Canonical Classics ← 第五十五回
第五十五回
xiéyíntángsānzàng
xìngzhèngxiūchíhuàishēn

A Lustful Fiend Toys Wantonly with Tang Tripitaka · His Nature Upright, He Holds to His Cultivation and Keeps the Indestructible Body

東天門外
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

東天門外 Outside the Eastern Gate

hǎoxíngzhěmángjiàjīndǒuyúndàodōngtiānménwàijiànzēngzhǎngtiānwángdāngmiànzuòdào:「shèngwǎng?」xíngzhědào:「yīnbǎotángsēng西fāngjīngzhàngchánshēnyàodàoguāngmínggōngjiànmǎoxīngguānzǒuzǒu。」yòujiàntáozhāngxīndèngyuánshuàiwènwǎngxíngzhědào:「yàoxúnmǎoxīngguānxiángyāojiùshī。」yuánshuàidào:「xīngguānjīnzǎofèngzhǐshàngguānxīngtáixúnchále。」xíngzhědào:「yǒuzhèhuà?」xīntiānjūndào:「xiǎojiàngděngtóngxiàdǒuniúgōnggǎnshuōjiǎ?」táotiānjūndào:「jīnjiǔhuòjiānghuíshèngháixiānguāngmínggōngwèihuízàiguānxīngtái。」hǎoxíngzhěmángjiàjīndǒuyúndàodōngtiānménwàijiànzēngzhǎngtiānwángdāngmiànzuòdào:「shèngwǎng?」xíngzhědào:「yīnbǎotángsēng西fāngjīngzhàngchánshēnyàodàoguāngmínggōngjiànmǎoxīngguānzǒuzǒu。」yòujiàntáozhāngxīndèngyuánshuàiwènwǎngxíngzhědào:「yàoxúnmǎoxīngguānxiángyāojiùshī。」yuánshuàidào:「xīngguānjīnzǎofèngzhǐshàngguānxīngtáixúnchále。」xíngzhědào:「yǒuzhèhuà?」xīntiānjūndào:「xiǎojiàngděngtóngxiàdǒuniúgōnggǎnshuōjiǎ?」táotiānjūndào:「jīnjiǔhuòjiānghuíshèngháixiānguāngmínggōngwèihuízàiguānxīngtái。」


逐句解 Line by line

hǎoxíngzhěmángjiàjīndǒuyúndàodōngtiānménwài hǎoxíngzhěmángjiàjīndǒuyúndàodōngtiānménwài

Splendid Pilgrim! He mounted his cloud-somersault in haste, and in a moment was outside the Eastern Gate of Heaven.

is always jīn, and 觔斗 takes as dǒu — the somersault, not the dòu of combat. 須臾 is the shortest conventional stretch of time, roughly "in the time it takes to say so".

jiànzēngzhǎngtiānwángdāngmiànzuòdào:「shèngwǎng?」 jiànzēngzhǎngtiānwángdāngmiànzuòdào:「shèngwǎng?」

Of a sudden he saw the Heavenly King of Increase, who saluted him face to face and said, “Where is the Great Sage bound?”

增長天王 is one of the four Heavenly Kings who guard the quarters — his Sanskrit name is Virūḍhaka, and the Chinese renders it by sense rather than by sound. is zhǎng. 當面 takes as dāng.

xíngzhědào:「yīnbǎotángsēng西fāngjīngzhàngchánshēnyàodàoguāngmínggōngjiànmǎoxīngguānzǒuzǒu。」 xíngzhědào:「yīnbǎotángsēng西fāngjīngzhàngchánshēnyàodàoguāngmínggōngjiànmǎoxīngguānzǒuzǒu。」

Pilgrim said, “Escorting the Tang Monk westward for the scriptures, we have met a demon-obstruction on the road that has us entangled. I want to go to the Palace of Radiance and look in on the Star Officer of the Mao mansion.”

魔障 is an obstruction of demonic origin — a term of art in Buddhist writing for anything that gets in the way of practice. 走走 doubles the verb to make it casual: "look in on".

yòujiàntáozhāngxīndèngyuánshuàiwènwǎng yòujiàntáozhāngxīndèngyuánshuàiwènwǎng

Then of a sudden he saw the four great Marshals Tao, Zhang, Xin and Deng, who also asked where he was bound.

The four are the thunder-marshals of the celestial civil service.

xíngzhědào:「yàoxúnmǎoxīngguānxiángyāojiùshī。」 xíngzhědào:「yàoxúnmǎoxīngguānxiángyāojiùshī。」

Pilgrim said, “I am seeking the Star Officer of the Mao mansion, to go and subdue a fiend and save my master.”

降妖 takes as xiáng, to subdue; the jiàng of coming down would be wrong here.

yuánshuàidào:「xīngguānjīnzǎofèngzhǐshàngguānxīngtáixúnchále。」 yuánshuàidào:「xīngguānjīnzǎofèngzhǐshàngguānxīngtáixúnchále。」

The four Marshals said, “The Star Officer received the Jade Emperor's command this morning and has gone up to the Star-Watching Terrace on his rounds.”

奉玉帝旨意 is the formula for receiving an order from the throne. 巡察 is a tour of inspection, and heaven runs them exactly as the earthly bureaucracy does — the officer Pilgrim needs is out on his rounds.

xíngzhědào:「yǒuzhèhuà?」 xíngzhědào:「yǒuzhèhuà?」

Pilgrim said, “Is that so?”

可有這話 is a bare expression of doubt: "is that so?"

xīntiānjūndào:「xiǎojiàngděngtóngxiàdǒuniúgōnggǎnshuōjiǎ?」 xīntiānjūndào:「xiǎojiàngděngtóngxiàdǒuniúgōnggǎnshuōjiǎ?」

The Heavenly Lord Xin said, “We lesser officers came down from the Palace of the Dipper and the Ox in his own company. Should we dare speak falsely?”

小將 takes as the rank jiàng, not the handling word jiāng — as with the divine generals earlier in the chapter, the character is a head noun. 斗牛宮 takes as dǒu, agreeing with Pilgrim's own account of being taken there to be beheaded.

táotiānjūndào:「jīnjiǔhuòjiānghuíshèngháixiānguāngmínggōngwèihuízàiguānxīngtái。」 táotiānjūndào:「jīnjiǔhuòjiānghuíshèngháixiānguāngmínggōngwèihuízàiguānxīngtái。」

The Heavenly Lord Tao said, “It has been a good while now; he may be about to return. Let the Great Sage go first to the Palace of Radiance, and if he has not come back, go on then to the Star-Watching Terrace.”

或將回矣 takes as the adverb jiāng, "about to" — a different reading from the rank one line above, and the two stand a few characters apart.


總評 Commentary

Heaven in this novel is a civil service, and the passage is almost entirely procedural. Pilgrim is stopped at the gate by the Heavenly King on duty, who asks his business; stopped again by four marshals, who ask the same; told that the officer he wants is out, having received an imperial order that morning and gone up to the Star-Watching Terrace on his rounds; and advised where to wait and where to try next if the first attempt fails. Nothing supernatural happens at all.

The Great Sage moves through this apparatus as a petitioner, answering each challenge civilly and taking directions. It is worth remembering what he once did to this same establishment: he fought its armies, wrecked its banquet, and was hauled off to the Palace of the Dipper and the Ox to be executed — the very palace the Heavenly Lord Xin now mentions in passing as the place he and the Star Officer came down from together. Nobody alludes to any of it. The novel's long joke about Pilgrim's rehabilitation is that heaven has simply absorbed him into its paperwork.

The one flash of feeling comes from Xin, who is asked 可有這話 — is that so? — and takes it as an insult. 豈敢說假, should we dare speak falsely? The indignation of a middle-ranking official whose word has been doubted is caught exactly, and it is the most human moment in a scene otherwise made entirely of protocol.