Canonical Classics ← 第四十回
第四十回
yīngérhuàchánxīnluàn
yuándāoguīkōng

The Baby, Playing at Transformation, Throws the Chan-Mind into Chaos · Ape and Horse, the Sword-Crucible and Wood-Mother, Come to Naught

心猿受謗
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

心猿受謗 The Mind-Monkey Reviled

quèshuōsūnshèngtáitóuzàikànzhǐjiànhóngyúnyòusànqǐngshīshàngqiánxíngsānzàngdào:「shuōyāojīngyòuláiyòuqǐngzǒu?」xíngzhědào:「zhèháishìguòdeyāojīnggǎnmen。」zhǎnglǎoyòuhuáidào:「zhèhóushífēnnòngzhèngdāngyǒuyāochùquèshuōshìzhèbānqīngpíngzhīsuǒquèyòukǒngxiàshíderǎngdàoyǒushénmeyāojīngduōshíshǎoguǎnqīngzhòngjiāngchōuzhejiǎozuóxiàláijīnquèjiěshuōshénmeguòdeyāojīngjiǎruòdiēshānglequèguòzhèděngzhèděng……」xíngzhědào:「shīguàiruòshìdiēshāngledeshǒuquèháihǎozhìruòshìbèiyāojīnglāolequèchùgēnxún?」sānzànggéngéndeyàoniànjǐnerzhòuquèshìshāsēngquànzhǐshàngyòuxíngquèshuōsūnshèngtáitóuzàikànzhǐjiànhóngyúnyòusànqǐngshīshàngqiánxíngsānzàngdào:「shuōyāojīngyòuláiyòuqǐngzǒu?」xíngzhědào:「zhèháishìguòdeyāojīnggǎnmen。」zhǎnglǎoyòu怀huáidào:「zhèhóushífēnnòngzhèngdāngyǒuyāochùquèshuōshìzhèbānqīngpíngzhīsuǒquèyòukǒngxiàshíderǎngdàoyǒushénmeyāojīngduōshíshǎoguǎnqīngzhòngjiāngchōuzhejiǎozuóxiàláijīnquèjiěshuōshénmeguòdeyāojīngjiǎruòdiēshānglequèguòzhèděngzhèděng……」xíngzhědào:「shīguàiruòshìdiēshāngledeshǒuquèháihǎozhìruòshìbèiyāojīnglāolequèchùgēnxún?」sānzànggéngéndeyàoniànjǐnerzhòuquèshìshāsēngquànzhǐshàngyòuxíng


逐句解 Line by line

quèshuōsūnshèngtáitóuzàikànzhǐjiànhóngyúnyòusànqǐngshīshàngqiánxíng quèshuōsūnshèngtáitóuzàikànzhǐjiànhóngyúnyòusànqǐngshīshàngqiánxíng

Now the Great Sage, lifting his head to look again, saw that the red cloud had scattered once more, and again invited the Master to mount up and ride on ahead.

The second all-clear, and it is one too many. Two pointing , both ; 前行 takes xíng.

sānzàngdào:「shuōyāojīngyòuláiyòuqǐngzǒu?」 sānzàngdào:「shuōyāojīngyòuláiyòuqǐngzǒu?」

Tripitaka said: "You said the demon had come again — how is it you now invite me to travel on?"

The same question as before, asked with less patience. is zàng.

xíngzhědào:「zhèháishìguòdeyāojīnggǎnmen。」 xíngzhědào:「zhèháishìguòdeyāojīnggǎnmen。」

Pilgrim said: "This is still just a demon passing by, that dares not provoke us."

And the same answer, which is what breaks him. 還是 takes hái; keeps the plain before the dipping tone of .

zhǎnglǎoyòuhuáidào:「zhèhóushífēnnòng zhǎnglǎoyòu怀huáidào:「zhèhóushífēnnòng

The elder, harboring anger once more, said: "This wretched ape, making a great fool of me!

潑猴, "wretched ape," is the Master's standard term when Wukong has exhausted him. is zhǎng; in 十分弄我 the is fēn and 十分 means "utterly."

zhèngdāngyǒuyāochùquèshuōshì zhèngdāngyǒuyāochùquèshuōshì

Just when there really are demons about, you say there's nothing wrong;

The charge sheet begins, and every count of it is fair from where Tripitaka is standing. is dāng, "just when"; is chù.

zhèbānqīngpíngzhīsuǒquèyòukǒngxiàshíderǎngdàoyǒushénmeyāojīng zhèbānqīngpíngzhīsuǒquèyòukǒngxiàshíderǎngdàoyǒushénmeyāojīng

and in a clear, peaceful spot like this you go and frighten me, forever bawling out that there's some demon or other.

似這般 has as , "in a place like this" — not the 似的 pairing. is shén.

duōshíshǎoguǎnqīngzhòngjiāngchōuzhejiǎozuóxiàláijīnquèjiěshuōshénmeguòdeyāojīng duōshíshǎoguǎnqīngzhòngjiāngchōuzhejiǎozuóxiàláijīnquèjiěshuōshénmeguòdeyāojīng

All show and little substance, taking no heed of consequence, you seize me by the leg and fling me down off the horse — and now you go explaining it away as some demon passing by.

The physical grievance surfaces: he was grabbed by the leg and thrown off a horse, twice, by a disciple who then explained it away. 虛多實少, "much show and little substance," has as shǎo; 不管輕重 has as zhòng, weight or seriousness; 將我搊著腳 uses the object-marking , jiāng, and the ongoing , zhe; is shén.

jiǎruòdiēshānglequèguòzhèděngzhèděng……」xíngzhědào:「shīguàiruòshìdiēshāngledeshǒuquèháihǎozhì jiǎruòdiēshānglequèguòzhèděngzhèděng……」xíngzhědào:「shīguàiruòshìdiēshāngledeshǒuquèháihǎozhì

Suppose you'd hurt me in the fall — that would be too much to bear, this and this and this…" Pilgrim said: "Master, don't blame me; if you'd hurt a hand or foot in the fall, that could still be cured;

The Master sputters into ellipsis — 這等這等, "this and this and this" — and Wukong answers with the only argument he has, which is that a broken bone can be set and an eaten master cannot. Both are the completed le; is hái.

ruòshìbèiyāojīnglāolequèchùgēnxún?」 ruòshìbèiyāojīnglāolequèchùgēnxún?」

but if you were carried off by a demon, where would we track you down?"

The whole of Wukong's case, in nine characters. is the completed le; is chù.

sānzànggéngéndeyàoniànjǐnerzhòu sānzànggéngéndeyàoniànjǐnerzhòu

Tripitaka, greatly enraged, grinding out his fury, was about to recite the Tight-Fillet Spell.

And here is the threat that decides the chapter. is zàng. 哏哏的 is a sound-word for teeth-grinding fury, with read de attaching it to the verb. The 緊箍兒咒 is the Tight-Fillet Spell, the golden band around Wukong's head that tightens agonisingly whenever the Master recites it — the one instrument of control Tripitaka has over a disciple who could otherwise kill him with a finger. Its is the weightless curl, er.

quèshìshāsēngquànzhǐshàngyòuxíng quèshìshāsēngquànzhǐshàngyòuxíng

But Sha Monk earnestly remonstrated, and the Master had no choice but to mount and ride on again.

Sha Monk, as usual, is the one who stops things going over the edge. 只得 takes the full-weight , ; 又行 takes xíng.


總評 Commentary

The war of nerves breaks on the Master's side. Wukong's second dismissal of the demon as a mere passer-by, coming after he had again hauled Tripitaka off the horse, is one reversal too many, and the exasperation comes out all at once: he cries wolf where there is no wolf, terrifies an old man in peaceful country, throws him from the saddle without a thought for his bones, and then blandly explains it away. Every charge is entirely fair from where Tripitaka stands. He cannot see the demon Wukong sees, and Wukong's behaviour, unexplained, looks exactly like malice.

The threat that closes the passage is the chapter's cruellest irony coming into focus. The headband spell is the one thing that can hurt Wukong, and it is about to be used against the one disciple who has perceived the danger and twice acted to avert it — his competence punished because it could not be made legible in time. Sha Monk's intervention defers the spell, but the damage is done: Wukong has been reduced to silence and compliance, and the next time the crying child appears he will be too intimidated to act. Which completes the demon's groundwork. He never needed to beat Wukong in a fight; he needed only to let the Master's compassion and the Master's temper disarm him, and by the end of this passage both have been brought to exactly the pitch required.