老孫, "Old Monkey." 化些齋吃: 化 is to beg alms, and 齋 the meatless meal proper to monks.
The Pilgrim said, "You home-hankering ghost. A few days from your own doorway and already you breed complaints."
戀家鬼, "home-hankering ghost," is invented on the spot — and Bajie will fling it straight back a hundred characters later, quoting it word for word as an insult received. 生報怨, to breed a grievance.
Bajie said, "Brother, I am no match for you, who drink the wind and sup the haze.
比不得 is the "cannot" pattern, so 得 reads dé. 喝風啊煙 — making a meal of wind and smoke — is the pig's sour description of an immortal's diet. He has a point: the immortal in question has not eaten since he was let out from under the Five Phases Mountain.
Since I fell in behind our master these few days, I have gone long with a belly half-empty. Did you know that?"
長忍 is cháng rěn, "to endure for a long time," not zhǎng; the automatic reading goes wrong here. 曉得 is the plain verb "to know," and its 得 is toneless de. 半肚饑, half a belly of hunger, is Bajie exactly: not starving, merely not full.
Sanzang, hearing it, said, "Wuneng, if the thought of home lies so heavy on you, then you are no man who has left the household. Go back, and welcome."
心重, the heart weighed down with home, reads zhòng. And here is the threat the Tang Monk reaches for whenever Bajie annoys him — go home, then — which he will go on reaching for for a long time yet. 還 here is the adverb hái.
The Idiot dropped in a fright to his knees. "Master, do not listen to my elder brother. He has a way of fastening dirt upon a man.
慌得跪下 takes 得 as the result-linking de. 贓埋人 means literally "to bury someone in stolen goods," and it was Ming slang for framing a man; both characters are chosen for their sound rather than their sense.
I complained of nothing whatever, and still he says I complain.
甚的 is doing the work of 什麼, so 甚 reads shén, not shèn.
I am a straight-gut simpleton. I said my belly was empty and that we might find a house and beg a meal, and at once he rails at me for a home-hankering ghost.
直腸的痴漢, "a straight-gut fool," is a self-description of considerable cunning: Bajie pleads simplicity inside a perfectly built rhetorical sentence. Watch what he does with the quotations, too. His own words he repeats accurately; his brother's he sharpens.
Master, from the Bodhisattva I received the discipline of the precepts, and from you I have had compassion besides;
戒行, keeping the precepts, reads jiè xíng. The Bodhisattva conferred them on him in chapter 8 and again in chapter 19; the master's pity is about a fortnight old.
willingly I would serve you the whole way to the Western Heaven, and I have sworn to know no drawing back.
誓無退悔 — sworn never to turn back. Coming from a creature who has just been threatened with dismissal over dinner, the vow is both perfectly sincere and completely unreliable, which is Bajie whole and entire in four characters.
This is what men call cultivation in bitter earnest. How can you say it is not the speech of one who has left the household?"
The source puts 恨苦修行 inside the inner quotation marks 『』, so Bajie is citing a phrase, not minting one. 恨苦, "in bitter earnest," intensifies rather than negates; 修行 is xiū xíng.
Sanzang said, "If that is how it stands, get up."
既是如此 concedes without conceding anything. The Tang Monk lets the matter drop, and the party reaches the farmhouse door with the quarrel still live — which is why the Pilgrim loses his temper with the owner within the page.
The first ordinary scene with the new company. Three pilgrims now walk where two walked before, and the novel wastes no time finding out what the third is for. Bajie is hungry, says so, is mocked for saying so, and defends himself at length and rather well. The quarrel is trivial and entirely in character. It also establishes, before any demon turns up, that the real fault-line in this party runs between the monkey and the pig, with the monk arbitrating badly.
Notice how the Tang Monk talks. His one long speech is an ornamental couplet about sunset and moonrise, delivered while his disciples are thinking about supper. His second is a threat of expulsion. His third is a grudging 既是如此, if that is how it stands. The poem at the head of the chapter has not made him a wiser master, only a more literary one. The gap between 莫認賊為子 and this squabble over a bowl of rice is the space the chapter's irony lives in.