怎的不動彈 Why Will They Not Move
長老聽言,欣然轉馬,回至邊前,叫道:「悟空,有甚事叫回來也?」行者道:「你們看這些賊是怎的說?」八戒近前推著他,叫道:「強盜,你怎的不動彈了?」那賊渾然無知,不言不語。八戒道:「好的痴啞了。」行者笑道:「是老孫使個定身法定住也。」八戒道:「既定了身,未曾定口,怎麼連聲也不做?」行者道:「師父請下馬坐著。长老听言,欣然转马,回至边前,叫道:「悟空,有甚事叫回来也?」行者道:「你们看这些贼是怎的说?」八戒近前推着他,叫道:「强盗,你怎的不动弹了?」那贼浑然无知,不言不语。八戒道:「好的痴哑了。」行者笑道:「是老孙使个定身法定住也。」八戒道:「既定了身,未曾定口,怎么连声也不做?」行者道:「师父请下马坐着。
逐句解 Line by line
The elder heard him, turned his horse gladly, came back to the roadside and called, "Wukong, what is it you have called us back for?" Monkey said, "Come and look at what these robbers have to say."
欣然 — gladly. Tripitaka has spent the whole hold-up shaking on his horse, and one shout from Monkey settles him completely. 看這些賊是怎的說 — look at what these robbers have to say. It is an invitation to a joke, and Monkey delivers it deadpan. The robbers are going to say nothing at all.
Bajie went up and gave one a shove, calling, "Robber! How come you have stopped moving?" The robbers were utterly senseless, and neither spoke nor made a sound.
⚠ 動彈 — to budge, to stir. The second character has gone weightless, the way it does at the end of a word. Read at full weight it means a pellet or a bullet, which is what a dictionary gives you and which makes nonsense of a man standing still. The word appears exactly once in the whole novel, so there is nothing else to check it against. 推著他 — giving him a shove. Bajie's instinct is to poke it and see, and that is exactly the right instinct here.
Bajie said, "They've gone nicely dumb." Monkey said with a laugh, "Old Monkey used the body-fixing method on them, that's all."
好的痴啞了 — gone nicely dumb. Bajie is enjoying himself. The little word in the middle is doing the same work as nicely in English: appreciative, faintly gloating. Monkey's answer is offhand to the point of rudeness — he has frozen thirty armed men and describes it as a thing he did, that's all.
Bajie said, "You've fixed their bodies, but you never fixed their mouths. How is it they can't make a sound either?"
A genuinely good question, and it is Bajie who asks it. He has understood the spell well enough to spot that it has overreached its own name. This is one of the running pleasures of the book: Bajie is stupid about people and consistently sharp about mechanics. He panicked five minutes ago over nothing, and now he is the only one paying attention to how the magic actually works.
Monkey said, "Master, get down off the horse and take a seat."
坐著 — sit yourself down and stay there. The character after the verb marks something that continues rather than something done once, so it is settle down rather than sit. The staging matters. Monkey seats Tripitaka before anything else happens, and what follows is a court: a seated presiding figure, three officers with weapons, and thirty defendants on the ground.
The chapter has been in earnest for nineteen hundred characters and this passage is the release. Bajie pokes a frozen man; the frozen man says nothing; Bajie declares him nicely dumb. Nothing here advances the plot at all.
But the last line quietly sets a stage. Monkey tells his master to sit down, and from that moment the roadside is arranged exactly like a courtroom — one man seated above, three with weapons standing, thirty prisoners on the ground waiting to be questioned. The pilgrims are about to hold a trial.
They have no authority to hold one. They are four travellers with no standing in this prefecture, conducting an interrogation on a public road, with the defendants held by magic. Within about a thousand characters the arrangement will be reversed exactly — the same four in front of a real magistrate with a real deposition, and no magic that can help them at all.