Canonical Classics ← 第五十五回
第五十五回
色sè邪xié淫yín戲xì唐táng三sān藏zàng
性xìng正zhèng修xiū持chí不bú壞huài身shēn

A Lustful Fiend Toys Wantonly with Tang Tripitaka · His Nature Upright, He Holds to His Cultivation and Keeps the Indestructible Body

燒湯梳妝
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

燒湯梳妝 She Calls for Hot Water

獃dāi子zi粗cū鹵lǔ,不bù容róng分fēn說shuō,舉jǔ釘dīng鈀pá,望wàng他tā那nà石shí頭tóu門mén上shàng盡jìn力lì氣qì一yì鈀pá,唿hū喇lǎ喇lǎ築zhù做zuò幾jǐ塊kuài。諕xià得de那nà幾jǐ個gè枕zhěn梆bāng鈴líng睡shuì的de丫yā鬟huán跑pǎo至zhì二èr層céng門mén外wài,叫jiào聲shēng:「開kāi門mén,前qián門mén被bèi昨zuó日rì那nà兩liǎng個gè醜chǒu男nán人rén打dǎ破pò了le!」那nà女nǚ怪guài正zhèng出chū房fáng門mén,只zhǐ見jiàn四sì五wǔ個gè丫yā鬟huán跑pǎo進jìn去qù報bào道dào:「奶nǎi奶nai,昨zuó日rì那nà兩liǎng個gè醜chǒu男nán人rén又yòu來lái把bǎ前qián門mén已yǐ打dǎ碎suì矣yǐ。」那nà怪guài聞wén言yán,即jí忙máng叫jiào:「小xiǎo的de們men,燒shāo湯tāng洗xǐ面miàn梳shū妝zhuāng。」叫jiào:「把bǎ御yù弟dì連lián繩shéng擡tái在zài後hòu房fáng收shōu了le。等děng我wǒ打dǎ他tā去qù。」呆dāi子zi粗cū卤lǔ,不bù容róng分fēn说shuō,举jǔ钉dīng钯pá,望wàng他tā那nà石shí头tóu门mén上shàng尽jìn力lì气qì一yì钯pá,唿hū喇lǎ喇lǎ筑zhù做zuò几jǐ块kuài。諕xià得de那nà几jǐ个gè枕zhěn梆bāng铃líng睡shuì的de丫yā鬟huán跑pǎo至zhì二èr层céng门mén外wài,叫jiào声shēng:「开kāi门mén,前qián门mén被bèi昨zuó日rì那nà两liǎng个gè丑chǒu男nán人rén打dǎ破pò了le!」那nà女nǚ怪guài正zhèng出chū房fáng门mén,只zhǐ见jiàn四sì五wǔ个gè丫yā鬟huán跑pǎo进jìn去qù报bào道dào:「奶nǎi奶nai,昨zuó日rì那nà两liǎng个gè丑chǒu男nán人rén又yòu来lái把bǎ前qián门mén已yǐ打dǎ碎suì矣yǐ。」那nà怪guài闻wén言yán,即jí忙máng叫jiào:「小xiǎo的de们men,烧shāo汤tāng洗xǐ面miàn梳shū妆zhuāng。」叫jiào:「把bǎ御yù弟dì连lián绳shéng抬tái在zài后hòu房fáng收shōu了le。等děng我wǒ打dǎ他tā去qù。」


逐句解 Line by line

獃dāi子zi粗cū鹵lǔ,不bù容róng分fēn說shuō,舉jǔ釘dīng鈀pá,望wàng他tā那nà石shí頭tóu門mén上shàng盡jìn力lì氣qì一yì鈀pá,唿hū喇lǎ喇lǎ築zhù做zuò幾jǐ塊kuài。 呆dāi子zi粗cū卤lǔ,不bù容róng分fēn说shuō,举jǔ钉dīng钯pá,望wàng他tā那nà石shí头tóu门mén上shàng尽jìn力lì气qì一yì钯pá,唿hū喇lǎ喇lǎ筑zhù做zuò几jǐ块kuài。

The idiot, coarse and headlong, would hear no discussion: he raised his muckrake and with the whole of his strength struck one blow at her stone door, and with a crash it broke into several pieces.

不容分說 — allowing no discussion — takes 分 as fēn. 唿喇喇 is a sound-word for the crash and keeps its ordinary reading. The 一 before 鈀 stays yì: a corpus-wide ruling re-reads 鈀 from bǎ to pá, but third tone and second tone both give yì, so nothing moves.

諕xià得de那nà幾jǐ個gè枕zhěn梆bāng鈴líng睡shuì的de丫yā鬟huán跑pǎo至zhì二èr層céng門mén外wài,叫jiào聲shēng:「開kāi門mén,前qián門mén被bèi昨zuó日rì那nà兩liǎng個gè醜chǒu男nán人rén打dǎ破pò了le!」 諕xià得de那nà几jǐ个gè枕zhěn梆bāng铃líng睡shuì的de丫yā鬟huán跑pǎo至zhì二èr层céng门mén外wài,叫jiào声shēng:「开kāi门mén,前qián门mén被bèi昨zuó日rì那nà两liǎng个gè丑chǒu男nán人rén打dǎ破pò了le!」

It so frightened those maidservants asleep on the clapper and bell that they ran out past the second gate, crying, “Open up! The front door has been broken down by those two ugly men from yesterday!”

諕 is always xià, to frighten; the háo reading would be wrong. 諕得 is the "so frightened that" construction and takes 得 as de, agreeing with the three sites of the near-identical phrase elsewhere in the chapter.

那nà女nǚ怪guài正zhèng出chū房fáng門mén,只zhǐ見jiàn四sì五wǔ個gè丫yā鬟huán跑pǎo進jìn去qù報bào道dào:「奶nǎi奶nai,昨zuó日rì那nà兩liǎng個gè醜chǒu男nán人rén又yòu來lái把bǎ前qián門mén已yǐ打dǎ碎suì矣yǐ。」 那nà女nǚ怪guài正zhèng出chū房fáng门mén,只zhǐ见jiàn四sì五wǔ个gè丫yā鬟huán跑pǎo进jìn去qù报bào道dào:「奶nǎi奶nai,昨zuó日rì那nà两liǎng个gè丑chǒu男nán人rén又yòu来lái把bǎ前qián门mén已yǐ打dǎ碎suì矣yǐ。」

The woman fiend was just coming out at her chamber door when four or five maidservants came running in to report, “Madam! Those two ugly men from yesterday have come again, and have smashed the front door to pieces.”

The same news is carried out and then carried in again in almost the same words. The literary 已 and the final 矣 give the second telling a faintly official finish, as though the maids were filing a report.

那nà怪guài聞wén言yán,即jí忙máng叫jiào:「小xiǎo的de們men,燒shāo湯tāng洗xǐ面miàn梳shū妝zhuāng。」 那nà怪guài闻wén言yán,即jí忙máng叫jiào:「小xiǎo的de们men,烧shāo汤tāng洗xǐ面miàn梳shū妆zhuāng。」

Hearing this, the fiend called at once, “Little ones — heat water, that I may wash my face and dress my hair.”

燒湯洗面梳妝 is four verbs of the toilette in a row: heat water, wash face, comb, dress the hair. And 即忙 marks haste — which makes what she is hurrying to do all the more remarkable.

叫jiào:「把bǎ御yù弟dì連lián繩shéng擡tái在zài後hòu房fáng收shōu了le。等děng我wǒ打dǎ他tā去qù。」 叫jiào:「把bǎ御yù弟dì连lián绳shéng抬tái在zài后hòu房fáng收shōu了le。等děng我wǒ打dǎ他tā去qù。」

And she called, “Carry the royal brother, rope and all, into the back chamber and put him away. Let me go and give them a beating.”

連繩 is "rope and all" — he is not untied, merely moved as he lies. 收 here is to stow or put away, the same verb she used when she had him taken off at the first alarm. She is putting her guest somewhere safe the way you would move a vase before a party.


總評 Commentary

Bajie does at this door exactly what Pilgrim would not let him do at the same door three thousand characters ago. Then it was 無知, done in ignorance, and Pilgrim caught his arm and sent him to wait behind the screen. Now it is 不容分說, brooking no discussion, and nobody stops him. The rake goes in with his full weight behind it and the stone door comes apart. The chapter has built its own bookend, and the only difference is that the question which required caution has now been answered.

What follows is household comedy built on repetition. The maids who were asleep on the watchman's clapper and bell — the very pair posted to listen for this — wake and run outward through the second gate shouting for someone to open it; then four or five more run inward to tell their mistress. The same news travels in both directions in nearly the same words, and the demon learns of the attack from her own staff rather than from the noise, which was loud enough to break stone.

Her response is the detail worth keeping. 即忙, at once, urgently — and then: heat water, wash my face, dress my hair. She stops to make her toilette before going out to fight. It would be easy to read that as vanity, but it is of a piece with everything else about her household: the barred doors, the posted watches, the tidied bedchamber, the vegetarian buns. She conducts a siege the way she conducted a seduction, as domestic business properly ordered — and her last instruction before combat is to have her guest stowed in the back room, rope and all, so he will be where she left him when she gets back.